{"id":42901,"date":"2016-11-23T16:20:55","date_gmt":"2016-11-23T15:20:55","guid":{"rendered":"https:\/\/pan-african-music.com\/afro-lineup-at-lisbon-mexefest-2016-with-elza-soares-pedro-coquenao-aka-batida-spoek-mathambo-toty-samed-mayra-andrade-octa-push-la-dame-blanche-celeste-mariposa\/"},"modified":"2020-05-04T23:41:48","modified_gmt":"2020-05-04T22:41:48","slug":"afro-lineup-at-lisbon-mexefest-2016-with-elza-soares-pedro-coquenao-aka-batida-spoek-mathambo-toty-samed-mayra-andrade-octa-push-la-dame-blanche-celeste-mariposa","status":"publish","type":"post","link":"https:\/\/pan-african-music.com\/en\/afro-lineup-at-lisbon-mexefest-2016-with-elza-soares-pedro-coquenao-aka-batida-spoek-mathambo-toty-samed-mayra-andrade-octa-push-la-dame-blanche-celeste-mariposa\/","title":{"rendered":"Mexefest Festival 2016 in Lisbon: Africa moves to the heart of the city"},"content":{"rendered":"<p><img decoding=\"async\" class=\"aligncenter size-full wp-image-3170 pam-featured-content\"  src=\"https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2016\/11\/mexefest-lisboa-2016-800x533-une-1.jpg\" alt=\"mexefest-lisboa-2016-800x533-une\" width=\"800\" height=\"534\" srcset=\"https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2016\/11\/mexefest-lisboa-2016-800x533-une-1.jpg 800w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2016\/11\/mexefest-lisboa-2016-800x533-une-1-300x200.jpg 300w\" sizes=\"(min-width:1010px) 759px,100vw\" loading=\"lazy\" \/><\/p>\n<h3><b>On the 25th and 26th of November in Lisbon, discover a great afro lineup at Vodafone Mexefest 2016 with Elza Soares<\/b><span style=\"font-weight: 400;\">, <\/span><b>Pedro Coquen\u00e3o<\/b><span style=\"font-weight: 400;\"> aka <\/span><b>Batida<\/b><span style=\"font-weight: 400;\">, <\/span><b>Spoek Mathambo<\/b><span style=\"font-weight: 400;\">, <\/span><b>Toty Sa&#8217;Med<\/b><span style=\"font-weight: 400;\">, <\/span><b>Mayra Andrade<\/b><span style=\"font-weight: 400;\">, <\/span><b>Octa Push<\/b><span style=\"font-weight: 400;\">, <\/span><b>La Dame Blanche<\/b><span style=\"font-weight: 400;\">, <\/span><b>Celeste\/Mariposa&#8230;<\/b><\/h3>\n<p><span style=\"font-weight: 400;\">Mexefest would translate as Movefest and has been aiming to move Lisboan&#8217;s asses since 2011, mixing around 50 international and national music acts during two days in various places of the city: regular venues, but mainly theaters, disused cinemas, churches, public squares, etc. This year, the lineup provides some really exciting afro-oriented bands, coming from Portugal, Cape Verde, Angola, South Africa, Brazil and Cuba.<\/span><\/p>\n<hr \/>\n<h4 style=\"text-align: center;\">Subscribe to our special playlist\u00a0Mexefest 2016 on\u00a0<a href=\"https:\/\/open.spotify.com\/user\/panafricanmusic\/playlist\/7vXSnztm8MTFfLQzLHNiZF\" target=\"_blank\" rel=\"noopener noreferrer\">Spotify<\/a>\u00a0&#038;\u00a0<a href=\"http:\/\/www.deezer.com\/playlist\/2478211088\" target=\"_blank\" rel=\"noopener noreferrer\">Deezer<\/a> !<\/h4>\n<p style=\"text-align: center;\"><iframe src=\"https:\/\/embed.spotify.com\/follow\/1\/?uri=spotify:user:panafricanmusic&#038;size=detail&#038;theme=light&#038;show-count=0\" width=\"300\" height=\"56\" frameborder=\"0\" scrolling=\"no\" loading=\"lazy\"><\/iframe><\/p>\n<p style=\"text-align: center;\"><iframe src=\"https:\/\/embed.spotify.com\/?uri=spotify:user:panafricanmusic:playlist:7vXSnztm8MTFfLQzLHNiZF&#038;theme=white\" width=\"300\" height=\"380\" frameborder=\"0\" data-mce-fragment=\"1\" loading=\"lazy\"><\/iframe><iframe src=\"http:\/\/www.deezer.com\/plugins\/player?format=classic&#038;autoplay=false&#038;playlist=true&#038;width=300&#038;height=380&#038;color=007FEB&#038;layout=&#038;size=medium&#038;type=playlist&#038;id=2478211088&#038;app_id=1\" width=\"300\" height=\"380\" frameborder=\"0\" scrolling=\"no\" data-mce-fragment=\"1\" loading=\"lazy\"><\/iframe><\/p>\n<hr \/>\n<h6><b>Elza Soares (Brazil)<\/b><\/h6>\n<p><img decoding=\"async\" class=\"alignnone\" title=\"Elza Soares\" src=\"https:\/\/f4.bcbits.com\/img\/0008111363_10.jpg\" alt=\"photo Elza Soares\" width=\"1200\" height=\"800\" loading=\"lazy\" \/><span style=\"font-weight: 400;\">Aged 79, <\/span><b>Elza Soares<\/b><span style=\"font-weight: 400;\"> is the unchallenged queen of the Black bossa nova &#8211; she released &#8216;Bossa Negra&#8217;, her second album, in 1961. Tireless advocate of the women&#8217;s rights, and loud activist for the Afro-Brazilian culture, the Brazilian singer has been performing bossa novas and sambas since age 13, when she appeared at a live singing contest in 1950. When the event host, amused by the look of this young and skinny girl perched on over-sized high heels, asked her which planet she was coming from, Elza Soares answered: <em>&#8220;I&#8217;m coming from the same planet as you, sir\u2026 from Planet Hunger.