{"id":75261,"date":"2021-03-18T16:20:43","date_gmt":"2021-03-18T15:20:43","guid":{"rendered":"https:\/\/pan-african-music.com\/?p=75261"},"modified":"2021-08-12T12:22:03","modified_gmt":"2021-08-12T10:22:03","slug":"osunlade-the-godfather-of-afro-house","status":"publish","type":"post","link":"https:\/\/pan-african-music.com\/en\/osunlade-the-godfather-of-afro-house\/","title":{"rendered":"Osunlade, the godfather of Afro house"},"content":{"rendered":"\n<p class=\"has-drop-cap\">With a career that spans four decades, Osunlade has become nothing short of a legend in the house music scene. Originally from Saint-Louis, Missouri, he started creating music early, having taught himself to play piano, drums, bass and guitar by the time he was a teenager. His professional career began in earnest in the late eighties, when he moved to Los Angeles as a producer for other artists. While the decade he spent on the West Coast was crowned with many commercial successes, he grew increasingly unhappy with the industry and its toxic practices. To maintain his passion for music, Osunlade left the business and took a two-year break. This marked the start of a spiritual journey that led him to Ifa, an ancestral religion that originates in Yoruba culture from present-day Nigeria, widely practiced in West Africa and among diasporic communities in the Americas. It also triggered a move to New York and enabled him to achieve the dream of founding his own label, <a rel=\"noreferrer noopener\" aria-label=\" (s\u2019ouvre dans un nouvel onglet)\" href=\"https:\/\/yorubarecords.bandcamp.com\/\" target=\"_blank\">Yoruba Records<\/a>, as a place to release his own organic, vulnerable and mellow brand of music and introduce new talent to the world. With 20 albums and countless singles to his name \u2013 including collaborations with the likes of <a rel=\"noreferrer noopener\" aria-label=\" (s\u2019ouvre dans un nouvel onglet)\" href=\"https:\/\/www.youtube.com\/watch?v=cQpeqaJNKYw\" target=\"_blank\">Salif Keita<\/a> and <a rel=\"noreferrer noopener\" aria-label=\" (s\u2019ouvre dans un nouvel onglet)\" href=\"https:\/\/www.youtube.com\/watch?v=ozbfQg8ufmo\" target=\"_blank\">Cesaria Evora<\/a> to name a few \u2013 he is one of the most prolific artists in the game. Beyond his production and label work, Osunlade has also become a revered deejay who performed at leading venues the world over. In many ways, he is an artist who\u2019s seen it all, and yet his music remains as fresh and soulful as ever. We are blessed to connect with the man \u2013 comfortably dressed in his robe, hanging out in a park with his dog \u2013 ahead of his headlining&nbsp; at the <a href=\"https:\/\/pan-african-music.com\/en\/tag\/offering-gotsoul-online-weekender\/\">Offering Gotsoul Online Weekender<\/a>.<\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong>While your music defies the concept of genre, you\u2019re widely considered one of the founding fathers of \u201cAfro house\u201d. Is this a legacy you recognize and identify with?&nbsp;<\/strong><\/p>\n\n\n\n<p>Absolutely. And in fact, I love where it\u2019s gone, too, with so many kids who are doing incredible things. I love seeing this creativity and listening to new music thinking to myself \u201cI would have never done that!\u201d. So yes, I recognize it, much in the same way that I recognize my own forefathers. People like Ron Trent, Joe Claussell, Louie Vega, and all those guys I looked up to when I was starting. It\u2019s all a continuum. This said, I don\u2019t feel a sense of responsibility with this legacy. My creative responsibility is limited to myself in keeping the integrity of my music. I think it\u2019s more important for me to do my own thing and hopefully this will challenge others to keep pushing beyond what they know.<\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Osunlade - Cantos A Ochun Et Oya\" width=\"500\" height=\"375\" data-src=\"https:\/\/www.youtube.com\/embed\/MNaj5S15lpw?feature=oembed&#038;autoplay=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><figcaption>Osunlade &#8211; Cantos A Ochun Et Oya<\/figcaption><\/figure>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong>We know your connection with Africa is deep, on many levels, including your spirituality. What role does African culture play in your artistic journey<\/strong> ?