{"id":58324,"date":"2020-09-03T15:31:11","date_gmt":"2020-09-03T13:31:11","guid":{"rendered":"https:\/\/pan-african-music.com\/?p=58324"},"modified":"2020-09-03T17:43:29","modified_gmt":"2020-09-03T15:43:29","slug":"infinity-knives-brians-1","status":"publish","type":"post","link":"https:\/\/pan-african-music.com\/en\/infinity-knives-brians-1\/","title":{"rendered":"Infinity Knives unveils kaleidoscopic single “Brian’s #1”"},"content":{"rendered":"\n

The Baltimore-based abstract hip-hop musician and producer releases the first single from his upcoming album, Dear, Sudan<\/em>. A colorful compendium of happiness.<\/h4>\n\n\n\n

As a teenager, Infinity Knives (aka Tariq Ravelomanana) left Tanzania, passing through Kenya, South Africa and Madagascar, finally landing in Baltimore with his family. A labyrinthine journey in his musical style from which emanates a quickly identifiable energy. In the United States, the young teenager immersed himself in hip-hop culture and devoured Western classical music. This heterogeneous musical training leads him to create an experimental style made of unique combinations. <\/p>\n\n\n\n

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Entirely produced and composed by himself, his multifaceted music seems unclassifiable. He tries to put a few key words to it: “experimental, afrofuturism, drone, hip hop, left-wing minimalist, neo-classical and Baltimor<\/em>“. Without a doubt, Tariq is a poet with abstract sounds.\u00a0<\/p>\n\n\n\n

“I wanted <\/em>Dear, Sudan to be a record of the things that I enjoy, the things that keep me coming back to this life and I wanted it to be in the language I understand the most. I hope that this album can be a companion to those in need…”<\/em><\/p>\n\n\n\n

Listen to Infinity Knives in our playlist Songs of the Week sur Spotify<\/a> et Deezer<\/a>.<\/p>\n\n\n\n

Dear, Sudan<\/em>, will be available on November 6th via Phantom Limb<\/a>. <\/p>\n\n\n\n

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The Baltimore-based abstract hip-hop musician and producer releases the first single from his upcoming album, Dear, Sudan. A colorful compendium of happiness. As a teenager, Infinity Knives (aka Tariq Ravelomanana) left Tanzania, passing through Kenya, […]<\/p>\n","protected":false},"author":10,"featured_media":58317,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[3944],"tags":[21201,10293],"location":[8300,7976],"yst_prominent_words":[21210,8403,13606,21198,21194,8407,21231,8447,21204,21203,21205,8402,8435,17822,9006,21232,21230,21233,8412,8945],"acf":[],"_links":{"self":[{"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/posts\/58324"}],"collection":[{"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/comments?post=58324"}],"version-history":[{"count":0,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/posts\/58324\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/media\/58317"}],"wp:attachment":[{"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/media?parent=58324"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/categories?post=58324"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/tags?post=58324"},{"taxonomy":"location","embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/location?post=58324"},{"taxonomy":"yst_prominent_words","embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/yst_prominent_words?post=58324"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}