{"id":62085,"date":"2020-10-08T16:43:48","date_gmt":"2020-10-08T14:43:48","guid":{"rendered":"https:\/\/pan-african-music.com\/?p=62085"},"modified":"2021-12-23T14:44:24","modified_gmt":"2021-12-23T13:44:24","slug":"zoom-olamide-carpe-diem","status":"publish","type":"post","link":"https:\/\/pan-african-music.com\/en\/zoom-olamide-carpe-diem\/","title":{"rendered":"Zooming in with Olamide to talk Carpe Diem"},"content":{"rendered":"\n<p>In the new world of interviews you wait for artists in the comfort of your own home, staring into an empty Zoom room. One can\u2019t help but wonder what the artist is up to, potentially thousands of miles away. Lucky for me, there\u2019s Instagram Stories, and I had the drop that just yesterday, Olamide was having the time of his life in Miami, riding a boat down the coast, popping champagne and dancing to his latest single \u201cEru\u201d with friends and family.&nbsp;<\/p>\n\n\n\n<p>Would he be up in time after a long night of celebration? Did I calculate the time zone correctly? Does he have this link?<\/p>\n\n\n\n<p>All these questions run through an interviewer\u2019s mind in the time of COVID, coupled by an awe at the unlikely and incredible world where I, an American in my small Parisian flat, can interview Olamide, a Nigerian, cruising the coast of Florida, all on a little glowing device.&nbsp;<\/p>\n\n\n\n<p>Olamide showed up right on time, with a big smile, a cool posture and dark sunglasses. We were here to talk about <em>Carpe Diem<\/em>, his new album that I had bumping in the background, and a project which, after several listens, I\u2019d already become a fan.&nbsp;<\/p>\n\n\n\n<p>Salutations and well wishes granted, the interview began:&nbsp;<\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-text-align-left\"><strong>Christian: Let\u2019s get this started. I know you\u2019re a busy man\u2026&nbsp;<\/strong><\/p>\n\n\n\n<p>Olamide: Let&#8217;s go! <\/p>\n\n\n\n<p><strong>&#8220;Carpe Diem&#8221; is an expression a lot of people will be familiar with. Why did you choose this title and how are you looking to seize the day?<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-left\">The mood is like, YOLO, you know. I wanna live and limits are nothing, I just wanna do all the things that I wanna do and live my dream to the fullest.&nbsp;&nbsp;<\/p>\n\n\n\n<p><strong>Well, you\u2019ve definitely done a lot so far.&nbsp;<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-left\">*laughs*<\/p>\n\n\n\n<p><strong>There are a lot of messages on the album and it definitely feels limitless, but are there any key ideas you wanted to get across with this project?<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-left\">Majorly I just wanted to try and pass down this sound with a spirit of happiness\u2026 plus it\u2019s been a hell of a year<\/p>\n\n\n\n<p><strong><em>Crazy<\/em>.<\/strong><\/p>\n\n\n\n<p>*both laugh*<\/p>\n\n\n\n<p>Yeah it\u2019s been a hell of a year. It\u2019s been a hell of a ride for me for the past&nbsp;3, 4, 5 years now since I lost both my parents, my mom and my dad. It was like one day after the other. I lost my Dad in 2016 and I lost my Mom in 2017 and that really weighed me down so much and it affected my creativity. I\u2019m just trying to refocus on my music career now and take it all the way, you know, give it my best.&nbsp;<\/p>\n\n\n\n<p><strong>My condolences to you\u2026<\/strong><\/p>\n\n\n\n<p>Thanks man.<\/p>\n\n\n\n<p><strong>You know, I can tell there is this lighthearted energy on there that speaks to that, and maybe bringing some closure through creativity because it does sound like you switched up the style a bit.<\/strong><\/p>\n\n\n\n<p>Yeah I did, I did, I definitely did.&nbsp;And that\u2019s one of the reasons I really started singing because I always wanted to do both. I don\u2019t know, for some odd reason I\u2019ve always restricted myself to a specific kind of sound. But now I\u2019m just like, you know what, to hell with all this, you know, I just wanna explore, be adventurous with sound and try new things, experiment, do all the things I\u2019ve always dreamt of doing.