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The Pan African Music Magazine
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A-Reece battles remorse on Today’s Tragedy, Tomorrow’s Memory
Interview
A‑Reece battles remorse on Today’s Tragedy, Tomorrow’s Memory

South Africa’s top lyricist tackles grief and responsibility on his new album Today’s Tragedy, Tomorrow’s Memory. Filled with soulful production and earned wisdom, A-Reece establishes his role as rap’s young conscience.

Toumani Diabaté, the man who talked with a symphony orchestra
Interview
Toumani Diabaté, the man who talked with a symphony orchestra

The label World Circuit is releasing for the first time a sumptuous concert where the kora maestro performs with the London Symphony Orchestra. PAM contacted him in Abidjan to talk about this groundbreaking experience.

Shabaka Hutchings returns from the spheres to talk Black To The Future
Feature
Shabaka Hutchings returns from the spheres to talk Black To The Future

Shabaka Hutchings talks Dogon cosmology, African flutes and the field recordings of Hugh Tracey ahead of the release of the new Sons of Kemet album, Black To The Future

Common: “Revolution and love is like a couple”
Feature
Common: "Revolution and love is like a couple"

The American rapper preaches love : for oneself, for others and for a (healthy) life, rather than advocating the swag and the ego-tripping beefs of other rappers. Values that infuse Beautiful Révolution (part 1), his new album featuring guests Stevie Wonder, Lenny Kravitz, and Chuck D.

Xhosa Cole takes five
Profiles
Xhosa Cole takes five

In conversation with Xhosa Cole on the Pan-African nature of jazz, the importance of looking back to move forward, and the capacity for activism and rejoice through music.

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Carnival, a bastion of Brazilian resistance
Feature
Carnival, a bastion of Brazilian resistance

An expression of social and political life, the Carnival is also a liminal space of transgression, offering a celebratory freedom of expression synonymous with challenging the powers that be.

Wau Wau Collective: An unclassifiable union
Feature
Wau Wau Collective: An unclassifiable union

The outcome of an encounter between the Swedish musician-producer Karl Jonas Winqvist and musicians from the Toubab Dialaw village in Senegal, this collective recording, which evolved through jam sessions and WhatsApp exchanges, represents a strange vessel that traverses the Mediterranean soundscape. Read PAM’s full interview.

It’s Kamo Mphela’s time in South Africa
Feature
It’s Kamo Mphela’s time in South Africa

Kamo Mphela has just released her second EP “Nkulunkulu”, starting with a prayer and ending with a party. PAM speaks with the rising superstar about her come up and breaking from the box of the Dance Music Queen.

The best Nigerian songs of 2021 so far
List / Guide
The best Nigerian songs of 2021 so far

After a rocky 2020 that witnessed a pandemic and national protests against police violence, Nigerian artists are hitting 2021 with a newfound force. Here is our selection of the best Nigerian music of 2021 so far.

Ballaké Sissoko, the one and the many – the world’s kora player
Feature
Ballaké Sissoko, the one and the many – the world’s kora player

The master of the kora has released a new album, Djourou, wherein which he beautifully demonstrates his art of musical conversation. From Oxmo Puccino to Camille and Salif Keita, Djourou tastefully brings together a myriad of artists, centred on the kora. PAM interviews the artist.

YUNIS, synthetic traditions
Interview
YUNIS, synthetic traditions

With his new EP Mulid El-Magnuon, the Egyptian musician YUNIS relies on traditional wedding music and Mawlid festivities, reinterpreting them via a blend of Ney music and synthesizers. PAM finds out more.