{"id":97393,"date":"2022-01-21T16:16:10","date_gmt":"2022-01-21T15:16:10","guid":{"rendered":"https:\/\/pan-african-music.com\/?p=97393"},"modified":"2022-01-21T16:16:17","modified_gmt":"2022-01-21T15:16:17","slug":"albums-21-01-2022","status":"publish","type":"post","link":"https:\/\/pan-african-music.com\/en\/albums-21-01-2022\/","title":{"rendered":"7 albums to discover this week"},"content":{"rendered":"\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"1010\" height=\"1010\" src=\"https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2022\/01\/la-roche-liye-liye-1010x1010.jpg\" alt=\"\" class=\"wp-image-96864\" srcset=\"https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2022\/01\/la-roche-liye-liye-1010x1010.jpg 1010w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2022\/01\/la-roche-liye-liye-759x759.jpg 759w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2022\/01\/la-roche-liye-liye-100x100.jpg 100w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2022\/01\/la-roche-liye-liye-661x661.jpg 661w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2022\/01\/la-roche-liye-liye-465x465.jpg 465w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2022\/01\/la-roche-liye-liye-375x375.jpg 375w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2022\/01\/la-roche-liye-liye-200x200.jpg 200w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2022\/01\/la-roche-liye-liye-85x85.jpg 85w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2022\/01\/la-roche-liye-liye-73x73.jpg 73w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2022\/01\/la-roche-liye-liye.jpg 1200w\" sizes=\"(min-width:1010px) 759px,100vw\" loading=\"lazy\" \/><\/figure>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><em>Liye Liye<\/em><\/p>\n\n\n\n<p><strong>La Roche<\/strong><\/p>\n\n\n\n<p><a href=\"https:\/\/pan-african-music.com\/en\/la-roche-liye-liye\/\">La Roche<\/a>\u2019s new project has the objective of painting \u201c<em>a vivid, pineal tickling four dimensional picture of Congolese culture in 2022<\/em>\u201d. To do so, the Fulu Miziki producer immersed himself in traditional sounds and electronic music, while also using street noises from the bustling Kinshasa megalopolis (\u201c<em>digital watch alarms, car horns, gunshots, screams<\/em>\u201d), refashioning this mix into completely out of time tracks released via Nyege Nyege.<\/p>\n\n\n\n<p>Listen <a href=\"https:\/\/nyegenyegetapes.bandcamp.com\/album\/liye-liye\" target=\"_blank\" rel=\"noreferrer noopener\">here<\/a><\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" width=\"700\" height=\"700\" src=\"https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2022\/01\/mach-hommy-dollar-menu.jpg\" alt=\"\" class=\"wp-image-97394\" srcset=\"https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2022\/01\/mach-hommy-dollar-menu.jpg 700w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2022\/01\/mach-hommy-dollar-menu-100x100.jpg 100w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2022\/01\/mach-hommy-dollar-menu-661x661.jpg 661w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2022\/01\/mach-hommy-dollar-menu-465x465.jpg 465w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2022\/01\/mach-hommy-dollar-menu-375x375.jpg 375w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2022\/01\/mach-hommy-dollar-menu-200x200.jpg 200w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2022\/01\/mach-hommy-dollar-menu-85x85.jpg 85w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2022\/01\/mach-hommy-dollar-menu-73x73.jpg 73w\" sizes=\"(min-width:1010px) 759px,100vw\" loading=\"lazy\" \/><\/figure>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong><em>Dollar Menu<\/em><\/strong><\/p>\n\n\n\n<p><strong>Mach-Hommy<\/strong><\/p>\n\n\n\n<p>Mach-Hommy\u2019s reinterpretation of Muhammad Ali\u2019s famous picture in a bank gives an indication of the themes adressed in <em>Dollar Menu<\/em>. Following the critically-acclaimed <em>Pray For Haiti<\/em> released last year, this EP sees the Haitian-American rapper rap as fiercely as ever on seven new tracks, filled with obscure references to Gerhard Schr\u00f6der, John \u201cNarwuar\u201d Ruskin and Barnum &amp; Bailey Circus.<\/p>\n\n\n\n<p>Listen <a href=\"https:\/\/open.spotify.com\/album\/3aQjgylGN3kd7rTPsi6gaK\" target=\"_blank\" rel=\"noreferrer noopener\">here<\/a><\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"1010\" height=\"1010\" src=\"https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2022\/01\/fave-riddim-5-1010x1010.jpg\" alt=\"\" class=\"wp-image-97227\" srcset=\"https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2022\/01\/fave-riddim-5-1010x1010.jpg 1010w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2022\/01\/fave-riddim-5-759x759.jpg 759w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2022\/01\/fave-riddim-5-100x100.jpg 100w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2022\/01\/fave-riddim-5-661x661.jpg 661w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2022\/01\/fave-riddim-5-465x465.jpg 465w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2022\/01\/fave-riddim-5-375x375.jpg 375w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2022\/01\/fave-riddim-5-200x200.jpg 200w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2022\/01\/fave-riddim-5-85x85.jpg 85w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2022\/01\/fave-riddim-5-73x73.jpg 73w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2022\/01\/fave-riddim-5.jpg 