{"id":55049,"date":"2020-07-03T10:20:37","date_gmt":"2020-07-03T08:20:37","guid":{"rendered":"https:\/\/pan-african-music.com\/?p=55049"},"modified":"2020-09-27T13:31:45","modified_gmt":"2020-09-27T11:31:45","slug":"j-derobie-a-ghanaian-dancehall-story","status":"publish","type":"post","link":"https:\/\/pan-african-music.com\/en\/j-derobie-a-ghanaian-dancehall-story\/","title":{"rendered":"J.Derobie, a Ghanaian dancehall story"},"content":{"rendered":"\n<p class=\"has-drop-cap\">J.Derobie doesn\u2019t have much to say about his childhood: \u201cI grew up in Nungua [a coastal town located in the East of Accra]. It was normal, average Ghanaian. Life was normal. Everything was normal\u201d. But music quickly disrupted the young Derick\u2019s life: \u201cI heard a woman singing in my house and I loved the way she sang\u201d, he remembers. \u201cI started looking into music and I started singing. And whenever I used to sing, people were like \u201coh you sing really well!\u201d In Nungua, the young man was at the crossroads of multiple musical cultures and listened to everything young Ghanaians listen to: afrobeats, highlife, hiplife\u2026 \u201cand Dancehall when I started high school\u201d, he adds. Mixing all these influences, he released two afrobeats songs, a dancehall track and freestyle demo of the yet to be recorded,\u201cPoverty\u201d. The freestyle caught the attention of Mr Eazi\u2019s newly formed talent incubator emPawa Africa and chose him to be part of the initiative\u2019s inaugural artist call out emPawa 100. The original track, released in January 2019 via emPawa, stands today with over 3 million streams and had a strong impact on the Ghanaian public. The young singer gained international exposure, professional management, thousands of followers and a remix alongside Jamaican superstar Popcaan; the icing on the cake.<\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"J.Derobie - Poverty (feat. Mr Eazi) [Official Video] #emPawa100 Artist\" width=\"500\" height=\"281\" data-src=\"https:\/\/www.youtube.com\/embed\/H2eo_X-ruTY?feature=oembed&#038;autoplay=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><figcaption>J.Derobie &#8211; Poverty (feat. Mr Eazi)<\/figcaption><\/figure>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h5 class=\"wp-block-heading\"><strong>A natural link<\/strong><\/h5>\n\n\n\n<p>Over the last 20 years, dancehall has been flourishing in Ghana bringing artists international fame. \u201cWe believe most of the people taken to Jamaica on slave ships were from Ghana\u201d, Derobie explains. \u201cWe have like a natural connection. Ghanaians naturally love reggae and dancehall music\u201d. If the pioneers of the Ghanaian version (General Marcus, Samini, Shatta Wale, Stonebwoy) were inspired directly from the sounds of the Caribbean, a new generation of Ghanaian artists are now taking the Ghanaian Dancehall singers as their primary models. This has created a peculiar situation where some of the top Ghana hits are often sang in Jamaican Patois, a creole language we almost never hear in the Ghanaian public space. These same hits are sometimes sung and listened to by individuals who have never set a foot in Jamaica. \u201cI started listening to the big dancehall acts in Ghana, while also listening to afrobeats and all that\u201d, says Derobie. \u201cBut then I wanted more, so I started listening to the Jamaicans themselves. I started watching the lyrics when I listened to the songs, especially Chronixx. That\u2019s how I learnt Patois. And then I realised that I could also do it\u201d. As a emerging Ghanaian artist, what is the advantage of singing in Patois when Ghana already has about eighty languages? \u201cI just love how it sounds, it\u2019s like a mystery\u201d, the singer laughs. \u201cAnd now, the youth really understands it. You can\u2019t just sing anything to people. When you say something, the youth will come after you like <em>yo, what are you saying? <\/em>And that makes it easier for the music to flourish\u201d. However, it would be way too reductive to say that dancehall is a pure import in Ghana. Local artists have created a hybrid sound and culture that also finds its sources locally. The first limit of this cultural exchange is the spirituality. \u201cI do dancehall music but I\u2019m not a Rastafarian\u201d, J claims. \u201cBut I love rastas, my stepdad happened to be one\u201d. The second limit is the sound. \u201cOver here, what we do is we mix the afro with it. We then call it afro-dancehall. In the afro-dancehall, you would hear African rhythmic sounds, African bouncing and all that. You can also add local languages to let the local people feel you\u201d.