{"id":87611,"date":"2021-09-17T16:11:34","date_gmt":"2021-09-17T14:11:34","guid":{"rendered":"https:\/\/pan-african-music.com\/albums-17-09-2021\/"},"modified":"2021-09-17T17:53:58","modified_gmt":"2021-09-17T15:53:58","slug":"albums-17-09-2021","status":"publish","type":"post","link":"https:\/\/pan-african-music.com\/en\/albums-17-09-2021\/","title":{"rendered":"10 albums you should listen to this week"},"content":{"rendered":"\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"1010\" height=\"1010\" src=\"https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2021\/09\/Buena-Vista-Social-Club-1010x1010.jpeg\" alt=\"\" class=\"wp-image-87524\" srcset=\"https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2021\/09\/Buena-Vista-Social-Club-1010x1010.jpeg 1010w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2021\/09\/Buena-Vista-Social-Club-759x759.jpeg 759w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2021\/09\/Buena-Vista-Social-Club-100x100.jpeg 100w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2021\/09\/Buena-Vista-Social-Club-661x661.jpeg 661w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2021\/09\/Buena-Vista-Social-Club-465x465.jpeg 465w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2021\/09\/Buena-Vista-Social-Club-375x375.jpeg 375w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2021\/09\/Buena-Vista-Social-Club-200x200.jpeg 200w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2021\/09\/Buena-Vista-Social-Club-85x85.jpeg 85w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2021\/09\/Buena-Vista-Social-Club-73x73.jpeg 73w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2021\/09\/Buena-Vista-Social-Club.jpeg 1400w\" sizes=\"(min-width:1010px) 759px,100vw\" loading=\"lazy\" \/><\/figure>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong><em>Buena Vista Social Club (25th Anniversary Edition)<\/em><\/strong><\/p>\n\n\n\n<p><strong>Buena Vista Social Club<\/strong><\/p>\n\n\n\n<p>For the legendary project\u2019s 25th birthday, <a href=\"https:\/\/pan-african-music.com\/en\/tag\/world-circuit-records\/\">World Circuit<\/a> reissues a remastered version of <em><a href=\"https:\/\/pan-african-music.com\/en\/tag\/buena-vista-social-club\/\">Buena Vista Social Club<\/a><\/em> with previously unheard tracks from the original 1996 session tapes, including \u201cVicenta\u201d and \u201cLa Pluma.\u201d The album is a monument, which changed forever the lives of the musicians involved and the standing of Cuban music in the world. Arranging its singular recording in La Havana\u2019s Egrem studios, the record\u2019s producer Nick Gold remembers these extraordinary sessions in <a href=\"https:\/\/pan-african-music.com\/en\/to-the-source-of-buena-vista-social-club\/\">our interview with him<\/a>: \u201c<em>The Egrem studio sounded beautiful. You\u2019d walk around the studio and Eliades would be sitting and playing some amazing guajira from Santiago, with a guy next to him playing congas, you\u2019d walk a bit further and you\u2019d hear Ruben playing some amazing bolero on the piano<\/em>\u2026 <em>All of these little pockets of things were happening. And then, we just started recording<\/em>.\u201d<\/p>\n\n\n\n<p>Listen <a rel=\"noreferrer noopener\" href=\"https:\/\/worldcircuit.lnk.to\/BVSC25\" target=\"_blank\">here<\/a><\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/pan-african-music.com\/wp-content\/uploads\/2021\/08\/Sounds-of-Pamoja.jpeg\" alt=\"\" class=\"wp-image-85194\" loading=\"lazy\" \/><\/figure>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong><em>Sounds of Pamoja<\/em><\/strong><\/p>\n\n\n\n<p><strong>Nyege Nyege Tapes<\/strong><\/p>\n\n\n\n<p>For their second singeli-focused project following <em>Sounds of Sisso<\/em>, <a href=\"https:\/\/pan-african-music.com\/en\/tag\/nyege-nyege\/\">Nyege Nyege<\/a> Tapes highlights recordings from Duke\u2019s <a href=\"https:\/\/pan-african-music.com\/en\/duke-sounds-of-pamoja\/\">Pamoja<\/a> Records. With production mostly handled by <a href=\"https:\/\/pan-african-music.com\/en\/tag\/duke\/\">Duke<\/a>, the MCs push the project to the next level, capitalizing on the vitality of Dar es Salaam\u2019s musical landscape as they trade bars, switch flows and somehow keep up with the lightning-fast beats. Some of these talented emerging local artists (20 year old Pirato MC, 19 year old Dogo Kibo, 20 year old MC Kuke\u2026) have been interviewed in NTS\u2019 <a rel=\"noreferrer noopener\" href=\"https:\/\/www.youtube.com\/watch?v=1vqwMFM1Z_U\" target=\"_blank\">documentary<\/a> about singeli, released alongside the EP.