&nbsp;<\/p>\n\n\n\n<p>You know I never used to sing so much, I always used to do like, \u201crap rap\u201d and all that but right now I do wanna sing so I\u2019ve been trying my best to do it. I\u2019ve been doing voice training, I got myself a coach and all that. I\u2019m also learning production and how to make beats. So many things. You know, music is the only thing that I know that I\u2019m good at so I give my 100% and always learning more about this to know every part possible.&nbsp;<\/p>\n\n\n\n<p><strong>Did you want to break out of the box of being a \u201crapper\u201d?<\/strong><\/p>\n\n\n\n<p>I mean, initially when I started music I started singing first, but everyone used to tell me my voice was rubbish\u2026<\/p>\n\n\n\n<p>*long laugh*<\/p>\n\n\n\n<p>So I switched to rap. Then someway or another after the hype I ended up singing on a couple of songs, but I didn\u2019t intentionally mean to sing on them \u2026 but one way or the other it came out like that. Right now I truly want to be better at singing. I wanna do it because I really love singing *laughs* I really do love it, I don\u2019t care if it looks too soft for some people because it\u2019s always different for a rap artist to start singing, but I don\u2019t care, I\u2019m just gunna live my life man, do what makes me happy.<\/p>\n\n\n\n<p><strong>Well, I\u2019m glad you did. And like I said, I think we can hear your desire to sing on previous projects, and you do let it go on some of the older cuts, but, of course, there\u2019s a contrast with some of the more aggressive raps you\u2019ve done in the past.&nbsp;<\/strong><\/p>\n\n\n\n<p><strong>I also saw that you described this album in particular as Galala and Celestial music\u2026<\/strong><\/p>\n\n\n\n<p>Yeah! It\u2019s a little bit of a marriage between the Jamaican Dancehall sound and the Nigerian Galala sound.&nbsp;&nbsp;<\/p>\n\n\n\n<p><strong>Can you tell us a little more about Nigerian Galala? Is it something you listened to a lot in your past?<\/strong><\/p>\n\n\n\n<p>So Nigerian Galala was from the late 80s early 90s with people from Ajegunle in Lagos\u2026 we had some people like Daddy Showkey and Baba Fryo and other people that pioneered that sound and made it very big back then. A couple of new artists have been tapping into it but each time around I\u2019m trying to focus on it and make it bigger than what it used to be.&nbsp;<\/p>\n\n\n\n<p><strong>Yeah, bring it the now, I feel that. You know, another thing that stands out for you is this hypnotic ability to flow in and out of multiple languages, English, Yoruba, Pidgin, and I was wondering what that brings to you as an artist and especially as a \u201crapper\u201d?<\/strong><\/p>\n\n\n\n<p>So for me personally it\u2019s basically just me doing me. It\u2019s very simple like, if you know about A, B, C, and D in different aspects of your life you always want to add a bit of that. So if I understand all these different languages and this and that, then I must use them. It\u2019s the typical me, that\u2019s the way I roll that\u2019s the way I talk.&nbsp;<\/p>\n\n\n\n<p>Almost everybody in Lagos, before they say two lines in English, you\u2019re gunna hear one Yoruba word or Pidgin. So that\u2019s the way we talk, that\u2019s the way we live, that\u2019s the way we relate to people. For me I use Yoruba sometimes but it\u2019s mostly about Pidgin and English.<\/p>\n\n\n\n<p><strong>It sounds natural that\u2019s for sure, you can almost lose track of the barriers between the languages when the flow is going off.<\/strong><\/p>\n\n\n\n<p>Thank you boss!&nbsp;<\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Olamide - Green Light (Official Video)\" width=\"500\" height=\"281\" data-src=\"https:\/\/www.youtube.com\/embed\/kywkDPXJeC4?feature=oembed&#038;autoplay=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><figcaption>Olamide &#8211; Green Light <\/figcaption><\/figure>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong>Of course! Kind of switching it up to the people you incorporated to work on the album with you. I noticed that the big introduction to the production was P. PRIIME, this young producer prodigy. I wondered what it\u2019s like working with someone so fresh and so young and giving them that kind of responsibility on such a huge project?