<\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image alignwide size-large\"><img decoding=\"async\" width=\"1010\" height=\"1347\" src=\"https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2020\/07\/4ea22f99-j.derobie-pam-2-copie-1010x1347.jpg\" alt=\"\" class=\"wp-image-55040\" srcset=\"https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2020\/07\/4ea22f99-j.derobie-pam-2-copie-1010x1347.jpg 1010w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2020\/07\/4ea22f99-j.derobie-pam-2-copie-759x1012.jpg 759w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2020\/07\/4ea22f99-j.derobie-pam-2-copie-2048x2731.jpg 2048w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2020\/07\/4ea22f99-j.derobie-pam-2-copie-1440x1920.jpg 1440w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2020\/07\/4ea22f99-j.derobie-pam-2-copie-661x881.jpg 661w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2020\/07\/4ea22f99-j.derobie-pam-2-copie-465x620.jpg 465w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2020\/07\/4ea22f99-j.derobie-pam-2-copie-375x500.jpg 375w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2020\/07\/4ea22f99-j.derobie-pam-2-copie.jpg 2400w\" sizes=\"(min-width:1010px) 759px,100vw\" loading=\"lazy\" \/><\/figure>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h5 class=\"wp-block-heading\">emPawa<\/h5>\n\n\n\n<p>Mr Eazi is also playing an increasingly engaged role in the African music scene with his program emPawa Africa, with which Derobie has been collaborating for more than a year now. In his own words, \u201cEmpawa is an initiative for emerging artists to come to the limelight. It helps with distribution, publishing, marketing, music advice \u2026 It helps individuals transform into artists\u201d. After his spontaneous application, the young Derick managed to get a spot in the 2018-2019 Empawa Top 10. Alongside 9 other singers from the continent, he went to South Africa for a 3-week masterclass hosted by renowned artists like Diplo, Guilty Beatz and Raye. EmPawa is in line with J.Derobie\u2019s ambitions for his country: \u201cI will also bring something in the near future when I become big\u201d, he claims. \u201cBecause there are so many talented artists down here who don\u2019t get the support and the things they need to come out\u201d. Before taking music seriously, the young singer was actually a volunteer in Accra\u2019s Madina Local Council, but he realized quickly that music has a greater power: \u201cwith the music, I can make good things happen to people, change more lives, and touch more lives\u201d. The ability to touch lives and to tell stories that people can relate to is the unique quality of J.Derobie\u2019s music. His upcoming EP, rightly titled \u201cNungua Diaries\u201d, is full of precise and intimate themes such as love, struggle, challenges, new friends, companionship\u2026 \u201cWhen I was growing up, I realized storytelling is one of the best things to do in music. That\u2019s what makes the song interesting\u201d, the singer tells me. \u201cI get my inspiration from real life events, from a story about a friend, or sometimes I just create a story in my mind.\u201d Is there anything peculiar about the stories happening in Nungua? Derobie takes a pause before answering: \u201cit depends. For instance, the \u201cPoverty\u201d track, I wrote it here in Nungua. The thought came to me when I was at the beach. I was sitting on rocks, watching the sea, just imagining how my life would be and how other people are also struggling around me. So sometimes it is specific\u201d. But with his increasing celebrity, the artist\u2019s life and environment is probably going to change. When asked if the stories he tells will also be different, he answers mysteriously: \u201cThe story is always going to change\u2026 but it will also stay the same\u201d. <\/p>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h5 class=\"wp-block-heading\">A normal guy<\/h5>\n\n\n\n<p>Some things are already expanding in the singer\u2019s life: \u201cmy WhatsApp chat used to be around 18 new messages. Now it\u2019s like 300 and something!