1080w\" sizes=\"(min-width:1010px) 759px,100vw\" loading=\"lazy\" \/><\/figure>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong><em>Riddim 5<\/em><\/strong><\/p>\n\n\n\n<p><strong>Fave<\/strong><\/p>\n\n\n\n<p>Fusing sultry Afropop melodies with Caribbean, R&amp;B and hip-hop influences, Fave\u2019s debut EP <em><a href=\"https:\/\/pan-african-music.com\/en\/fave-riddim-5\/\">Riddim 5<\/a><\/em> confirms that the singer is definitely one of Nigeria\u2019s next big artists. Written by herself and featuring production from some of the country\u2019s most dynamic beatmakers (Krizbeatz, Phyl, Saszy Afroshii, Damie), the project sees her explore different musical ambiances, from the bouncy \u201cObsessed\u201d to the dreamy midtempo \u201cS.M.K\u201d. \u201c<em>The sounds in my head that want to come out are finally getting the chance<\/em>\u201d, she says about the EP.<\/p>\n\n\n\n<p>Listen <a href=\"https:\/\/empawaafrica.lnk.to\/Riddim5\" target=\"_blank\" rel=\"noreferrer noopener\">here<\/a><\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" width=\"600\" height=\"600\" src=\"https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2022\/01\/themba-modern-africa.jpg\" alt=\"\" class=\"wp-image-97396\" srcset=\"https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2022\/01\/themba-modern-africa.jpg 600w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2022\/01\/themba-modern-africa-100x100.jpg 100w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2022\/01\/themba-modern-africa-465x465.jpg 465w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2022\/01\/themba-modern-africa-375x375.jpg 375w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2022\/01\/themba-modern-africa-200x200.jpg 200w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2022\/01\/themba-modern-africa-85x85.jpg 85w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2022\/01\/themba-modern-africa-73x73.jpg 73w\" sizes=\"(min-width:1010px) 759px,100vw\" loading=\"lazy\" \/><\/figure>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong><em>Modern Africa, Part I &#8211; Ekhaya (Deluxe)<\/em><\/strong><\/p>\n\n\n\n<p><strong>THEMBA<\/strong><\/p>\n\n\n\n<p>South African DJ THEMBA surrounds himself with big names of the DJing and production for the deluxe version of <em>Modern Africa, Part I &#8211; Ekhaya<\/em>, featuring remixes and reworks from American duo The Martinez Brothers, British DJs Dense &amp; Pika and Damian Lazarus, and South African heavyweight Black Coffee. The project is a deep dive in the Southern African take on Afro-house.&nbsp;<\/p>\n\n\n\n<p>Listen <a href=\"https:\/\/open.spotify.com\/album\/3jC7ucrvKNqs2psuvEG8R0\" target=\"_blank\" rel=\"noreferrer noopener\">here<\/a><\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"1010\" height=\"1010\" src=\"https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2022\/01\/sean-lifer-lost-in-space-EP-1010x1010.jpg\" alt=\"\" class=\"wp-image-97397\" srcset=\"https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2022\/01\/sean-lifer-lost-in-space-EP-1010x1010.jpg 1010w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2022\/01\/sean-lifer-lost-in-space-EP-759x759.jpg 759w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2022\/01\/sean-lifer-lost-in-space-EP-100x100.jpg 100w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2022\/01\/sean-lifer-lost-in-space-EP-661x661.jpg 661w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2022\/01\/sean-lifer-lost-in-space-EP-465x465.jpg 465w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2022\/01\/sean-lifer-lost-in-space-EP-375x375.jpg 375w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2022\/01\/sean-lifer-lost-in-space-EP-200x200.jpg 200w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2022\/01\/sean-lifer-lost-in-space-EP-85x85.jpg 85w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2022\/01\/sean-lifer-lost-in-space-EP-73x73.jpg 73w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2022\/01\/sean-lifer-lost-in-space-EP.jpg 1080w\" sizes=\"(min-width:1010px) 759px,100vw\" loading=\"lazy\" \/><\/figure>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong><em>Lost In Space &#8211; EP<\/em><\/strong><\/p>\n\n\n\n<p><strong>Sean Lifer<\/strong><\/p>\n\n\n\n<p><a href=\"https:\/\/pan-african-music.com\/en\/welcome-to-kumerica\/\">Kumerica<\/a>\u2019s very own Sean Lifer drops a five-track EP, described rather simply on his social media: \u201c<em>5 songs all hits, no skips ! no features<\/em>\u201d. On <em>Lost In Space &#8211; EP<\/em>, despite being known for his drill banger \u201cMa Drip\u201d, the rapper switches to a more airy and dreamlike production, allowing him to get more personal in his lyrics.