<\/strong><\/p>\n\n\n\n<p>I swear to god man, I already&nbsp;wrapped up my album when my content manager sent me beats from P. PRIIME and I was like, hold on wait a minute, you need to call this guy to come and have a session with me! I had to scrap like 90% of what I had previously.<\/p>\n\n\n\n<p><strong>Wow.<\/strong><\/p>\n\n\n\n<p>I started to call up P. PRIIME and bring him in and that\u2019s why he makes up like 70% of the production. His sound is just so fresh and he connects to the picture in my head for what I really want to achieve.&nbsp;<\/p>\n\n\n\n<p><strong>So you said someone sent you some beats, but had you noticed him before from the Sarz academy or his work with DJ Cuppy and stuff like that?<\/strong><\/p>\n\n\n\n<p>I never noticed him before honestly. He\u2019s always been working with Fireboy, but I never noticed him, I got those beats in my email\u2026<\/p>\n\n\n\n<p><strong>And it was like *snap*.&nbsp;<\/strong><\/p>\n\n\n\n<p>Yeah.<\/p>\n\n\n\n<p><strong>That\u2019s awesome. A true talent. And speaking of young talent you got Fireboy, who you executive produced on his last album via the YBNL label, but you\u2019ve also got Omalay, Bella Shmurda, Bad Boy Timz, all pretty young artists with relatively small discographies\u2026<\/strong><\/p>\n\n\n\n<p>Yeah crazy. *laughs*<\/p>\n\n\n\n<p><strong>So my question is, is it important for you to foster this young talent? Is that something that you think about?<\/strong><\/p>\n\n\n\n<p>So, coming up for me was quite difficult because as a young artist you always aspire to have a record with an established artist and it was really difficult for me, I didn\u2019t have the opportunity to make all that happen or achieve all those dreams so I just took it upon myself that when I make it, I\u2019m always gunna try my best to put new people on. So that\u2019s why I always do that.&nbsp;<\/p>\n\n\n\n<p><strong>That\u2019s righteous man. And you had a great selection. You definitely pushed me to discover some of these guys, especially Bad Boy Timz\u2026<\/strong><\/p>\n\n\n\n<p>Oh, Bad Boy Timz is wicked!&nbsp;<\/p>\n\n\n\n<p><strong>MJ and all the MJ Remixes<\/strong>&#8230;<\/p>\n\n\n\n<p>Yeahhhhh! Man you been doing your research!&nbsp;<\/p>\n\n\n\n<p><strong>I\u2019m talking to Olamide you gotta do it.&nbsp;<\/strong><\/p>\n\n\n\n<p>*both laugh*<\/p>\n\n\n\n<p><strong>But how does it work, do you just hear the work of these young guys decide that\u2019s the sound you need, and reach out to start working together?<\/strong><\/p>\n\n\n\n<p>I would say I think I just have a good ear. When I hear something nice and I hear someone that\u2019s singing or someone that\u2019s got something to offer I can tell.&nbsp;<\/p>\n\n\n\n<p><strong>Nice, well keep up the selecta brotha\u2026<\/strong><\/p>\n\n\n\n<p><strong>So you\u2019ve released 10 albums in the last 10 years right?<\/strong><\/p>\n\n\n\n<p>Yes sir!<\/p>\n\n\n\n<p><strong>I\u2019m wondering how your process evolved over time? One thing I noticed was the track lists got a bit denser on recent projects and I\u2019m wondering what that process is like, not just the length, but how you\u2019ve evolved over those last 10 years and 10 albums.<\/strong><\/p>\n\n\n\n<p>I mean I feel like for me right now, it is way beyond trying to prove a point. It\u2019s just about living for me, I just want to live my life to the fullest. I\u2019m done trying to prove anything to anybody. Right now I just wanna make good music and make people feel good. When I go into the studio, before I started the project I already knew from the jump that I don\u2019t want the album to exceed 12 songs.&nbsp;<\/p>\n\n\n\n<p>Man, I did the same thing for Fireboy on his previous project. I told him, you know, the world is evolving. People\u2019s attention span is very short right now, they don\u2019t have time to listen to anything that\u2019s too long. Majorly in Nigeria, people don\u2019t have that time. They don\u2019t have the luxury to listen to a body of work that is on for like an hour and a half. So, it worked out for him.&nbsp;<\/p>\n\n\n\n<p>Well, actually, he ended up with 17 songs, but that\u2019s because he had a lot to say and a lot of features he wanted to include on the project and he wanted the body of work to sink in, but left to me I would\u2019ve had 10, 11 songs.