{"id":51885,"date":"2020-05-29T10:00:00","date_gmt":"2020-05-29T08:00:00","guid":{"rendered":"https:\/\/pan-african-music.com\/?p=51885"},"modified":"2022-08-02T17:35:53","modified_gmt":"2022-08-02T15:35:53","slug":"fk-tha-police-and-other-lessons-from-hip-hop-on-police-brutality","status":"publish","type":"post","link":"https:\/\/pan-african-music.com\/en\/fk-tha-police-and-other-lessons-from-hip-hop-on-police-brutality\/","title":{"rendered":"\u201dF#@K Tha Police\u201d and other lessons from hip-hop on police brutality"},"content":{"rendered":"\n<h4 class=\"wp-block-heading\"><strong>In the wake of the unjust&nbsp;murder of George Floyd, we look at hip-hop\u2019s power of social commentary and political change regarding police brutality towards African Americans<\/strong>.<\/h4>\n\n\n\n<p>The most recent<a href=\"https:\/\/www.nytimes.com\/2020\/05\/27\/us\/george-floyd-minneapolis-death.html\"> killing of George Floyd<\/a> on May 25th has sent Minnesotans into riot mode and left Americans and those looking on from abroad in shock. Minnesota police responding to a call about the use of counterfeit money from a local marketplace proceeded to detain and restrain George Floyd, with one officer placing his knee on Floyd\u2019s throat. On the ground and handcuffed, Mr. Floyd pleaded with the officer gasping, \u201cI can\u2019t breathe\u201d (a terrifyingly similar vision to the death of<a href=\"https:\/\/www.theguardian.com\/us-news\/video\/2014\/dec\/04\/i-cant-breathe-eric-garner-chokehold-death-video\"> Eric Garner in 2014<\/a>), but it was to no avail. Floyd later died in custody.<\/p>\n\n\n\n<p>The digital age has done its part to put the grotesque violence and abuse of powers on the internet for all to see, but the excessive use of force and tragically unnecessary murder of detained black men is nothing new. Police abuse has been a focal point for black activists in all parts of the United States for some time. It has been the subject of film, music, and sports for as long as black artists and<a href=\"https:\/\/www.youtube.com\/watch?v=ka0446tibig\"> athletes<\/a> have had a platform, not to mention the politically active groups like Black Lives Matter.<\/p>\n\n\n\n<p>Here we\u2019re going to explore the lessons of outrage we can harbour from the sad history of police violence against black citizens through the music of some of America\u2019s most prized artists.<\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h5 class=\"wp-block-heading\"><strong>Fuck Tha Police<\/strong><\/h5>\n\n\n\n<p>In 1988 Ice Cube shook the American consciousness with his track \u201cFuck Tha Police\u201d on N.W.A.\u2019s album Straight Outta Compton. In the intro the group flips the script, playing the role of judge (Dr. Dre) and prosecutor (Ice Cube, MC Ren, and Eazy-E) to put the L.A. County Police Department (which has a long history of corruption and racial profiling) on trial.<br><\/p>\n\n\n\n<p><em>\u201cFuck the police com-in&#8217; straight from the underground!<br>A young nigga got it bad \u2018cause I&#8217;m brown<br>And not the other color, so police think<br>They have the authority to kill a minority\u201d<\/em><\/p>\n\n\n\n<p>The line has become the stuff of legend and inspired copycat riffs throughout hip-hop including acts like Bone Thugs-N-Harmony, J Dilla, and Boosie Badazz. Conservative America and law enforcement were less than enthusiastic about the track. The group received menacing letters from the FBI and were arrested in Detroit in 1989 for performing the song at the Joe Louis Arena.<\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Straight Outta Compton (8\/10) Movie CLIP - Madness in Detroit (2015) HD\" width=\"500\" height=\"281\" data-src=\"https:\/\/www.youtube.com\/embed\/uBAd6Nfv3uE?feature=oembed&#038;autoplay=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>MC Ren described the frustration that fuelled Ice Cube\u2019s track to <a href=\"https:\/\/www.youtube.com\/watch?v=2EYYaoQgtNI\">HipHopConnection<\/a> in 1989 saying, \u201cwhen you get stopped for a traffic ticket you\u2019ll most probably be slammed down on the street corner like you robbed a bank.\u201d<\/p>\n\n\n\n<p>Therein lies the political power of \u201cFuck Tha Police\u201d. To be heard, Ice Cube didn\u2019t respond with a timid meekness, but delivered a message with as much carnal violence and anger as the police that frisked unwarranted black men. It took something so explosive, so authentic, and so filled with slur and violence to wake up and empower a community subjugated to long term discrimination. In the vain of a Malcolm X or recently passed gay activist<a href=\"https:\/\/www.newyorker.com\/culture\/postscript\/the-benevolent-rage-of-larry-kramer\"> Larry Kramer,<\/a> Ice Cube cut straight to the truth, fighting fire with fire, and never mincing his words.