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The Pan African Music Magazine
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Free Download: Samito gets the Afro House treatment by Daniel Haaksman
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Free Download: Samito gets the Afro House treatment by Daniel Haaksman

The Man Recordings´own Daniel Haaksman remixed Samito’s single “I Saw You”. And you can download it for free.

PAM Club: Lorenzo BITW, all roads lead to Rome
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PAM Club: Lorenzo BITW, all roads lead to Rome

The Italian DJ and producer weaves together his timeless personal productions and the afro-club bangers that make him tick, in a DJ set that goes straight to the point! In his work as a DJ […]

PAM Club: Poirier’s summer
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PAM Club: Poirier's summer

Over two restless nights, the Canadian artist Poirier emerged from lockdown for a festival-flavoured PAM Club session with sweet, sweet flavors.

PAM Club: Dom Peter represents Blanc Manioc
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PAM Club: Dom Peter represents Blanc Manioc

Following two exciting discoveries on his label, Blanc Manioc, the Lyon-based artist Dom Peter takes a break behind the PAM Club turntables to fly into underground Africa, from north to south and east to west.

Philippe Cohen Solal revisits Maurice Ravel to make us dance
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Philippe Cohen Solal revisits Maurice Ravel to make us dance

The composer unveils his new title “Afro Bolero”. A cover of one of the most popular anthems of classical music in an Afropop version. Former French music programmer and radio host Philippe Cohen Solal, founder […]

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Listen to the new Berlin Afro House sound by Freak de l’Afrique
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Listen to the new Berlin Afro House sound by Freak de l'Afrique

German label Man Records keeps creating links between Europe and Africa with its new release “Mama Eh”. Berlin, the capital of Germany famous for its music electronic scene, has birthed a new sound: Berlin Afro House. […]

Listen to Mo Laudi’s new afro-house dope track
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Listen to Mo Laudi's new afro‑house dope track

Mo Laudi shares “The Rebirth Of Ubuntu”, the first track from his Afro House Club EP.

Black Future, the dark side of Rio (1988)
Review
Black Future, the dark side of Rio (1988)

Back in 1988, when post-punk and no-wave already had their acme time in the US and Europe, some Brazilian musicians archly revelled in the genre, not without great provocation.