{"id":64632,"date":"2020-11-06T11:23:56","date_gmt":"2020-11-06T10:23:56","guid":{"rendered":"https:\/\/pan-african-music.com\/?p=64632"},"modified":"2020-11-06T11:54:03","modified_gmt":"2020-11-06T10:54:03","slug":"endsars-protesters-songs","status":"publish","type":"post","link":"https:\/\/pan-african-music.com\/en\/endsars-protesters-songs\/","title":{"rendered":"The Nigerian songs relevant to protesters during #EndSARS movement"},"content":{"rendered":"\n<h4 class=\"wp-block-heading\">From Fela Kuti to Burna Boy, these songs convey protesters\u2019 swirl of anger, frustration, melancholy and hope while buoying up their fight.<\/h4>\n\n\n\n<p class=\"has-drop-cap\">The past weeks have been eventful as Nigerian youth took to the streets for the #EndSARS movement, a peaceful protest against police brutality. The violence perpetrated by the rogue police unit, Special Anti-Robbery Squad (SARS) has since been ignored by the Nigerian government despite an alarming rise in reports of extrajudicial killings, extortion, kidnap, harassment plaguing citizens and residents alike. Savara Mudigi, a part of Kenyan music quartet, Sauti Sol recently <a href=\"https:\/\/www.instagram.com\/p\/CGsNYChBgt6\/\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\" (s\u2019ouvre dans un nouvel onglet)\">disclosed<\/a> his horrendous encounter with these officers. The apparent apathy of the powers that be resulted into what became a nationwide protest, disrupting major economic activity around the country.&nbsp;<\/p>\n\n\n\n<p>During the protest that lasted for about two weeks, music was wielded as a form of expression, creating a connection among strangers that resonates true. The records played during the #EndSARS movement embody anecdotes and emotions that mirror the long-standing trials of the Nigerian people. The music of these protests&nbsp; range from popular vintage records that chronicled Nigeria\u2019s systemic rot to contemporary releases that depict Nigeria\u2019s decay through stiffness and indifference towards institutional reforms over the years.<\/p>\n\n\n\n<p>From Lagos, Abuja to Port Harcourt, Benin, these songs convey protesters\u2019 swirl of anger, frustration, melancholy and hope while buoying up their fight against police brutality, bad governance and call for accountability.<\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Fela Kuti - Sorrow Tears &amp; Blood (Original Extended Version)\" width=\"500\" height=\"375\" data-src=\"https:\/\/www.youtube.com\/embed\/tj1wpNuQRaM?feature=oembed&#038;autoplay=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h5 class=\"wp-block-heading\"><strong>Fela &#8211; Sorrow, Tears &amp; Blood (1977)<\/strong><\/h5>\n\n\n\n<p>Founder of afrobeat, Fela Kuti remains a nemesis to the corruption and ineffectual leadership of the Nigerian government through his fondness for human rights activism with music. The track was originally released in response to the Soweto Uprising of 1976 where thousands of South African students protested the forced teaching of Afrikaans. Sorrow, Tears &amp; Blood calls out killings happening on grounds of authority and totalitarian rule as well as the instruments of repression by colonialism. With lyrics like<em> \u201cSo policeman go slap your face, You no go talk, Army man go whip your yansh, you go they look like donkey\u201d, <\/em>the song spikes a gush of resonance among protesters fighting against police brutality.<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Ras Kimono - Gimme Likkle Sugar (Music Video)\" width=\"500\" height=\"375\" data-src=\"https:\/\/www.youtube.com\/embed\/1z4cNY1s34s?feature=oembed&#038;autoplay=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h5 class=\"wp-block-heading\"><strong>Ras Kimono &#8211; Gimme Likkle Sugar<\/strong> <strong>(1988)<\/strong><\/h5>\n\n\n\n<p>Late Ras Kimono was also a relevant voice in the fight for human rights in Nigeria. This song addresses police brutality and impotence of the Nigerian government. Lyrics like <em>\u201cSee them lying, the police are shooting innocent people, what a pity inna we city\u201d <\/em>which bespeaks the government\u2019s denial of killing peaceful protesters furthered affinity for and discovery of the record housed in the singer\u2019s 1988 debut album, Under Pressure<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Majek Fashek - Police Brutality\" width=\"500\" height=\"375\" data-src=\"https:\/\/www.youtube.com\/embed\/EVf8gmyo-Ss?feature=oembed&#038;autoplay=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h5 class=\"wp-block-heading\"><strong>Majek Fashek &#8211; Police Brutality (1988)<\/strong><\/h5>\n\n\n\n<p>Having lyrics such as <em>\u201cpolice brutality, they kill, they loot, dem dey kill leaders of tomorrow\u201d<\/em> from Fashek\u2019s debut solo album, Prisoner of Conscience, the song seemed even more arresting with <a rel=\"noreferrer noopener\" aria-label=\" (s\u2019ouvre dans un nouvel onglet)\" href=\"https:\/\/peoplesgazette.com\/over-30400-nigerians-killed-in-sars-custody-in-16-years-report\/?utm_source=ReviveOldPost&amp;utm_medium=social&amp;utm_campaign=ReviveOldPost\" target=\"_blank\">report<\/a>s of the killingof 30,000 Nigerians by SARS in the last 16 years, most of which consist of young people who the gerontocratic government deceptively infantilize as the \u2018leaders of tomorrow\u2019. <\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Eedris Abdul Kareem - Jagga Jagga\" width=\"500\" height=\"375\" data-src=\"https:\/\/www.youtube.com\/embed\/6PeKk9kjKqU?feature=oembed&#038;autoplay=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h5 class=\"wp-block-heading\"><strong>Eedris Abdulkareem &#8211; Jaga Jaga (2004)<\/strong><\/h5>\n\n\n\n<p>Retro smash hit, \u201cJaga Jaga&#8221; connotes destruction and chaos. The record bewails Nigeria\u2019s deplorable state, zeroing in on oppression of the masses by the people in power. The track at the time sparked so much ruckus it was banned by the then Nigerian president, Olusegun Obasanjo. It, however, still infiltrated mainstream consciousness via several other means like gatherings, night clubs etc. This record was a protesters\u2019 favourite as it\u2019s theme holds equal relevance as when it was a hit almost two decades ago. <\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"African China - Mr President [Official Video]\" width=\"500\" height=\"281\" data-src=\"https:\/\/www.youtube.com\/embed\/5ZbX0dIXh9g?feature=oembed&#038;autoplay=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h5 class=\"wp-block-heading\"><strong>African China &#8211; Mr President (2005)<\/strong><\/h5>\n\n\n\n<p><em>Mr President, <\/em>one of the biggest records in Nigeria at the time is an open letter and word of confrontation to the powers that be, highlighting themes that best explains elements of the Nigerian government and law enforcement ranging from bad governance to bribery, corruption, discrimination, looting etc. This remains the one of the biggest records during protests in Nigeria. <\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio wp-embed-aspect-16-9\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Falz - This Is Nigeria\" width=\"500\" height=\"281\" data-src=\"https:\/\/www.youtube.com\/embed\/UW_xEqCWrm0?feature=oembed&#038;autoplay=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h5 class=\"wp-block-heading\"><strong>Falz &#8211; This is Nigeria (2018)<\/strong><\/h5>\n\n\n\n<p>Falz enveloped an array of societal ills in this Nigerian-tailored rendition of Childish Gambino\u2019s \u201cThis is America&#8221;. The song and visuals demonstrate a dysfunctional society where crime has become outrageously excusable in plain sight. This is relative to instances prior to and during protests where politicians, policemen are caught on camera shooting at, killing people and getting away with it. With escapades of protesters being teargassed, dismissed with hot water cannons and shot at, this song resonates on a whole nother level as this is indeed in Nigeria where citizens\u2019 right to life and peaceful protest is brutally violated.