{"id":88559,"date":"2021-10-06T11:13:02","date_gmt":"2021-10-06T09:13:02","guid":{"rendered":"https:\/\/pan-african-music.com\/?p=88559"},"modified":"2021-10-06T19:04:42","modified_gmt":"2021-10-06T17:04:42","slug":"juls-sounds-of-my-world","status":"publish","type":"post","link":"https:\/\/pan-african-music.com\/en\/juls-sounds-of-my-world\/","title":{"rendered":"Juls introduces the sounds of his world"},"content":{"rendered":"\n<p class=\"has-drop-cap\">Julian Nicco-Annan, known by his stage name <a href=\"https:\/\/pan-african-music.com\/en\/tag\/juls\/?_per_page=17\">Juls<\/a>, has a way with serendipity. Whether it\u2019s his breakout collaboration with the then unknown <a href=\"https:\/\/pan-african-music.com\/en\/tag\/mr-eazi\/?_per_page=17\">Mr Eazi<\/a>, or his unlikely studio premier with hiplife producer Panji Anoff, Juls skillfully places himself in the right place at the right time. However, his talent as a producer and collaborator is even more formidable. As Juls reminds me, \u201c<em>the sound that I had with Eazi, I created that<\/em>.\u201d Banku, Mr Eazi\u2019s signature blend iconified in the hit \u201cBankulize\u201d from 2014, which Juls remixed and added friend and rapper Pappy Kojo, propelled Eazi into a new class of afro fusion and made Juls one of those rare producers who are able to create a sound of their own. \u201c<em>That was a blend that tapped into r&amp;b to some extent, elements of afro, but it was very minimalistic. So it was easy on the ear for people who were not used to the typical African sound<\/em>,\u201d Juls says of Banku. However, he adds, \u201c<em>I think I left that Banku sound a long time ago, now it\u2019s just about spiritual music and vibes, and making people feel good as well.<\/em>\u201d<\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Mr Eazi - Bankulize Ft Pappykojo\" width=\"500\" height=\"375\" data-src=\"https:\/\/www.youtube.com\/embed\/vrS01w0u30I?feature=oembed&#038;autoplay=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><figcaption>Mr Eazi &#8211; Bankulize Ft Pappykojo<\/figcaption><\/figure>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><em>Sounds of My World <\/em>is that spiritual vibe. Continuing to explore the many genres popping in and out of favor across Africa, UK, and elsewhere, <em>Sounds of My World<\/em> is another breakthrough into the unclassifiable and a resistance to the confines of singular genre. \u201c<em>I called the album, <\/em>Sounds of My World<em>, because I\u2019m expressing what my mind&#8230;what My world is sonically. What I mean by that is, the sounds and the genres of music that I\u2019m exposed to as a fan, as a listener, and what I\u2019ve been experimenting with as a producer over the last few years<\/em>,\u201d Juls clarifies.&nbsp;<\/p>\n\n\n\n<p>Juls has been long exposed to the world\u2019s many musics. Starting his childhood in East London, Juls and his family moved to Ghana while he was still in middle school. \u201c<em>When I was growing up in London, there was a lot of jazz, a lot of reggae, very eclectic, very different sounds. The African side only really happened when I moved to Ghana when I was eleven or twelve<\/em>,\u201d he describes. \u201c<em>That was the first time I was introduced to the Ghanian music and afrobeats and African music, the likes of Daddy Lumba, Kojo Anwti, and <a href=\"https:\/\/pan-african-music.com\/en\/tag\/ebo-taylor\/?_per_page=35\">Ebo Taylor<\/a> and a whole bunch of things<\/em>.\u201d Early on Juls had brought this fusion to life and earned himself recognition amongst his peers, among them hiplife pioneer Panji Anoff. \u201c<em>I think my first studio session was with Panji Anoff, who is a legend in the Ghanaian music industry<\/em>,\u201d Juls explains (<a rel=\"noreferrer noopener\" href=\"https:\/\/www.thefader.com\/2017\/07\/06\/fader-mix-juls\" target=\"_blank\">FADER<\/a>). Hiplife, in Juls words, \u201c<em>was basically Ghanaians rapping. 98\u2019 the godfather Reggie Rockstone was the one who started all the rapping over hip hop beats and then producers started making beats that had a bit more of an African bounce to it<\/em>.\u201d This melding of style, blossoming with tracks like <a rel=\"noreferrer noopener\" href=\"https:\/\/pan-african-music.com\/en\/show-dem-camp-the-palmwine-express\/\" target=\"_blank\">Show <\/a><a href=\"https:\/\/pan-african-music.com\/en\/show-dem-camp-the-palmwine-express\/\" target=\"_blank\" rel=\"noreferrer noopener\">D<\/a><a rel=\"noreferrer noopener\" href=\"https:\/\/pan-african-music.com\/en\/show-dem-camp-the-palmwine-express\/\" target=\"_blank\">em Camp<\/a>\u2019s \u201cFeel Alright\u201d in 2013 has continued to this day.&nbsp;<\/p>\n\n\n\n<p>In comes <em>Sounds of My World <\/em>and we find a fine selection of rappers stepping up to be on Juls\u2019 debut. Dreamville\u2019s Bas and Grammy winning Maryland rapper Mannywellz appear on \u201cWish You\u201d, a baile funk rhythm blended into an r&amp;b highlife fusion. \u201c<a href=\"https:\/\/pan-african-music.com\/en\/juls-wicked\/\">Wicked<\/a>\u201d, one of the album\u2019s lead up singles features Angola born London rapper Kadiata, the distinctive Kilburn rapper Knucks, and House of Pharaohs collective member Sam Wise. The track is a late ancestor of Banku, this time blending afrobeats with glitch culture and a smoothed out transition of alternative r&amp;b and highlife jazz.