<\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"1010\" height=\"1443\" src=\"https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2020\/10\/9c9864f3-olamide-3-copie-2-1010x1443.jpg\" alt=\"\" class=\"wp-image-62093\" srcset=\"https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2020\/10\/9c9864f3-olamide-3-copie-2-1010x1443.jpg 1010w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2020\/10\/9c9864f3-olamide-3-copie-2-759x1084.jpg 759w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2020\/10\/9c9864f3-olamide-3-copie-2-2048x2925.jpg 2048w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2020\/10\/9c9864f3-olamide-3-copie-2-1440x2057.jpg 1440w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2020\/10\/9c9864f3-olamide-3-copie-2-661x944.jpg 661w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2020\/10\/9c9864f3-olamide-3-copie-2-465x664.jpg 465w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2020\/10\/9c9864f3-olamide-3-copie-2-375x536.jpg 375w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2020\/10\/9c9864f3-olamide-3-copie-2.jpg 2456w\" sizes=\"(min-width:1010px) 759px,100vw\" loading=\"lazy\" \/><figcaption>Courtesy:&nbsp;Olamide\/YBNL Nation<\/figcaption><\/figure>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong>I saw you mentioned PARTYNEXTDOOR as an influence on this album\u2026<\/strong><\/p>\n\n\n\n<p>Yeah, dig it man!<\/p>\n\n\n\n<p><strong>Yeah, love PARTYNEXTDOOR, great work. What other influences do you have on this album, them included?<\/strong><\/p>\n\n\n\n<p>Hmmm, Lauryn Hill. There are actually a lot of songs on this album that if you listen carefully, I don\u2019t think it\u2019s too far-fetched to say, \u201coh, this boy has been listening to Lauryn Hill\u201d. *laughs* Plus I really like her music, her sound, her output, who she is\u2026 I just like the fact that she sings effortless and it makes you just wonder, \u201cwhat was Lauryn Hill thinking back then\u201d\u2026 It\u2019s just so\u2026 something about the way she makes her music\u2026 I don\u2019t know, I just love everything about her. Sometimes I just wake up in the morning and wish I could just ask her some questions!<\/p>\n\n\n\n<p><strong>It\u2019s not too late!<\/strong><\/p>\n\n\n\n<p>*both laugh*<\/p>\n\n\n\n<p>And yeah, PARTYNEXTDOOR. They really had a big influence on this project. Those are the people I really listened to for this project.<\/p>\n\n\n\n<p><strong>Yeah well that\u2019s the Queen right there, <em>Misseducation<\/em> is just\u2026<\/strong><\/p>\n\n\n\n<p>Timeless!<\/p>\n\n\n\n<p><strong>That\u2019s right, timeless. One of the best.&nbsp;<\/strong><\/p>\n\n\n\n<p><strong>Touching more on the business side of things, I know you recently signed a deal with EMPIRE, and you\u2019ve been doing International shoutouts since \u201cInternational Local\u201d on YBNL, and I\u2019m wondering what international ambitions you have at this point?<\/strong><\/p>\n\n\n\n<p>Well for me personally I feel like it is not my way to limit myself. I am a big dreamer. I love to dream big. I wanna see myself go way beyond my own imagination. I wanna see myself go farther than I am right now. I won\u2019t take shortcuts, no. I wouldn\u2019t do some crazy shit or chase clouds to make it happen, but I know I\u2019m gunna get there. Gradual process, I believe in a gradual process. I just want to make sure I take my craft to the next level and I showcase myself to the world.&nbsp;<\/p>\n\n\n\n<p>That way it gives me more room to help people all around the world. One way or another, if my music connects with people and at the same time it gives me the opportunity to travel to different countries and see talent out there that needs to be heard as well, pick them up and sign them up \u2026 I really just, really really wanna help so many people win. Not just in Nigeria, but globally. Reach out to so many underprivileged people and just spread the love so the world can be a better place.<\/p>\n\n\n\n<p>For me, there is no limit to sharing our blessings. That\u2019s why I wanna make it big globally. To have access to so many people out there in the world and help them one way or the other, and I feel the best way to connect people around the world is through music.