<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"JAHBLEND - BLACK ON BLACK (OFFICIAL VIDEO)\" width=\"500\" height=\"281\" data-src=\"https:\/\/www.youtube.com\/embed\/9TbQ6vT8Sro?feature=oembed&#038;autoplay=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h5 class=\"wp-block-heading\"><strong>Jahblend &#8211; Black on Black (2020)<\/strong><\/h5>\n\n\n\n<p>Following the singers\u2019 consecutive encounter with the police, Jahblend vocalizes developing PTSD upon seeing a policeman. This record reverberated in the minds and lips of protesters as it portrays the institutional rot and troubling realities of the Nigerian youth who live their whole life being oppressed by, and scared of, policemen that should be protecting them. <\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Burna Boy - Monsters You Made [Official Music Video]\" width=\"500\" height=\"281\" data-src=\"https:\/\/www.youtube.com\/embed\/lRpBLAwIbeA?feature=oembed&#038;autoplay=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h5 class=\"wp-block-heading\"><strong>Burna Boy &#8211; Monsters You Made (2020)<\/strong><\/h5>\n\n\n\n<p>Protesters aimed this song at political elites, breaking down how the government\u2019s negligence pushed them into protesting which led to a nationwide disruption of activity. This includes a <a rel=\"noreferrer noopener\" aria-label=\" (s\u2019ouvre dans un nouvel onglet)\" href=\"https:\/\/nairametrics.com\/2020\/10\/19\/endsars-protest-lagos-loses-n234million-to-tollgates-closure\/\" target=\"_blank\">report <\/a>that Lagos state lost about N200m within a few days of protest at the Lekki Toll Gate amongst other inconveniences recorded by government and residents around the country. This record sees protesters chant <em>\u201cwe\u2019re the monsters you made\u201d<\/em> with what you can rightly reckon as accumulated rage from oppression of their leaders. <\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Ajebo Hustlers - Barawo Remix feat. Davido (Official Video)\" width=\"500\" height=\"281\" data-src=\"https:\/\/www.youtube.com\/embed\/D3BxmBQDfhQ?feature=oembed&#038;autoplay=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h5 class=\"wp-block-heading\"><strong>Ajebo Hustlers &#8211; Barawo (2020)<\/strong><\/h5>\n\n\n\n<p>Addressing issues such as police brutality, extrajudicial killings, \u201cBarawo&#8221; has been bubbling under months prior. By serendipity, the record served protesters with it\u2019s catchy hook that sings <em>\u201cthis country na wa\u201d<\/em> which connotes \u201cwhat a country!\u201d, a typical interjection of many Nigerians about Nigeria. It\u2019s remix featuring Davido was released in the thick of the protest. <\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Davido - FEM (Official Video)\" width=\"500\" height=\"281\" data-src=\"https:\/\/www.youtube.com\/embed\/lta5go9P-go?feature=oembed&#038;autoplay=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h5 class=\"wp-block-heading\"><strong>Davido &#8211; FEM (2020)<\/strong><\/h5>\n\n\n\n<p>Despite not bearing an emblem of a typical Nigerian protest song and while not having a political undertone whatsoever, \u201cFEM\u201d meaning <em>Shut Up <\/em>became the de facto record used in expressing dissatisfaction, silencing the government\u2019s rigmarolish approach to calm protesters. With this song, protesters were basically calling for less words\/empty promises and more reasonable action from their leaders. <\/p>\n","protected":false},"excerpt":{"rendered":"<p>From Fela Kuti to Burna Boy, these songs convey protesters\u2019 swirl of anger, frustration, melancholy and hope while buoying up their fight.<\/p>\n","protected":false},"author":77,"featured_media":64668,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[9400],"tags":[27450,503,27447,26763,5152,58,27449,27446,27445],"location":[8172],"yst_prominent_words":[27476,27473,27481,27469,27474,27477,27475,27472,8435,27430,27434,13154,27470,27480,27468,27471,27429,27479,27467,27478],"acf":[],"_links":{"self":[{"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/posts\/64632"}],"collection":[{"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/users\/77"}],"replies":[{"embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/comments?post=64632"}],"version-history":[{"count":0,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/posts\/64632\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/media\/64668"}],"wp:attachment":[{"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/media?parent=64632"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/categories?post=64632"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/tags?post=64632"},{"taxonomy":"location","embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/location?post=64632"},{"taxonomy":"yst_prominent_words","embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/yst_prominent_words?post=64632"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}