&nbsp; To top it all off, we hear <a href=\"https:\/\/pan-african-music.com\/en\/tag\/prettyboy-d-o\/\">Prettyboy D-O<\/a>, Nigeria\u2019s most eccentric alternative rap artist, lay down some fire on top of the minimalistic \u201cAlarm\u201d alongside Suspect.&nbsp;<\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/pan-african-music.com\/wp-content\/uploads\/2021\/10\/juls-2-1010x1523.jpg\" alt=\"\" class=\"wp-image-88945\" loading=\"lazy\" \/><\/figure>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>As a listener, one of Juls\u2019 singular virtues is generosity, and perhaps this is why rappers and singers are so inclined to work with him. Each production leaves plenty of space for the featured artist to shine. Unlike some producer debuts, which are an overt and potentially obnoxious flex from behind the boards, Juls provides finesse and economy to his tracks. Curious, I asked which producers, either past or present, Juls looks to for influence.&nbsp;<\/p>\n\n\n\n<p>\u201c<em>I listened to a lot of King Tubby for dub reggae influence, so you definitely hear that<\/em>,\u201d Juls explains. \u201c<em>Presently I love <a href=\"https:\/\/pan-african-music.com\/en\/tag\/sarz\/\">Sarz<\/a> from Nigeria. He\u2019s one of my favorite producers currently. When I started making beats I was looking up to Kanye West and J Dilla. Yeah. If you give me an instrumental tape with all those four guys, then yeah, fantastic<\/em>.\u201d<\/p>\n\n\n\n<p>No doubt a bit of each of these producers&#8217; styles can be heard on <em>Sounds of my World<\/em>. On \u201cMare\u201d, featuring Kenyan afro-pop group and MTV\u2019s Best African Act of 2014, <a href=\"https:\/\/pan-african-music.com\/en\/tag\/sauti-sol\/\">Sauti Sol<\/a>, we hear the infamous King Tubby tonal rip throughout. The album\u2019s opener \u201cClose to Me\u201d is also a feel good reggae jam that sets a lighthearted tone.&nbsp; Not to mention the track also has afrobeats\u2019 shining star, <a href=\"https:\/\/pan-african-music.com\/en\/tag\/wizkid\/\">Wizkid<\/a> laying down some vocals accompanied by Agent Sasco and Jael. More island vibes come through on the second single off the album, \u201cChance\u201d, which brings Kingston native Projexx to the mix. To hear the J Dilla inspiration look to the track \u201cMelly\u201d with Oxlade. The song has a perfect, bright, post-Banku vibe, but just off-beat and sloppy enough to remind us of J Dilla\u2019s signature style.&nbsp;<\/p>\n\n\n\n<p>Juls\u2019 flexibility as a producer, and his status in the rising fame of African music abroad, has also allowed him to dip into the vast Pan African talent pool. Cape Verdean singer <a href=\"https:\/\/pan-african-music.com\/en\/tag\/mayra-andrade\/?_per_page=17\">Mayra Andrade<\/a> brings a Caribbean pop vibe on \u201cLove Language\u201d showing off her multilingual abilities switching between English and Portuguese. Up-and-coming Kenyan r&amp;b singer Xenia Manasseh also comes through on \u201cSay You Love Me\u201d for a quick alt\u00e9 revival. This approach has also brought Juls front and center to the well deserved rise in popularity of amaPiano. We hear two <a href=\"https:\/\/pan-african-music.com\/en\/tag\/amapiano\/?_per_page=17\">amaPiano<\/a> jams back to back, starting off with the smooth echoey \u201cMakossa Riddim\u201d which includes the classic piano synth. Then, to top it off, <a href=\"https:\/\/pan-african-music.com\/en\/tag\/niniola\/?_per_page=26\">Niniola<\/a>, the Queen of Afro House, does her magic with an amaPiano rhythm and jazzy overtones reminiscent of Manu Dibango on \u201cLove Me\u201d.&nbsp;&nbsp;<\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Juls featuring Niniola - Love Me (A Short Film)\" width=\"500\" height=\"281\" data-src=\"https:\/\/www.youtube.com\/embed\/3xWNXUMsN_A?feature=oembed&#038;autoplay=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><figcaption>Juls featuring Niniola &#8211; Love Me (A Short Film)<\/figcaption><\/figure>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>\u201c<em>I love amaPiano<\/em>,\u201d says Juls. \u201c<em>You know, who doesn\u2019t? I\u2019ve spoken with some people who said, \u2018Oh I can\u2019t listen to amaPiano for more than 20 minutes.\u2019 I don\u2019t know what they\u2019re hearing. For me personally, it\u2019s just so powerful<\/em>.\u201d He explains, \u201c<em>with the sweet soft melodies from the words, but they added other elements, and when the bass comes in it just overtakes you and sends you to a different place. It\u2019s just like, \u2018Wow! What is this?\u2019 It\u2019s very captivating<\/em>.\u201d&nbsp;<\/p>\n\n\n\n<p>With African music\u2019s looming hayday thanks to genres like amaPiano and afrobeats, I ask Juls if he feels any sense of responsibility spotlighting African music to a global audience.