\u201d he laughs. It is a theme he addresses on \u201cFake friend\u201d, a track that sums up his relationship with his newly acquired celebrity. Even though the first lyrics are \u201cme no really like attention\u201d, he confirms that he is enjoying the new attention his music is getting. \u201cBut I don\u2019t really like having too many friends\u201d, he adds. \u201cWhat I know is that too many friends lead to trouble and bad things. I have new friends now, I love people, but I don\u2019t have a lot of people who are super close, who know me in and out\u201d. It is likely that Derobie feels more comfortable in the streets, with normal guys from his generation than in the spotlight of show business. That was probably the motivation behind his song \u201cMy People\u201d, that he dedicates to all the boys from the Accra neighbourhoods: \u201cmy Nungua boys, Madina boys, Sakumono, Spintex, Ashaiman Boys\u2026\u201d. \u201cThey have given me support, they have showed me love, and I really appreciate that they are doing that\u201d, he explains affectively. \u201cAfter I became popular, people have really been showing me the love I wanted. That was why I did that song\u201d. The song quickly became an anthem for the neighbourhood boys who would like to see the singer as the next \u201cGhana Dancehall King\u201d. Does he consider himself a future leader for the youth? \u201cYes, already\u201d, he answers firmly. \u201cThat is my duty too\u201d. <\/p>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image alignwide size-large\"><img decoding=\"async\" width=\"1010\" height=\"1010\" src=\"https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2020\/07\/f3ae658d-j.derobie-nungua-diaries-1010x1010.jpg\" alt=\"\" class=\"wp-image-55041\" srcset=\"https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2020\/07\/f3ae658d-j.derobie-nungua-diaries-1010x1010.jpg 1010w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2020\/07\/f3ae658d-j.derobie-nungua-diaries-759x759.jpg 759w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2020\/07\/f3ae658d-j.derobie-nungua-diaries-100x100.jpg 100w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2020\/07\/f3ae658d-j.derobie-nungua-diaries-1440x1440.jpg 1440w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2020\/07\/f3ae658d-j.derobie-nungua-diaries-661x661.jpg 661w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2020\/07\/f3ae658d-j.derobie-nungua-diaries-465x465.jpg 465w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2020\/07\/f3ae658d-j.derobie-nungua-diaries-375x375.jpg 375w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2020\/07\/f3ae658d-j.derobie-nungua-diaries-200x200.jpg 200w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2020\/07\/f3ae658d-j.derobie-nungua-diaries-85x85.jpg 85w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2020\/07\/f3ae658d-j.derobie-nungua-diaries-73x73.jpg 73w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2020\/07\/f3ae658d-j.derobie-nungua-diaries.jpg 2048w\" sizes=\"(min-width:1010px) 759px,100vw\" loading=\"lazy\" \/><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>PAM met with Ghana\u2019s new dancehall sensation, who just unveiled his first project Nungua Diaries.<\/p>\n","protected":false},"author":48,"featured_media":55039,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[11036,9405],"tags":[23662,23663],"location":[7994],"yst_prominent_words":[8403,17345,8932,10075,17350,17343,17340,8414,8447,8933,17352,8402,8435,17351,17344,9006,11052,17356,8543,10078],"acf":[],"_links":{"self":[{"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/posts\/55049"}],"collection":[{"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/users\/48"}],"replies":[{"embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/comments?post=55049"}],"version-history":[{"count":0,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/posts\/55049\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/media\/55039"}],"wp:attachment":[{"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/media?parent=55049"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/categories?post=55049"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/tags?post=55049"},{"taxonomy":"location","embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/location?post=55049"},{"taxonomy":"yst_prominent_words","embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/yst_prominent_words?post=55049"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}