&nbsp;<\/p>\n\n\n\n<p><strong>I listened to YBNL preparing for the interview and one thing that stuck out for me was on the track \u201cStreet Love\u201d, you had this prophetic line where you said, \u201c<em>Me and my people we gunna make it to the top<\/em>\u201d and now YBNL is one of the most successful labels in Nigeria. Do you feel like you\u2019ve fulfilled your prophecy and where do you go from here?&nbsp;<\/strong><\/p>\n\n\n\n<p>God has been good to me so far. But I still feel like there\u2019s more to achieve and I\u2019m gunna do whatever it takes to help me get there.&nbsp;<\/p>\n\n\n\n<p>And umm, I don\u2019t know if this is the top yet\u2026<\/p>\n\n\n\n<p>*both laugh*<\/p>\n\n\n\n<p>I feel like I\u2019m just getting started!<\/p>\n\n\n\n<p><strong>That\u2019s true vision man!<\/strong><\/p>\n\n\n\n<p><strong>Well, I guess I\u2019ll just wrap it up by asking, is there anything else you want to tell us about the album while we have you? Best ways to listen? A message for our readers?&nbsp;<\/strong><\/p>\n\n\n\n<p>Yeah, the album is gunna be available on all musical platforms and we shot like 7 videos that\u2019s gunna be dropping right after the album, so people should just be out there on every single platform that they know and search for <em>Carpe Diem<\/em>.&nbsp;<\/p>\n\n\n\n<p>And God bless man, I love everyone!&nbsp;<\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Listen to Olamide\u2019s new album <em>Carpe Diem<\/em> <a href=\"https:\/\/music.empi.re\/carpediem\">here<\/a>.&nbsp;<\/p>\n\n\n\n<p>Also find him in our Songs of the week playlist on <a href=\"https:\/\/spoti.fi\/2Pz0eyg\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\" (s\u2019ouvre dans un nouvel onglet)\">Spotify<\/a> and <a href=\"https:\/\/bit.ly\/30zVbUA\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\" (s\u2019ouvre dans un nouvel onglet)\">Deezer<\/a>.<br><\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"1010\" height=\"890\" src=\"https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2020\/10\/7f8e5713-olamide-1-1010x890.jpg\" alt=\"\" class=\"wp-image-62107\" srcset=\"https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2020\/10\/7f8e5713-olamide-1-1010x890.jpg 1010w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2020\/10\/7f8e5713-olamide-1-759x669.jpg 759w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2020\/10\/7f8e5713-olamide-1-2048x1806.jpg 2048w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2020\/10\/7f8e5713-olamide-1-1440x1270.jpg 1440w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2020\/10\/7f8e5713-olamide-1-661x583.jpg 661w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2020\/10\/7f8e5713-olamide-1-465x410.jpg 465w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2020\/10\/7f8e5713-olamide-1-375x331.jpg 375w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2020\/10\/7f8e5713-olamide-1.jpg 2340w\" sizes=\"(min-width:1010px) 759px,100vw\" loading=\"lazy\" \/><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>In the new world of interviews you wait for artists in the comfort of your own home, staring into an empty Zoom room. One can\u2019t help but wonder what the artist is up to, potentially [&hellip;]<\/p>\n","protected":false},"author":52,"featured_media":62086,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[7835],"tags":[23463],"location":[8172],"yst_prominent_words":[8576,23910,28096,25927,9734,20008,12235,11847,16393,20928,13732,9051,14140,11493],"acf":[],"_links":{"self":[{"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/posts\/62085"}],"collection":[{"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/users\/52"}],"replies":[{"embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/comments?post=62085"}],"version-history":[{"count":0,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/posts\/62085\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/media\/62086"}],"wp:attachment":[{"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/media?parent=62085"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/categories?post=62085"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/tags?post=62085"},{"taxonomy":"location","embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/location?post=62085"},{"taxonomy":"yst_prominent_words","embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/yst_prominent_words?post=62085"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}