&nbsp;<\/p>\n\n\n\n<p>Listen <a rel=\"noreferrer noopener\" href=\"https:\/\/open.spotify.com\/album\/2ArEx6JvImAP5iLb87jGgJ\" target=\"_blank\">here<\/a><\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/pan-african-music.com\/wp-content\/uploads\/2021\/09\/onipa-tapes-of-utopia-1010x1010.jpg\" alt=\"\" class=\"wp-image-87571\" loading=\"lazy\" \/><\/figure>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong><em>Tapes of Utopia<\/em><\/strong><\/p>\n\n\n\n<p><strong>Onipa<\/strong><\/p>\n\n\n\n<p>Afro-futurist sensations <a href=\"https:\/\/pan-african-music.com\/en\/tag\/onipa-2\/\">Onipa<\/a> unleashed their debut album <em>We No Be Machine<\/em> on <a href=\"https:\/\/pan-african-music.com\/en\/tag\/strut-records\/\">Strut Records<\/a> in March 2020, meeting an immediate critical success. Their new mixtape <em>Tapes of Utopia<\/em> is in its same vein, showcasing their crossover appeal, full of danceable grooves alongside political lyricism. \u201c<em>It was written over lockdown and we&#8217;d both had a really hard time with the impact of lockdown for creatives<\/em>,\u201d Tom Excell, one of the band\u2019s frontrunners, tells us in an upcoming interview. \u201c<em>And the thing that got us through was listening to loads of music and dancing in our studio. We were just digging through our collections and this was the thing which really gave us the most therapy and hope to carry on with writing. It was like a mixtape but a kind of healing process for us to compile these different flavors and sounds without thinking too much. And the vision of utopia that came out is of imagining being in a freer place and time and using music to find our way<\/em>.\u201d<\/p>\n\n\n\n<p>Listen <a rel=\"noreferrer noopener\" href=\"https:\/\/bfan.link\/tapes-of-utopia\" target=\"_blank\">here<\/a><\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/pan-african-music.com\/wp-content\/uploads\/2021\/09\/blackface-family-nthena-1010x1010.jpg\" alt=\"\" class=\"wp-image-87572\" loading=\"lazy\" \/><\/figure>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong><em>Nthena<\/em><\/strong><\/p>\n\n\n\n<p><strong>BlackFace Family<\/strong><\/p>\n\n\n\n<p><a href=\"https:\/\/pan-african-music.com\/en\/blackface-family-1000hz\/\">BlackFace Family<\/a> (BFF) comprises Jah Face, Venom, and Twiggy, all from Mzuzu, Malawi. Their music is encrusted into a dense sound substance made from self-produced beats, but also radically remixed fragments of Congolese, Tanzanian, Nigerian and Haitian songs, with a profound dancehall flavour. Their second album <em>Nthena<\/em>\u2019s title means \u201cthat\u2019s the way it is\u201d, a phrase used as an expression of acceptance of the state of affairs. The project, however, sees the MCs revolt and denounce the disintegrating state of the world, criticizing local politics on \u201cPolitition\u201d and paying tribute to victims of the civil war in DR Congo on \u201cDRC\u201d.