<\/p>\n\n\n\n<p>First rhythmically. My music was always about the incorporation of African rhythms. And while my sound is rooted in soul, African influences are everywhere. In starting the label, for me it was always about introducing the Yoruba language and ceremonial songs and sharing this folkloric dimension of the African diaspora. This was true especially after I\u2019d been to New York and seen all the Afro-Cuban and Brazilian influences and how they shaped the music scene. House music to me is the beat. And when you think about the beat, you think about the drum, immediately you think Africa. That was always the primary element for me. I also love performing on the continent. I\u2019ve been to South Africa so many times and finally went to Kenya last year. When I am there it just feels right. It\u2019s innate, you just know it. It\u2019s like you\u2019re home. It\u2019s kind of hard to describe, it\u2019s in the blood. Kenya blew me away, because I really felt the diversity of people, the beauty and just the nature. You know a lot of the world is the same, but there is no place like Africa. It\u2019s a spirit there.&nbsp;<\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong>Yoruba culture and Ifa religion are very present in house music throughout songs, labels and events. How do you explain this connection?&nbsp;<\/strong><\/p>\n\n\n\n<p>I think many people who create house music are actually Ifa practitioners or are connected to it, like they have had a reading from a priest for example. It\u2019s the beauty of nature, you know. All the Orishas <em>(NDLR: the generic name of Ifa divinities)<\/em> are just nature. When you have any experience with someone that\u2019s involved in this practice, there is beauty in this life-changing experience, in the reverence to nature, to the things that sustain our lives. I think through music, it\u2019s praise that people express. It\u2019s also become a trendy thing, which is kinda good because it exposes more people to it, even if they may not understand what they\u2019re singing <em>(laughs)<\/em>. Like I\u2019ll do a <a href=\"https:\/\/www.youtube.com\/watch?v=iLtMOklsxHI\">Yemaya song<\/a> and people don\u2019t know what it means, but they remember the name, and when they say it, it\u2019s giving praise to the Ocean, so\u2026 I think it\u2019s all those little things that come together and unite us in music and spiritually I believe. I am also loving the new African house music, with vocals sung in their own dialects. Similarly, the whole Brazilian and Afrolatin influences in house are resurfacing, just like twenty years ago. It\u2019s all kind of a natural evolution I believe.<\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong>References to nature are always there when you talk about music: releasing an album is like \u201charvesting fruits\u201d or \u201cplanting seeds\u201d for a new project. How important is nature in your life and creative process?&nbsp;<\/strong><\/p>\n\n\n\n<p>Yeah man <em>(laughs)<\/em>. Those are my babies!!! But seriously, nature is everything. EVERYTHING. The thing about Yoruba that people don\u2019t understand, is that we are basically giving reverence to nature. Nature is God. It\u2019s whatever sustains our life. When you have a connection with that, and you learn, for example, this plant can heal me. I can go to the river or the ocean and take some fruit as an offering and make a prayer. Or taking the beauty of meeting a butterfly, that\u2019s just landed on my finger. What does it mean? Who knows? Who cares? But the connection with this simple breathing existence makes me appreciate everything so much larger and understand that this world \u2013 this digital and fast thing that\u2019s happening \u2013 is not the most important thing. It\u2019s not my world. I live in it, I exist in it, but my spirit, my body are constantly aware of what fuels my life, and that is nature. You know when COVID hit, I left home and went to Portland, because I thought \u201cif we\u2019re going to be locked up, I need to be some place off grid, somewhere green, just me and my dog in a small little place. For me, that\u2019s survival. Also, I am a big Burner <em>(NDLR: people identifying with <\/em><a href=\"https:\/\/burningman.org\/\"><em>Burning Man<\/em><\/a><em> culture)<\/em>, I been going there for 12 years, and these kind of experiences make you realize the harshness of surviving. We take so much for granted nowadays. We have so much and are over-indulging everything. You have to ask yourself, if shit gets really rough, can you survive? Do you know which plants to eat? Are you in tune with nature? So yeah, everything in my life is organically balanced. If it doesn\u2019t feel right, it\u2019s not happening.<br><\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"1010\" height=\"1451\" src=\"https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2021\/03\/58eb6553-osunlade-1_oli-grabowski-1-1010x1451.jpg\" alt=\"\" class=\"wp-image-75274\" srcset=\"https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2021\/03\/58eb6553-osunlade-1_oli-grabowski-1-1010x1451.jpg 1010w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2021\/03\/58eb6553-osunlade-1_oli-grabowski-1-759x1091.jpg 759w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2021\/03\/58eb6553-osunlade-1_oli-grabowski-1-661x950.jpg 661w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2021\/03\/58eb6553-osunlade-1_oli-grabowski-1-465x668.jpg 465w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2021\/03\/58eb6553-osunlade-1_oli-grabowski-1-375x539.jpg 375w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2021\/03\/58eb6553-osunlade-1_oli-grabowski-1.jpg 1392w\" sizes=\"(min-width:1010px) 759px,100vw\" loading=\"lazy\" \/><figcaption> \u00a9 Oli Grabowski <\/figcaption><\/figure>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong>What do you think about the disconnect between the music industry and nature (eg. heavy flight schedules, trash and energy consumption in massive festivals, etc.)