&nbsp;<\/p>\n\n\n\n<p>\u201c<em>I don\u2019t think it\u2019s a responsibility, I think it\u2019s just something that I want to do. I feel like, in the 70s and the 80s our grandfathers like Fela Kuti and Ebo Taylor (who\u2019s still alive) and a few others had the resources and the tools to make it a big export. They didn\u2019t have the capital, they didn\u2019t have the internet, they didn\u2019t have the structure&#8230; we don\u2019t have the structure to a T, but we\u2019re getting there. So I feel like it\u2019s important to remind people, especially the young kids, about this kind of music, and the only way to do that is to blend it in a way where it\u2019s still kinda cool but it triggers people&#8217;s mindsets and thoughts to try and do some research. Then people will be like, oh J Cole\u2019s \u201cCan\u2019t Get Enough\u201d featuring Trey Songz, the sample that he used was from Balla Et Ses Balladins!<\/em>\u201d He continues, \u201c<em>it was just kind of a realisation that, listen, this kind of music has been in existence for the longest while. We\u2019re trying to make our own version, but hey, check these people out. These are the forefathers, this is where it stems from. Check them out as well<\/em>.\u201d Juls also hinted that there might be a sample based mixtape in the future, but we\u2019ll have to wait and see.&nbsp;<\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/pan-african-music.com\/wp-content\/uploads\/2021\/10\/juls-3-1010x1350.jpg\" alt=\"\" class=\"wp-image-88948\" loading=\"lazy\" \/><\/figure>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Our conversation finished on a poetic note. Talking about the track \u201cSummer in the Ends\u201d, which starts off with an invocation in the form of spoken word to a background of rolling waves, the speaker says, \u201c<em>drown out the noise, listen to the sound of my voice, and just take a second to refuel, because when you stop worrying about other people, life is kind of peaceful<\/em>\u2026\u201d After some silky vocals from Brit r&amp;b singer Jaz Karis, the track ends on a similarly touching note, with an array of individuals popping in and out to finish the sentence, \u201c<em>Music is<\/em>\u2026\u201d. For some, music is life, others music is peace, or expression, or happiness. I didn\u2019t hear Juls\u2019 voice on the track, so I asked him. Music is?&nbsp;<\/p>\n\n\n\n<p>\u201c<em>What music is to me is a reflection of how you process things sonically. People like to judge people based on the stuff that they listen to. But to me it\u2019s based on vibes, it\u2019s based on how you take things in. What it does for you. How you take it in. Does it start a conversation? That\u2019s what music needs to do for me. It needs to put me in a place where you just feel good and you\u2019re always gonna go back and listen to it and just remember that this was a good time. You can always go back to it. That\u2019s what music is to me<\/em>.\u201d<\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><em><a rel=\"noreferrer noopener\" href=\"https:\/\/orcd.co\/somw_juls\" target=\"_blank\">Sounds of My World<\/a><\/em>, out on October 8. <\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/pan-african-music.com\/wp-content\/uploads\/2021\/10\/juls-4-1010x1525.jpg\" alt=\"\" class=\"wp-image-88949\" loading=\"lazy\" \/><\/figure>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/pan-african-music.com\/wp-content\/uploads\/2021\/10\/juls-sounds-of-my-world-1010x1010.jpg\" alt=\"\" class=\"wp-image-88950\" loading=\"lazy\" \/><\/figure>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ghanian producer Juls, known his many high profile collaborations including Burna Boy, Tyler The Creator, Stonebwoy, and more, marks his debut with Sounds of My World, a genre defiant album of afro fusion with some of today\u2019s most talented African stars.\u00a0<\/p>\n","protected":false},"author":52,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[11036,7833],"tags":[20359,5664],"location":[7994],"yst_prominent_words":[8447,13298,25500,8402,10076,18128,8852,8438],"acf":[],"_links":{"self":[{"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/posts\/88559"}],"collection":[{"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/users\/52"}],"replies":[{"embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/comments?post=88559"}],"version-history":[{"count":0,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/posts\/88559\/revisions"}],"wp:attachment":[{"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/media?parent=88559"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/categories?post=88559"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/tags?post=88559"},{"taxonomy":"location","embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/location?post=88559"},{"taxonomy":"yst_prominent_words","embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/yst_prominent_words?post=88559"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}