{"id":87833,"date":"2021-09-21T12:01:17","date_gmt":"2021-09-21T10:01:17","guid":{"rendered":"https:\/\/pan-african-music.com\/pam-rewind-lunivers-de-kg-en-10-sons\/"},"modified":"2021-09-21T15:43:36","modified_gmt":"2021-09-21T13:43:36","slug":"pam-rewind-kgs-world-in-10-tracks","status":"publish","type":"post","link":"https:\/\/pan-african-music.com\/en\/pam-rewind-kgs-world-in-10-tracks\/","title":{"rendered":"PAM Rewind: KG\u2019s world in 10 tracks"},"content":{"rendered":"\n

KG<\/a> blew up on the UK Funky scene in the early 2000s, spreading power and soul through her Afro-infused house music \u2013 that she describes as \u201csassy with a tribal element\u201d. Her energy quickly owed her a new moniker as London\u2019s \u201cGoddess of Rhythm\u201d, which only feels natural for someone who\u2019s always placed percussion at the core of her work. Ever since she was eight years old, young KG has been toying with drum machines, programming music. We can thank her Dad for gifting her gear instead of Barbie dolls, and her Mom for providing the West African musical inspirations. Today, KG\u2019s music has found new levels of maturity and diversity, as masterfully displayed through her recent EP \u2013 Sensei II<\/a> \u2013 a project strongly rooted in the African diaspora, spanning genres from gqom to Afrobeats, and beautiful collabs with artists such as Toya Delazy<\/a>, Aymos<\/a>, Mista Silva & Taliwhoah.<\/p>\n\n\n\n

Let\u2019s dive into her eclectic sonic universe and find out some of her most meaningful influences:<\/p>\n\n\n\n

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