&nbsp;<\/p>\n\n\n\n<p>Listen <a rel=\"noreferrer noopener\" href=\"https:\/\/open.spotify.com\/album\/19z8671nXB5jZoHBu03fH0\" target=\"_blank\">here<\/a><\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/pan-african-music.com\/wp-content\/uploads\/2021\/09\/maher-cissoko-cissoko-heritage.jpg\" alt=\"\" class=\"wp-image-87573\" loading=\"lazy\" \/><\/figure>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong><em>Cissoko Heritage<\/em><\/strong><\/p>\n\n\n\n<p><strong>Maher Cissoko<\/strong><\/p>\n\n\n\n<p>Maher Cissoko is half of the successful duo Sousou &amp; Maher Cissoko. Following his solo debut <em>Kora Fo<\/em>, he experiments and brings to life the griot tradition on his second album <em>Cissoko Heritage<\/em>. Inspired by Afrobeat, dancehall, reggae, Afro-pop and mbalax, he creates his own Mande fusion, with his acoustic improvisational kora playing meeting his electronic soundscape and beats. The album culminates in the creation of a new form of griotism and popular music with meaning and roots.&nbsp;<\/p>\n\n\n\n<p>Listen <a rel=\"noreferrer noopener\" href=\"https:\/\/open.spotify.com\/album\/1b1GGqobvbVrPdedaj7w5w\" target=\"_blank\">here<\/a><\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/pan-african-music.com\/wp-content\/uploads\/2021\/09\/tems-if-orange-was-a-place-1010x1001.jpg\" alt=\"\" class=\"wp-image-87336\" loading=\"lazy\" \/><\/figure>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong><em>If Orange Was A Place<\/em><\/strong><\/p>\n\n\n\n<p><strong>Tems<\/strong><\/p>\n\n\n\n<p>Nigerian sensation <a href=\"https:\/\/pan-african-music.com\/en\/tag\/tems\/\">Tems<\/a> delivers five exclusive tracks on the quasi-surprise <a href=\"https:\/\/pan-african-music.com\/en\/tems-if-orange-was-a-place\/\">EP<\/a> that is dedicated to her closest fans. Over five tracks, the singer opens up, singing about seduction, hope and romantic deboirs. Her mellow Afrobeats and neo-soul cocktail blends perfectly with her singular vocals, which express nostalgia and desire in a unique way compared to the Afropop standards.<\/p>\n\n\n\n<p>Listen <a rel=\"noreferrer noopener\" href=\"https:\/\/smarturl.it\/IfOrangeWasAPlace\" target=\"_blank\">here<\/a><\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/pan-african-music.com\/wp-content\/uploads\/2021\/09\/pa-salieu-afrikan-rebel.jpg\" alt=\"\" class=\"wp-image-87574\" loading=\"lazy\" \/><\/figure>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong><em>Afrikan Rebel<\/em><\/strong><\/p>\n\n\n\n<p><strong>Pa Salieu<\/strong><\/p>\n\n\n\n<p>Following his excellent debut album <em><a href=\"https:\/\/pan-african-music.com\/en\/pa-salieu-the-crowning-glory-of-coventry\/\">Send Them To Coventry<\/a><\/em>, the new UK rap prince comes back with a mini-EP celebrating his Gambian heritage. On three tracks, joined by Tay Iwar, <a href=\"https:\/\/pan-african-music.com\/en\/tag\/zlatan\/\">Zlatan Ibile<\/a> and Obongjayar, the rapper explores Afroswing, amapiano and hardcore rap with his typical flamboyance. \u201c<em>A Rebel has no goal but rewriting fuckery &amp; standing straight!<\/em>,\u201d he says on social media about his project\u2019s title. <a href=\"https:\/\/pan-african-music.com\/en\/tag\/pa-salieu\/\">Pa Salieu<\/a> will play at Le Guess Who? festival in November in Utrecht.&nbsp;<\/p>\n\n\n\n<p>Listen <a rel=\"noreferrer noopener\" href=\"https:\/\/lnk.to\/AfrikanRebel?ref=https%3A\/\/l.instagram.com\/\" target=\"_blank\">here<\/a><\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/pan-african-music.com\/wp-content\/uploads\/2021\/09\/wavy-the-creator-ps-thank-you-for-waiting-1010x1010.jpg\" alt=\"\" class=\"wp-image-87575\" loading=\"lazy\" \/><\/figure>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong><em>P.S. Thank You for Waiting<\/em><\/strong><\/p>\n\n\n\n<p><strong>Wavy The Creator<\/strong><\/p>\n\n\n\n<p>Active in the Nigerian Alt\u00e9 sphere for years through singles and photography, Wavy The Creator finally unveils her debut EP <em>P.S. Thank You For Waiting<\/em>. The project is \u201c<em>an expression of myself and all the different types of love I have experienced over the years<\/em>,\u201d Wavy explains. \u201c<em>I am opening up in ways I have never done before in the past. I speak about love, lust, infatuation, heartbreak and feeling like I&#8217;ve been omitted all in one body of work.