<\/p>\n\n\n\n<p>Ice Cube started a conversation, albeit a hot and controversial one, with the community. N.W.A. was representing all their peers who experienced profiling and citizens like Rodney King who were unjustly beat half to death without repercussion. \u201cFuck tha Police\u201d is protest at its finest.<\/p>\n\n\n\n<p>Speaking with Billboard in 2018 about the legacy of the song and its impact on police brutality in L.A. Ice Cube responds, \u201cI think it&#8217;s the same. What we got to do is hold these dudes more accountable. We need body cameras.\u201d Ice Cube may be right in his pessimism and police brutality still dominates much of our psyche, however since 2020, the L.A. County Sheriff&#8217;s department is<a href=\"https:\/\/laist.com\/2020\/01\/17\/los-angeles-sheriffs-department-body-camera-policy.php\"> legally required to wear body cams<\/a> and release all footage to the public.<\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image alignwide size-large\"><img decoding=\"async\" width=\"1010\" height=\"673\" src=\"https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2020\/05\/a4737e04-nwa-fuck-tha-police-1010x673.jpg\" alt=\"\" class=\"wp-image-51897\" srcset=\"https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2020\/05\/a4737e04-nwa-fuck-tha-police-1010x673.jpg 1010w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2020\/05\/a4737e04-nwa-fuck-tha-police-759x506.jpg 759w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2020\/05\/a4737e04-nwa-fuck-tha-police-1440x960.jpg 1440w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2020\/05\/a4737e04-nwa-fuck-tha-police-661x441.jpg 661w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2020\/05\/a4737e04-nwa-fuck-tha-police-465x310.jpg 465w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2020\/05\/a4737e04-nwa-fuck-tha-police-375x250.jpg 375w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2020\/05\/a4737e04-nwa-fuck-tha-police.jpg 1800w\" sizes=\"(min-width:1010px) 759px,100vw\" loading=\"lazy\" \/><figcaption>NWA &#8211; All Rights Reserved<\/figcaption><\/figure>\n\n\n\n<h5 class=\"wp-block-heading\"><strong>Sound of da Police<\/strong><\/h5>\n\n\n\n<p>KRS-One (Knowledge Reigns Supreme Over Nearly Everyone) took a different approach for his police protest on his second single off his freshman album, \u201cSound of da Police\u201d released 5 years after \u201cFuck tha Police\u201d. KRS-One is known for his political thought and \u201cconscious\u201d raps, which is demonstrated with swag and ease in \u201cSound of da Police\u201d.<\/p>\n\n\n\n<p>KRS-One attacks corruption, the legacy of slavery, and the broad hand of justice in every bar. He starts by making allegations into the history of<a href=\"https:\/\/books.google.fr\/books?id=IcNXbtHqrz4C&amp;pg=PA78&amp;lpg=PA78&amp;dq=brooklyn+police+dirty+30&amp;source=bl&amp;ots=pxX0Hgmpyt&amp;sig=ACfU3U2zbm81N1Izb0Orhuya9DCKS8zoCw&amp;hl=en&amp;sa=X&amp;ved=2ahUKEwjz38Sv5NjpAhU4A2MBHVO4D0kQ6AEwC3oECBIQAQ#v=onepage&amp;q=brooklyn%20police%20dirty%2030&amp;f=false\"> drug trafficking within the Brooklyn P.D<\/a>. :<br><\/p>\n\n\n\n<p><em>\u201cI know this for a fact, you don&#8217;t like how I act<br>You claim I&#8217;m sellin&#8217; crack, but you be doin&#8217; that\u201d<\/em><br><\/p>\n\n\n\n<p>He then creates an allegory between officer and overseer in a brilliant use of wordplay and demonstration of phonetics:<br><\/p>\n\n\n\n<p><em>\u201cTake the word overseer, like a sample<br>Repeat it very quickly in a crew, for example<br>Overseer, overseer, overseer, overseer<br>Officer, officer, officer, officer<br>Yeah, officer from overseer\u201d<\/em><\/p>\n\n\n\n<p><br>Finally he highlights the moral hypocrisy of imposing law on colonised land:<\/p>\n\n\n\n<p>\u201c<em>Change your attitude, change your plan<br>There could never really be justice on stolen land<\/em>\u201d<br><\/p>\n\n\n\n<p>The track can be broken down at every turn and KRS-One comes through like a student ready for a high profile debate. KRS-One has done his homework, and when he attacks injustice he picks it apart one folly at a time. The question of police violence runs deep, and KRS-One manages to move past the righteous anger of Ice Cube and into the concrete nature of the struggle, addressing point by point the hypocrisy and corruption that is innate in police\u2019s interactions with black individuals.