{"id":71241,"date":"2021-02-05T17:05:06","date_gmt":"2021-02-05T16:05:06","guid":{"rendered":"https:\/\/pan-african-music.com\/?p=71241"},"modified":"2021-02-05T17:05:08","modified_gmt":"2021-02-05T16:05:08","slug":"albums-05-02-2020","status":"publish","type":"post","link":"https:\/\/pan-african-music.com\/en\/albums-05-02-2020\/","title":{"rendered":"8 new albums you should listen to this week"},"content":{"rendered":"\n
<\/div>\n\n\n\n
\"\"<\/figure>\n\n\n\n
<\/div>\n\n\n\n
Stop the Hate<\/em><\/h5>\n\n\n\n
Femi Kuti<\/h5>\n\n\n\n

Femi Kuti<\/a>‘s album, Stop the Hate<\/em>, is a tribute to his father Fela Kuti<\/a>, the legendary creator of Afrobeat. Indeed, in \u201cP\u00e0 P\u00e1 P\u00e0,\u201d the artist criticizes the powers that be: \u201cWe must face the government.\u201d He also adds: \u201cThey can’t give us electricity, they can’t give us good health care, they can’t give us clean water to drink.\u201d Moreover, he defines his song, \u201cAs We Struggle Everyday,\u201d as follows: \u201cIt’s about those who work hard every day to make ends meet and are reduced to voting for corrupt politicians who belong in jail.\u201d Pleased to play alongside his son, Made Kuti, Femi is especially happy that their two albums are released on the same day, together in a box set entitled Legacy +<\/em>, via the label Partisan Records: \u201cIt’s spiritually soothing and exciting to live this new chapter with my son.\u201d<\/p>\n\n\n\n

Listen here<\/a><\/p>\n\n\n\n

<\/div>\n\n\n\n
\"\"<\/figure>\n\n\n\n
<\/div>\n\n\n\n
For(e)ward<\/strong><\/em><\/h5>\n\n\n\n
Made Kuti<\/strong><\/h5>\n\n\n\n

Playing all the instruments on his album For(e)ward<\/em>, Made\u2019s new project is a true ode to freedom, perfectly illustrated by the title \u201cFree Your Mind\u201d or \u201cYour Enemy,\u201d in which he denounces \u201cpolice brutality.\u201d Made Kuti<\/a>, as well as his father, have been very present within the #EndSARS movement against police violence. Made explains: \u201cI learned a lot from my father \u2013 politically, socially, philosophically and musically \u2013 and I know that this is only the beginning of a new common adventure.\u201d His album and his father’s are included in the Legacy +<\/em> box set, a tribute to Fela Kuti’s soul and political engagement.<\/p>\n\n\n\n

Listen here<\/a><\/p>\n\n\n\n

<\/div>\n\n\n\n
\"\"<\/figure>\n\n\n\n
<\/div>\n\n\n\n
Somewhere Between Beauty and Magic<\/em><\/h5>\n\n\n\n
Joeboy<\/h5>\n\n\n\n

Mr Eazi<\/a>\u2019s prot\u00e9g\u00e9 is amazing listeners via his debut album Somewhere Between Beauty and Magic<\/em>, a true ode to love. This master of Afrobeats and R&B often shows himself madly in love in visuals, as in the video for \u201cLonely,\u201d in which he is overwhelmed by loneliness in the absence of his loved one. He also proves how attached he is to African traditions in the festive and beautifully colorful video for \u201cCelebration,\u201d where we see beautiful outfits from Yoruba culture. Joeboy<\/a> said it himself: \u201cI wanted to pay tribute to my origins.\u201d But there are also new features on this album, like the Spanish guitar in \u201cRunaway\u201d and the afro-house in \u201cOh.\u201d It marks a real breath of fresh air in these difficult Covid-19 times. <\/p>\n\n\n\n

Listen here<\/a><\/p>\n\n\n\n

<\/div>\n\n\n\n
\"\"<\/figure>\n\n\n\n
<\/div>\n\n\n\n
Nocturne<\/em><\/h5>\n\n\n\n
David Walters<\/strong><\/h5>\n\n\n\n

David Walters<\/a> has released a fantastic new project, Nocturne<\/em>, in the company of Vincent S\u00e9gal on cello, Ballak\u00e9 Sissoko on kora and Roger Raspail on percussion. This album is the fruit of the singer-guitarist’s meditations during the lockdown. The singer’s voice has never been so sensitive, a result of his not wanting to disturb his family at home, and it reflects his inner journey as a man and artist. Walters also delivers a deeply intimate message in favor of freedom of expression on \u201cFreedom,\u201d a track he composed in the wake of the demonstrations against police violence. He refers to Fela Kuti: \u201cMusic is a weapon.\u201d The name of this album is also a tribute to the eminent composer, Chopin. <\/p>\n\n\n\n

Listen here<\/a><\/p>\n\n\n\n

<\/div>\n\n\n\n
\"\"<\/figure>\n\n\n\n
<\/div>\n\n\n\n
Let My People Go<\/em><\/h5>\n\n\n\n
Archie Shepp & Jason Moran<\/strong><\/h5>\n\n\n\n