? What can be done to address this?<\/strong><\/p>\n\n\n\n<p>This disconnect will always be there when music is a business. There is a separation of people between the artists, who want to do music for music\u2019s sake, for releasing their vulnerabilities and sharing their emotions, and those who want to be rich and famous. Personally, I don\u2019t need to be a celebrity and have the biggest everything. I\u2019m OK with challenges and struggles and having to get up and work my ass off. I like that. And with regards to nature, I am sure there are a lot of things that can be done. The first answer I have is to encourage people to go out in nature, to listen to nature. That\u2019s the first music, the birds, the water. Go to the mountains and just go to a stream and be silent. That\u2019s the best thing you could do. Reminds me of this documentary I took part in \u2013 <a href=\"https:\/\/www.youtube.com\/watch?v=n96dzuBbp5Q\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\" (s\u2019ouvre dans un nouvel onglet)\">Big Giant Wave<\/a> \u2013 that\u2019s talking about our connection to the planet through music.<\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong>Fela famously said \u201cmusic is the weapon [of the future]\u201d. We know you agree, given how vocal you are, but do you think artists are doing enough to support social change?&nbsp;<\/strong><\/p>\n\n\n\n<p>No. Although some are active, overall artists are so into themselves, into their own world that they\u2019re not conscious of the responsibility of the arts. Especially now, as everyone has become so sensitive, nobody wants to talk, take risks and be engaged in a conversation about changing. But some don\u2019t shy away from taking a stance. For example, I just bought the <a rel=\"noreferrer noopener\" aria-label=\" (s\u2019ouvre dans un nouvel onglet)\" href=\"https:\/\/switchstancerecordings.bandcamp.com\/album\/zik-zak\" target=\"_blank\">album <em>ZIK ZAK<\/em><\/a> by this panafrican collective Ancient Astronauts, which is beautiful and it\u2019s totally political. They sing about social distancing and living conditions and it\u2019s really well done.<\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong>You said before that you get \u201cquickly bored with music\u201d. It\u2019s a surprising statement coming from a deejay, producer and label head. Can you elaborate?&nbsp;<\/strong><\/p>\n\n\n\n<p><em>(Laughs).<\/em> Yeah totally. I listen to so much music. I do my <a rel=\"noreferrer noopener\" aria-label=\" (s\u2019ouvre dans un nouvel onglet)\" href=\"https:\/\/www.twitch.tv\/yorubasoultv\" target=\"_blank\">Twitch four times a week<\/a>, and literally, I haven\u2019t played the same song more than three times. Music is my entire life, and I am the most \u201cin-the-moment\u201d guy you\u2019ll ever meet. I don\u2019t care about the past and don\u2019t worry about the future, it\u2019s all about the now. Gotta keep it spontaneous.<\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong>Most of your music production starts with analog instruments and vocals, yet you\u2019ve gone completely the other way last year with <a rel=\"noreferrer noopener\" aria-label=\" (s\u2019ouvre dans un nouvel onglet)\" href=\"https:\/\/osunlade.bandcamp.com\/album\/moss\" target=\"_blank\">MOSS<\/a> \u2013 an entire album produced on iPad. What\u2019s your view on music and technology?&nbsp;<\/strong>&nbsp;<\/p>\n\n\n\n<p>I\u2019m so amazed with what people can do with music nowadays. Like I said I buy a ton of music and keep going \u201cwow, how the f#ck did they do that?\u201d And that\u2019s the thing \u2013 if I can\u2019t do it, then I am in love with it <em>(laughs)<\/em>. When I listen to a track, my mind always wonders how it was done. Either to learn and incorporate it, or just to know about it. It\u2019s all these new methods of mixing and processing that I hear. It just amazes me, and I love it all. Every time I hit the studio, I don\u2019t wanna hear what I\u2019ve done before. It\u2019s cheating. I am like \u201csurprise me\u201d, because if I am not excited, then how\u2019s anyone else gonna be?&nbsp;<\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong>You\u2019ve lived in many places. Grew up in Saint-Louis, moved to Los Angeles, New York, Atlanta, Puerto Rico, and then Santorini and Berlin\u2026 What\u2019s been the driving force behind these moves?