<\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"1000\" height=\"580\" src=\"https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2020\/05\/4ab525af-image-krs-one-article-sound-of-da-police-retour-vers-le-classique.jpg\" alt=\"\" class=\"wp-image-51937\" srcset=\"https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2020\/05\/4ab525af-image-krs-one-article-sound-of-da-police-retour-vers-le-classique.jpg 1000w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2020\/05\/4ab525af-image-krs-one-article-sound-of-da-police-retour-vers-le-classique-759x440.jpg 759w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2020\/05\/4ab525af-image-krs-one-article-sound-of-da-police-retour-vers-le-classique-661x383.jpg 661w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2020\/05\/4ab525af-image-krs-one-article-sound-of-da-police-retour-vers-le-classique-465x270.jpg 465w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2020\/05\/4ab525af-image-krs-one-article-sound-of-da-police-retour-vers-le-classique-375x218.jpg 375w\" sizes=\"(min-width:1010px) 759px,100vw\" loading=\"lazy\" \/><figcaption>KRS-One &#8211; All Rights Reserved<\/figcaption><\/figure>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h5 class=\"wp-block-heading\"><strong>Made You Die \/ Be Free \/ Don\u2019t Shoot \/ Hands Up<\/strong><\/h5>\n\n\n\n<p>Fast forward to the 2010s and while the black community made strides in police brutality and integration, America was soon to hit a series of tragedies, losing young black men to unnecessary violence. These new stories, often captured on a cell phone or video camera, became individualised in the vain of Rodney King. They were then abstracted to the larger issue of systematic racism empowering the Black Lives Matter movement and a series of protests to combat prejudice.<\/p>\n\n\n\n<p>These next waves of songs became tributes. The first of which was the heartrending story of Trayvon Martin. On February 26th 2012 Trayvon, then 17 years old, was walking home from a convenience store after buying some Skittles and iced tea when he was confronted by George Zimmerman of the neighbourhood watch who claimed Trayvon looked, \u201csuspicious\u201d. Zimmerman confronted Trayvon, an altercation ensued, and Trayvon was eventually shot and killed. Zimmerman was found innocent and acquitted of all crimes citing Florida\u2019s \u201cstand your ground\u201d law.<\/p>\n\n\n\n<p>While the incident didn\u2019t directly involve police, it spoke to the same bias and imposition of white authority applied by a neighbourhood watch and the institutional bias that failed to prosecute a clear cut murder. Mos Def and Dead Prez were quick to respond, using their masterful lyricism to pay homage to Trayvon in \u201cMade You Die\u201d :&nbsp;<\/p>\n\n\n\n<p>\u201c<em>Standard answer it was random police movement<br>Inconclusive confusion, the present news clips, callous bullshit<br>Every talking head is clueless, man they stuck on channel stupid\u201d <\/em>&#8211; Yasiin Bey<br><\/p>\n\n\n\n<p>The story of Trayvon is also immortalised in Frank Ocean\u2019s \u201cNikes\u201d in which Ocean is able to connect Trayvon\u2019s experience to all of black America singing, \u201c<em>RIP Trayvon, that nigga look just like me<\/em>\u201d.<\/p>\n\n\n\n<p>Next came Michael Brown, who was shot by police in on August 9th 2014 after an altercation ensued from a traffic stop in Ferguson, Missouri. As Michael Brown attempted to flee the scene, understandably frightened by the altercation, he shouted \u201cdon\u2019t shoot\u201d and was then gunned down by officer Darren Wilson. Officer Wilson was eventually acquitted on self defence. The city of Ferguson rose up in protest when interactions with law enforcement became tense (<a href=\"https:\/\/www.motherjones.com\/politics\/2014\/08\/ferguson-st-louis-police-tactics-dogs-michael-brown\/\">often provoked by the police<\/a>) and violence ensued, leading to days of riot, fires, curfews and riot squads patrolling the streets.