Both Archie Shepp and Jason Moran have concocted a real gem with their album Let my people go<\/em>, a project reminiscent of the lightning success of \u201cGo Down Moses,\u201d a track interpreted by Louis Armstrong in his time, and a real symbol within the African-American music landscape. The eighty-three-year-old saxophonist Archie Shepp has never ceased fighting racism in an incredibly poetic way. A central figure in the Black Arts Movement, he dazzles on this splendid new album, which is bolstered by the pianist Jason Moran and influenced by jazz, classical music and hip-hop. Two generations unite in a grandiose musical symbiosis.<\/p>\n\n\n\n

Listen here<\/a><\/p>\n\n\n\n

<\/div>\n\n\n\n
\"\"<\/figure>\n\n\n\n
<\/div>\n\n\n\n
Subconsciously<\/em><\/strong><\/h5>\n\n\n\n
Black Coffee <\/strong><\/h5>\n\n\n\n

There are some pleasant surprises to be found in Subconsciously<\/em>, the new album by this South African DJ. This master of house defines his objective as follows: \u201cThat’s what music should do, it should divide barriers and unite us under this one universal language.<\/em>\u201d As usual, the DJ injects a mix of different types of music. He begins on a dance piste via the frantic rhythms of \u201cWish You Were Here,\u201d sublimated by the sweet voice of the South African singer Msaki. The vibes continue on \u201cDrive,\u201d which is composed alongside the famous French DJ David Guetta and the young British singer Delilah Montagu. The presence of Celeste, a new queen of English soul, also unspools a soothing soundscape on \u201cReady for You.\u201d The album is enhanced, too, by contributions from Pharell Williams and Usher.<\/p>\n\n\n\n

Listen here<\/a><\/p>\n\n\n\n

<\/div>\n\n\n\n
\"\"<\/figure>\n\n\n\n
<\/div>\n\n\n\n
Voiciii <\/em><\/strong><\/h5>\n\n\n\n
Voilaaa<\/strong><\/h5>\n\n\n\n

These geniuses of afro-funk and disco have released a dazzling new project with their album Voiciii<\/em>. It is defined as follows: \u201cThat\u2019s how Voilaaa makes its albums: with sand in the machinery and imperfections greeted with honors<\/em>.\u201d Following a tour in Burkina Faso, Cameroon, Ghana and Nigeria, the group has been inspired by funk, highlife and makossa, connecting with funan\u00e1 rhythms from the Cape Verdean diaspora in Senegal. They commented: \u201cVoil\u00e0\u00e0\u00e0 had contacted the brass spirit of the Lion of Cameroon<\/em>.\u201d Always discreet, the group also added: \u201cSarcastic lyrics with a barely hidden meaning in English, French, Creole, Bambara or Frafra seep out from the turntable undetected to regions stifled by political and military censorship<\/em>.\u201d This is a resolutely pan-African new release.<\/p>\n\n\n\n

Listen here<\/a><\/p>\n\n\n\n

<\/div>\n\n\n\n
\"\"<\/figure>\n\n\n\n
<\/div>\n\n\n\n
Fongola (Instrumentals) <\/em><\/strong><\/h5>\n\n\n\n
KOKOKO! <\/strong><\/h5>\n\n\n\n

The Congolese collective KOKOKO! has released the betwitching album Fongola (Instrumentals)<\/em>. Recorded in Kinshasa during a neighborhood party, the collective brings together Makara Bianko, better known under the nickname of \u201cLingwala devil,\u201d musicians from the Ngwaka neighborhood and dancers from the Lingwala neighborhood. A truly innovative project, this collective creates its own contemporary sound aesthetics using recycled materials such as metal, cans and plastic found in the streets of Africa’s third largest capital city. These musicians thrill us with their fast rhythms, forming a melodic illustration of their difficult daily life in Kinshasa, as government-imposed power cuts interrupt life\u2019s fun and joy.<\/p>\n\n\n\n

Listen here<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Stop the Hate Femi Kuti Femi Kuti‘s album, Stop the Hate, is a tribute to his father Fela Kuti, the legendary creator of Afrobeat. Indeed, in \u201cP\u00e0 P\u00e1 P\u00e0,\u201d the artist criticizes the powers that […]<\/p>\n","protected":false},"author":10,"featured_media":71196,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[3944],"tags":[],"location":[],"yst_prominent_words":[32383,8403,32256,32260,32258,32375,8414,8447,32380,9391,8402,8435,32259,32257,32255,32374,32373,32382,8543,32379],"acf":[],"_links":{"self":[{"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/posts\/71241"}],"collection":[{"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/comments?post=71241"}],"version-history":[{"count":0,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/posts\/71241\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/media\/71196"}],"wp:attachment":[{"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/media?parent=71241"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/categories?post=71241"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/tags?post=71241"},{"taxonomy":"location","embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/location?post=71241"},{"taxonomy":"yst_prominent_words","embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/yst_prominent_words?post=71241"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}