&nbsp;<\/p>\n\n\n\n<p>Listen <a href=\"https:\/\/smarturl.it\/listentolostinspace\" target=\"_blank\" rel=\"noreferrer noopener\">here<\/a><\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"1010\" height=\"1010\" src=\"https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2022\/01\/avalanche-kaito-dabalomuni-1010x1010.jpg\" alt=\"\" class=\"wp-image-97398\" srcset=\"https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2022\/01\/avalanche-kaito-dabalomuni-1010x1010.jpg 1010w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2022\/01\/avalanche-kaito-dabalomuni-759x759.jpg 759w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2022\/01\/avalanche-kaito-dabalomuni-100x100.jpg 100w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2022\/01\/avalanche-kaito-dabalomuni-661x661.jpg 661w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2022\/01\/avalanche-kaito-dabalomuni-465x465.jpg 465w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2022\/01\/avalanche-kaito-dabalomuni-375x375.jpg 375w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2022\/01\/avalanche-kaito-dabalomuni-200x200.jpg 200w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2022\/01\/avalanche-kaito-dabalomuni-85x85.jpg 85w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2022\/01\/avalanche-kaito-dabalomuni-73x73.jpg 73w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2022\/01\/avalanche-kaito-dabalomuni.jpg 1200w\" sizes=\"(min-width:1010px) 759px,100vw\" loading=\"lazy\" \/><\/figure>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong><em>Dabalomuni<\/em><\/strong><\/p>\n\n\n\n<p><strong>Avalanche Kaito<\/strong><\/p>\n\n\n\n<p>Avalanche Kaito is the meeting between Kaito Winse, a Burkinabe urban griot, vocalist and multi-instrumentalist, and a Belgium noise punk duo composed of drummer Benjamin Chaval and guitarist Nico Gitto. The band describes their music as \u201c<em>the sound of the world as it truly is; an unruly and unforgettable sonic explosion created by the intersection of wayward travellers<\/em>.\u201d Following the release of \u201c<a href=\"https:\/\/pan-african-music.com\/en\/avalanche-kaito-le-repas-du-cobra\/\">Le repas du cobra<\/a>\u201d, the trio now drops his debut EP via Glitterbeat Record.&nbsp;<\/p>\n\n\n\n<p>Listen <a href=\"https:\/\/avalanchekaito.bandcamp.com\/album\/dabalomuni\" target=\"_blank\" rel=\"noreferrer noopener\">here<\/a><\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"1010\" height=\"1010\" src=\"https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2022\/01\/oliver-nayoka-club-series-1010x1010.jpg\" alt=\"\" class=\"wp-image-97395\" srcset=\"https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2022\/01\/oliver-nayoka-club-series-1010x1010.jpg 1010w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2022\/01\/oliver-nayoka-club-series-759x759.jpg 759w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2022\/01\/oliver-nayoka-club-series-100x100.jpg 100w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2022\/01\/oliver-nayoka-club-series-2048x2048.jpg 2048w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2022\/01\/oliver-nayoka-club-series-1440x1440.jpg 1440w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2022\/01\/oliver-nayoka-club-series-661x661.jpg 661w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2022\/01\/oliver-nayoka-club-series-465x465.jpg 465w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2022\/01\/oliver-nayoka-club-series-375x375.jpg 375w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2022\/01\/oliver-nayoka-club-series-200x200.jpg 200w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2022\/01\/oliver-nayoka-club-series-85x85.jpg 85w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2022\/01\/oliver-nayoka-club-series-73x73.jpg 73w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2022\/01\/oliver-nayoka-club-series.jpg 3000w\" sizes=\"(min-width:1010px) 759px,100vw\" loading=\"lazy\" \/><\/figure>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong><em>Club Series Chapter One<\/em><\/strong><\/p>\n\n\n\n<p><strong>Oliver Nayoka<\/strong><\/p>\n\n\n\n<p>Following his album <em><a href=\"https:\/\/pan-african-music.com\/en\/oliver-nayoka-aja-wele-wele\/\">Aja Wele Wele<\/a><\/em> released in November 2020, Nigerian highlife guitarist Oliver Nayoka returns with the first chapter of a new musical collection: <em>Club Series Chapter One<\/em>. In his own words, the project is an \u201c<em>an expression of fulfillment, love, togetherness and prosperity amongst Igbo brothers and sisters. The series celebrates the wins of a group, community or a family in all works of life.<\/em>\u201d<\/p>\n\n\n\n<p>Listen <a href=\"https:\/\/onerpm.link\/ClubSeriesChapterOne\" target=\"_blank\" rel=\"noreferrer noopener\">here<\/a><\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Liye Liye La Roche La Roche\u2019s new project has the objective of painting \u201ca vivid, pineal tickling four dimensional picture of Congolese culture in 2022\u201d. To do so, the Fulu Miziki producer immersed himself in [&hellip;]<\/p>\n","protected":false},"author":10,"featured_media":97431,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[3944],"tags":[41081,41128,40968],"location":[],"yst_prominent_words":[8403,9178,8414,9391,8435,13335],"acf":[],"_links":{"self":[{"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/posts\/97393"}],"collection":[{"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/comments?post=97393"}],"version-history":[{"count":0,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/posts\/97393\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/media\/97431"}],"wp:attachment":[{"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/media?parent=97393"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/categories?post=97393"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/tags?post=97393"},{"taxonomy":"location","embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/location?post=97393"},{"taxonomy":"yst_prominent_words","embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/yst_prominent_words?post=97393"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}