<\/p>\n\n\n\n<p>In response J. Cole released \u201cBe Free\u201d incorporating eye-witness accounts into the track between hooks of desperation. The Game also came through with an all-star cast of artists to memorialise Mike Brown on \u201cDon\u2019t Shoot\u201d featuring DJ Khaled, 2 Chainz, Fabolous, TGT, Swizz Beatz, Yo Gotti, King Pharaoh, Curren$y, Problem, Rick Ross, Wale and Diddy. The song covered the deep history of political injustice from Emmett Till to the prison industrial complex. Purchase of the song on iTunes sent funds directly to the Mike Brown charity fund.<\/p>\n\n\n\n<p>Songs have been made to memorialise a slew of other unjustified shootings, but the list is demoralising and inexhaustible. What is noteworthy is hip-hop\u2019s approach towards storytelling, using individual tragedy to create a broader conversation. This method seemed to resonate with the American public and these tragedies didn\u2019t go without political consequences. Barack Obama, in the wake of the Ferguson unrest asked for<a href=\"https:\/\/www.nbcnews.com\/politics\/first-read\/obama-requests-263-million-police-body-cameras-training-n259161\"> $263 million in funding for police body cameras<\/a>.<\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"1010\" height=\"562\" src=\"https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2020\/05\/21bbd2c8-kendrick-lamar-alright_8641191-6289_1280x720-1010x562.jpg\" alt=\"\" class=\"wp-image-51907\" srcset=\"https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2020\/05\/21bbd2c8-kendrick-lamar-alright_8641191-6289_1280x720-1010x562.jpg 1010w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2020\/05\/21bbd2c8-kendrick-lamar-alright_8641191-6289_1280x720-759x422.jpg 759w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2020\/05\/21bbd2c8-kendrick-lamar-alright_8641191-6289_1280x720-661x368.jpg 661w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2020\/05\/21bbd2c8-kendrick-lamar-alright_8641191-6289_1280x720-465x259.jpg 465w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2020\/05\/21bbd2c8-kendrick-lamar-alright_8641191-6289_1280x720-375x209.jpg 375w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2020\/05\/21bbd2c8-kendrick-lamar-alright_8641191-6289_1280x720.jpg 1280w\" sizes=\"(min-width:1010px) 759px,100vw\" loading=\"lazy\" \/><figcaption>Kendrick Lamar &#8211; Alright (Music Video) <\/figcaption><\/figure>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h5 class=\"wp-block-heading\"><strong>We Gon\u2019 Be Alright<\/strong><\/h5>\n\n\n\n<p>Finally, Kendrick Lamar brings the conversation full circle as hip-hop moved through its stages of grief. Ice Cube began with the rage, KRS-One bargained with the institution, the 2010s felt the depressive weight of individual stories then Kendrick Lamar comes through with his anthem \u201cAlright\u201d off of his 2015 album <em>To Pimp A Butterfly<\/em> to bring a sense of acceptance, hope, and inspiration. The song quickly became the soundtrack to the Black Lives Matter movement and the refrain went viral with groups <a href=\"https:\/\/www.youtube.com\/watch?time_continue=14&amp;v=VUC_DOhfzwQ&amp;feature=emb_title\">posting videos singing the chorus<\/a> in a beautiful display of empowerment in the face of adversity.<br><\/p>\n\n\n\n<p><em>\u201cWe gon&#8217; be alright<br>Do you hear me, do you feel me? We gon&#8217; be alright\u201d<\/em><br><\/p>\n\n\n\n<p>At the 2015 BET Awards, Kendrick performed the song on top of a police cruiser to further cement the symbolic meaning of the song in relation to police violence. The song\u2019s music video is also a visual testament to the song\u2019s power and meaning.<\/p>\n\n\n\n<p>Kendrick has long been seen as a voice for his generation. His poetic skill and his fearless approach have given him a well deserved reputation as a kind of hip-hop prophet. What is most impressive is Kendrick\u2019s sensibility. When so many are outraged, depressed and demoralised, Kendrick delivers a message of hope and inspiration that fuelled the fires of resistance to perfection. His lyrics by no means induce a pacifism or apathy, they are filled with condemnation and activism, but the central theme rings true :<\/p>\n\n\n\n<p><em>\u201cI didn&#8217;t wanna self-destruct<br>\u2026So I went runnin&#8217; for answers\u201d<\/em><\/p>\n\n\n\n<p>Kendrick won the <a href=\"https:\/\/www.grammy.com\/grammys\/artists\/kendrick-lamar\">Grammy for Best Rap Album and Best Rap Performance<\/a> for \u201cAlright\u201d and the song continues to spin in political circles today. One could say the anthem is in more need than ever considering the political climate of the United States and the recent news of George Floyd.