{"id":96622,"date":"2022-01-13T10:48:45","date_gmt":"2022-01-13T09:48:45","guid":{"rendered":"https:\/\/pan-african-music.com\/?p=96622"},"modified":"2022-01-13T10:48:49","modified_gmt":"2022-01-13T09:48:49","slug":"abiodun-oyewole-gratitude","status":"publish","type":"post","link":"https:\/\/pan-african-music.com\/en\/abiodun-oyewole-gratitude\/","title":{"rendered":"The Last Poets founder Abiodun Oyewole to release new solo album"},"content":{"rendered":"\n<h4 class=\"wp-block-heading\">The spoken word artist has unveiled three singles, all carrying the weight of The Last Poets\u2019 social, political and emotional engagement.&nbsp;<\/h4>\n\n\n\n<p>Over the course of his fifty year career, Abiodun Oyewole has been a poet, author, teacher, and most notably a founding member of the American group The Last Poets, composed of poets and musicians who arose from the late 1960s African-American civil rights movement&#8217;s black nationalism. &#8220;<em>It was a very sensitive period in terms of awareness<\/em>,&#8221; Abiodun had told us in a 2019 <a href=\"https:\/\/pan-african-music.com\/abiodun-oyewole-le-dernier-poete\/\">interview<\/a>. &#8220;<em>We were aware of the hypocrisy. We wanted to do something about it. Malcolm X was really the spearhead for a lot of independent thinkers. We were almost, in a poetic way, his disciples<\/em>.&#8221;<\/p>\n\n\n\n<p>The group&#8217;s art, composed of incendiary, politically charged verses and Afro-centric musical accompaniment usually informed by jazz, became wildly influential, some even saying they laid the groundwork for the emergence of hip-hop. After more than a dozen albums, the band returned to the studio following the election of Donald Trump to deliver the fiery and particularly relevant <em><a href=\"https:\/\/thelastpoets.bandcamp.com\/album\/understand-what-black-is\" target=\"_blank\" rel=\"noreferrer noopener\">Understand What Black Is<\/a><\/em> in 2018, and <em><a href=\"https:\/\/thelastpoetsnyc.bandcamp.com\/album\/transcending-toxic-times\" target=\"_blank\" rel=\"noreferrer noopener\">Transcending Toxic Times<\/a> <\/em>in 2019.&nbsp;<\/p>\n\n\n\n<p>When Oyewole is not busy with his group, poetry (he writes almost everyday), performances, lectures or workshops, he works on his upcoming album <em>Gratitude<\/em>, scheduled for release on February 4. After years dedicating his craft to retroacting the perils of poverty, racism and uplifting his people, this will be the project of \u201c<em>not an angry man, but an older wiser man \u2013 reflecting on his life and spiritual quests<\/em>\u201d. Three singles from the album are already available: the reflective \u201cMy Life\u201d; \u201cHarlem\u201d, which takes us to his native neighborhood; and \u201cOccupy\u201d, a politically charged anthem.&nbsp;<\/p>\n\n\n\n<p><em><a href=\"https:\/\/www.firerecords.com\/product\/abiodun-oyewole-gratitude\/\" target=\"_blank\" rel=\"noreferrer noopener\">Gratitude<\/a><\/em> by Abiodun Oyewole, out on February 4.&nbsp;<\/p>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Occupy\" width=\"500\" height=\"375\" data-src=\"https:\/\/www.youtube.com\/embed\/IOlV4FYtdg0?feature=oembed&#038;autoplay=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><figcaption>Occupy<\/figcaption><\/figure>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"1010\" height=\"1010\" src=\"https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2022\/01\/abiodun-oyewole-gratitude-1010x1010.jpg\" alt=\"\" class=\"wp-image-96623\" srcset=\"https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2022\/01\/abiodun-oyewole-gratitude-1010x1010.jpg 1010w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2022\/01\/abiodun-oyewole-gratitude-759x759.jpg 759w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2022\/01\/abiodun-oyewole-gratitude-100x100.jpg 100w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2022\/01\/abiodun-oyewole-gratitude-1440x1440.jpg 1440w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2022\/01\/abiodun-oyewole-gratitude-661x661.jpg 661w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2022\/01\/abiodun-oyewole-gratitude-465x465.jpg 465w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2022\/01\/abiodun-oyewole-gratitude-375x375.jpg 375w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2022\/01\/abiodun-oyewole-gratitude-200x200.jpg 200w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2022\/01\/abiodun-oyewole-gratitude-85x85.jpg 85w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2022\/01\/abiodun-oyewole-gratitude-73x73.jpg 73w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2022\/01\/abiodun-oyewole-gratitude.jpg 1500w\" sizes=\"(min-width:1010px) 759px,100vw\" loading=\"lazy\" \/><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The spoken word artist has unveiled three singles, all carrying the weight of The Last Poets\u2019 social, political and emotional engagement.&nbsp; Over the course of his fifty year career, Abiodun Oyewole has been a poet, [&hellip;]<\/p>\n","protected":false},"author":10,"featured_media":96625,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[3944],"tags":[41109,23741],"location":[7976],"yst_prominent_words":[8700,32237,8996,9178,8407,8414,29425,8435,12587,8543,9194,11050],"acf":[],"_links":{"self":[{"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/posts\/96622"}],"collection":[{"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/comments?post=96622"}],"version-history":[{"count":0,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/posts\/96622\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/media\/96625"}],"wp:attachment":[{"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/media?parent=96622"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/categories?post=96622"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/tags?post=96622"},{"taxonomy":"location","embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/location?post=96622"},{"taxonomy":"yst_prominent_words","embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/yst_prominent_words?post=96622"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}