&nbsp;<\/strong><\/p>\n\n\n\n<p>Music was always part of the equation, but I think Santorini <em>[NDLR: in Greece]<\/em> was more about finding peace. As for Berlin, it was more of a strategic move, being the middle of Europe, easier to travel to my gigs. For Puerto Rico, music was definitely the drive creatively, and for New York, also music, hustling to get into the business with my new record label. Africa could also be in the picture in the near future. I was actually supposed to be in Kenya right now, for a residency with <a rel=\"noreferrer noopener\" aria-label=\" (s\u2019ouvre dans un nouvel onglet)\" href=\"https:\/\/beneaththebaobabs.com\/\" target=\"_blank\">Beneath the Baobabs<\/a> in Kilifi. There is also a rainforest project in Uganda I am involved in. I meant to be there now but couldn\u2019t with the flight restrictions, so am looking forward to coming back soon.<\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong>You\u2019re about to join <a href=\"https:\/\/pan-african-music.com\/en\/tag\/boddhi-satva\/\">Boddhi Satva<\/a>, Jojo Flores, Jellybean Benitez and many others for the Offering Got Soul Weekender. What does it represent for you?<\/strong><\/p>\n\n\n\n<p>It\u2019s very important to me to participate, it\u2019s my family. I\u2019ve watched all these guys grow as I have. We\u2019ve been doing this together for years. I think I\u2019ve known Jojo over 15 years and Boddhi like 12 years or so. I am glad they are doing this online festival. Developing streaming has become critical, as it\u2019s been a tough year for musicians. Can\u2019t wait to get on. Let\u2019s do it!<\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Don\u2019t miss out and tune in this Sunday 21 March to see Osunlade headlining&nbsp;at the <a href=\"https:\/\/pan-african-music.com\/en\/tag\/offering-gotsoul-online-weekender\/\">Offering Gotsoul Online Weekender<\/a> via our&nbsp;<a rel=\"noreferrer noopener\" href=\"https:\/\/www.youtube.com\/channel\/UCtqZzqZWkgQof-U5b-ZaZUQ\" target=\"_blank\">YouTube channel&nbsp;<\/a>and our&nbsp;<a rel=\"noreferrer noopener\" href=\"https:\/\/www.facebook.com\/panafricanmusic\" target=\"_blank\">Facebook<\/a>. <\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"1010\" height=\"1332\" src=\"https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2021\/03\/c524e654-osunlade-2_oli-grabowski-1010x1332.jpg\" alt=\"\" class=\"wp-image-75290\" srcset=\"https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2021\/03\/c524e654-osunlade-2_oli-grabowski-1010x1332.jpg 1010w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2021\/03\/c524e654-osunlade-2_oli-grabowski-759x1001.jpg 759w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2021\/03\/c524e654-osunlade-2_oli-grabowski-1440x1900.jpg 1440w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2021\/03\/c524e654-osunlade-2_oli-grabowski-661x872.jpg 661w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2021\/03\/c524e654-osunlade-2_oli-grabowski-465x613.jpg 465w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2021\/03\/c524e654-osunlade-2_oli-grabowski-375x495.jpg 375w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2021\/03\/c524e654-osunlade-2_oli-grabowski.jpg 1516w\" sizes=\"(min-width:1010px) 759px,100vw\" loading=\"lazy\" \/><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>In anticipation of the Offering Gotsoul Online Weekender, Yoruba Records founder and prolific musician Osunlade speaks with PAM about his Ifa inspired music, African connections, and life behind the decks<\/p>\n","protected":false},"author":82,"featured_media":75275,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[7833,7835,87],"tags":[4111,4096,35185],"location":[],"yst_prominent_words":[11236,8996,22590,11368,8414,8447,8933,8618,12630,8542,8402,8435,35370,8945,35368,8438,8449,8545,35369,35366],"acf":[],"_links":{"self":[{"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/posts\/75261"}],"collection":[{"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/users\/82"}],"replies":[{"embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/comments?post=75261"}],"version-history":[{"count":0,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/posts\/75261\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/media\/75275"}],"wp:attachment":[{"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/media?parent=75261"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/categories?post=75261"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/tags?post=75261"},{"taxonomy":"location","embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/location?post=75261"},{"taxonomy":"yst_prominent_words","embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/yst_prominent_words?post=75261"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}