<\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Kendrick Lamar - Alright (Official Music Video)\" width=\"500\" height=\"281\" data-src=\"https:\/\/www.youtube.com\/embed\/Z-48u_uWMHY?feature=oembed&#038;autoplay=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h5 class=\"wp-block-heading\"><strong>I Can\u2019t Breathe<\/strong><\/h5>\n\n\n\n<p>Now that we see the public taking to the streets despite a global pandemic, rallying under #Icantbreathe (often written across surgical masks), and making broad condemnations of racial injustice, where will U.S. hip-hop take us next ? Will there be an artists who steps up to tell the story of George Floyd ? Will we repeat the vicious cycle of rage to hope ? In many ways it depends on how the American institutions respond to the violence, and what measures are taken to mitigate the injustice that is far too omnipresent. <\/p>\n\n\n\n<p>Nonetheless, there exists a rich legacy of hip-hop ready to inspire, tapping into the spectrum of emotions that are triggered by police brutality. Whether it\u2019s Ice Cube or J. Cole, Frank Ocean or KRS-One, there is a sound and a message that can help fill the void left in the anger and mourning of innocent life lost. So turn up your speakers and get some cathartic relief as we honor and memorialise George Floyd, and all the innocent lives lost to the sad reality of racism and police brutality in America.<\/p>\n\n\n\n<p>For those interested in activism, feel free to review the<a href=\"https:\/\/www.aclu.org\/other\/fighting-police-abuse-community-action-manual\"> ACLU\u2019s Community Action Manual on Fighting Police Brutality<\/a> or participate in the funding the official<a href=\"https:\/\/www.gofundme.com\/f\/georgefloyd\"> George Floyd Memorial<\/a>.<\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"1010\" height=\"1030\" src=\"https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2020\/05\/5f44926d-f852243f-5b12-4471-b995-3c5a3b6daf13-1010x1030.jpeg\" alt=\"\" class=\"wp-image-51901\" srcset=\"https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2020\/05\/5f44926d-f852243f-5b12-4471-b995-3c5a3b6daf13-1010x1030.jpeg 1010w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2020\/05\/5f44926d-f852243f-5b12-4471-b995-3c5a3b6daf13-759x774.jpeg 759w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2020\/05\/5f44926d-f852243f-5b12-4471-b995-3c5a3b6daf13-661x674.jpeg 661w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2020\/05\/5f44926d-f852243f-5b12-4471-b995-3c5a3b6daf13-465x474.jpeg 465w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2020\/05\/5f44926d-f852243f-5b12-4471-b995-3c5a3b6daf13-375x383.jpeg 375w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2020\/05\/5f44926d-f852243f-5b12-4471-b995-3c5a3b6daf13-73x73.jpeg 73w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2020\/05\/5f44926d-f852243f-5b12-4471-b995-3c5a3b6daf13.jpeg 1242w\" sizes=\"(min-width:1010px) 759px,100vw\" loading=\"lazy\" \/><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>In the wake of the unjust&nbsp;murder of George Floyd, we look at hip-hop\u2019s power of social commentary and political change regarding police brutality towards African Americans. The most recent killing of George Floyd on May [&hellip;]<\/p>\n","protected":false},"author":52,"featured_media":51890,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[9373],"tags":[13196,559,10293],"location":[7976],"yst_prominent_words":[13191,13150,13140,13153,8414,8447,13164,13163,13139,8435,8680,13154,13156,13192,13190,9202,13165,8543,8438,13169],"acf":[],"_links":{"self":[{"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/posts\/51885"}],"collection":[{"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/users\/52"}],"replies":[{"embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/comments?post=51885"}],"version-history":[{"count":0,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/posts\/51885\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/media\/51890"}],"wp:attachment":[{"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/media?parent=51885"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/categories?post=51885"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/tags?post=51885"},{"taxonomy":"location","embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/location?post=51885"},{"taxonomy":"yst_prominent_words","embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/yst_prominent_words?post=51885"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}