<\/em>\u201d With a sound incorporating elements of hip-hop, Afrobeats and electronic dance music, the EP features Nigerian top artists <a href=\"https:\/\/pan-african-music.com\/en\/tag\/wurld\/\">WurlD<\/a>, CKay, Tay Iwar and Ghanaian singer Efya on seven super sensual songs.&nbsp;<\/p>\n\n\n\n<p>Ecoutez <a rel=\"noreferrer noopener\" href=\"https:\/\/orcd.co\/pstyfw\" target=\"_blank\">ici<\/a><\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/pan-african-music.com\/wp-content\/uploads\/2021\/09\/dollypran-traitement-1010x901.jpg\" alt=\"\" class=\"wp-image-87576\" loading=\"lazy\" \/><\/figure>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong><em>Traitement<\/em><\/strong><\/p>\n\n\n\n<p><strong>Dollypran<\/strong><\/p>\n\n\n\n<p>After a series of singles, the Casablanca rapper releases his first EP in the explosive vein of Moroccan trap. On thirteen tracks, Dollypran demonstrates his talents as a powerful performer, the whole wrapped up in a macabre pharmacy aesthetic. Known for his trap skills, the rapper also explores drill music on tracks like &#8220;Gaza&#8221; and &#8220;Napoli&#8221;. He is accompanied by his compatriots Small X and ElGrandeToto, as well as his diasporic counterparts 3robi, based in the Netherlands, and Dimeh, an ambassador of Swiss rap.&nbsp;<\/p>\n\n\n\n<p>Listen <a rel=\"noreferrer noopener\" href=\"https:\/\/open.spotify.com\/album\/6fCkoAdNggGvVt6gUoKF5T\" target=\"_blank\">here<\/a><\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/pan-african-music.com\/wp-content\/uploads\/2021\/09\/OG-Emmy-Sippin-Remy.jpg\" alt=\"\" class=\"wp-image-87577\" loading=\"lazy\" \/><\/figure>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong><em>Sipping Remy &#8211; EP<\/em><\/strong><\/p>\n\n\n\n<p><strong>OG Emmy<\/strong><\/p>\n\n\n\n<p>Born and raised in Rivers State in Nigeria, OG Emmy has been cultivating and building his music repertoire since he was the age of 14. His debut <em>Sipping Remy<\/em> EP opens with the infectious afrofusion track \u201cTrouble\u201d, which sees OG Emmy extolling the virtues of a trouble-free life, before flowing into the summer-ready \u201cRemy N Chill\u201d with its chill party vibe, and OG Emmy\u2019s first official single and ode to black women titled \u201cKitKat.\u201d The rest of the EP features the posse cut \u201cRemy Money\u201d, which sees Emmy and a few of his artist friends enjoying themselves on the celebratory track, and the EP\u2019s title track \u201cSipping Remy,\u201d which sees OG Emmy reveals his rap-influenced alter ego.<\/p>\n\n\n\n<p>Listen <a rel=\"noreferrer noopener\" href=\"https:\/\/songwhip.com\/ogemmy\/sipping-remy\" target=\"_blank\">here<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Buena Vista Social Club (25th Anniversary Edition) Buena Vista Social Club For the legendary project\u2019s 25th birthday, World Circuit reissues a remastered version of Buena Vista Social Club with previously unheard tracks from the original [&hellip;]<\/p>\n","protected":false},"author":10,"featured_media":87587,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[3944],"tags":[],"location":[],"yst_prominent_words":[8539,23924,22542,22538,8407,8414,8447,9391,9775,8435,38958,22543,8449],"acf":[],"_links":{"self":[{"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/posts\/87611"}],"collection":[{"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/comments?post=87611"}],"version-history":[{"count":0,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/posts\/87611\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/media\/87587"}],"wp:attachment":[{"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/media?parent=87611"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/categories?post=87611"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/tags?post=87611"},{"taxonomy":"location","embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/location?post=87611"},{"taxonomy":"yst_prominent_words","embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/yst_prominent_words?post=87611"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}