&#8221;<\/em> Born and raised in the favelas of Rio de Janeiro, Brazil, she has often sung about life, love and death in those wretched and ramshackle neighbourhoods, where it takes a lot of courage to stand up as a Black woman. In the 1980s, her friend and Brazilian music legend Caetano Veloso encouraged her to go back on stage while she had decided to leave the music aside, after a personal life sprinkled of very tough events. Since then, she has incorporated new and contemporary sounds in her productions: hip-hop, funk, jazz, electronic music\u2026 Last year, at 79 years old, she released &#8216;A Mulher do Fim do Mundo&#8217; (The Woman at the End of the World), a very unique samba record produced and performed by some of the most avant-garde musicians in Brazil, embodying the creativity of S\u00e3o Paulo and Rio music scene: <\/span><b>Kiko Dinucci<\/b><span style=\"font-weight: 400;\"> (from <\/span><b>Met\u00e1 Met\u00e1<\/b><span style=\"font-weight: 400;\">) and her bandmates in <\/span><b>Passo Torto<\/b><span style=\"font-weight: 400;\"> &#8211; <\/span><b>Rodrigo Campos<\/b><span style=\"font-weight: 400;\">, <\/span><b>Marcelo Cabral<\/b><span style=\"font-weight: 400;\">, <\/span><b>Romulo Fr\u00f3es<\/b><span style=\"font-weight: 400;\">, <\/span><b>Felipe Roseno<\/b><span style=\"font-weight: 400;\"> (who plays percussions with Ney Matogrosso) -, <\/span><b>Celso Yes<\/b><span style=\"font-weight: 400;\"> and <\/span><b>Guilherme Kastrup<\/b><span style=\"font-weight: 400;\">. On stage, she delivers deep and strong vocals, singing about domestic violence against women, racism, African culture and transsexuality. In S\u00e3o Paulo where she performed her album for the first time in May, she shouted to the audience : <\/span><i><span style=\"font-weight: 400;\">&#8220;I&#8217;m Black and I&#8217;m a woman! I&#8217;m Black and I&#8217;m a woman!&#8221;<\/span><\/i><span style=\"font-weight: 400;\"> then <\/span><i><span style=\"font-weight: 400;\">&#8220;I&#8217;m gonna sing till the end, I&#8217;m gonna sing, let me sing until the end.&#8221;<\/span><\/i><span style=\"font-weight: 400;\"> If Elza Soares really was &#8220;the woman at the end of the world&#8221;, then the world would be saved, for sure.<\/span><\/p>\n<p><iframe title=\"Elza Soares - Mulher do fim do mundo\" width=\"500\" height=\"281\" data-src=\"https:\/\/www.youtube.com\/embed\/heUl6Ga8nUg?feature=oembed&#038;autoplay=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<h6><b>Pedro Coquen\u00e3o<\/b><span style=\"font-weight: 400;\"> aka <\/span><b>Batida (Angola\/Portugal) +\u00a0Spoek Mathambo (South Africa)<\/b><\/h6>\n<p><img decoding=\"async\" class=\"alignleft\" title=\"Pedro Coquen\u00e3o aka Batida\" src=\"http:\/\/cdn.fetedelamusique.be\/image\/3470\/ogimage\/batida.jpg\" alt=\"photo Pedro Coquen\u00e3o aka Batida\" width=\"1200\" height=\"1702\" loading=\"lazy\" \/><span style=\"font-weight: 400;\">Music producer, beatmaker, videomaker\u2026 these words do not say enough about the work of Portuguese-Angolan artist <\/span><b>Pedro Coquen\u00e3o<\/b><span style=\"font-weight: 400;\"> aka <\/span><b>Batida<\/b><span style=\"font-weight: 400;\">. &#8220;Cultural architect&#8221; would suit him pretty well, as the core of his artistic and creative activity is to reveal, exalt and explore the Angolan culture seen from the point of view of a young man born in Angola and raised in the suburbs of Lisbon, Portugal. The shows of Batida mix beats, melodies, lyrics, dance and live videos that are meant to make the audience reflect about the contemporary reality of post-colonial &#8211; neo-colonial? &#8211; Angola. For the festival, he invited <\/span><b>Batuk<\/b><span style=\"font-weight: 400;\">&#8216;s leader and South African producer <\/span><b>Spoek Mathambo<\/b><span style=\"font-weight: 400;\"> to share his DJ set. The afro-lusophone culture is particularly present on the band&#8217;s first two records, with lyrics sung in Portuguese, wrapped into an electronic house whose rhythms have roots in the Pan-African collective memory. The language is not the only common feature of both artists, as Spoek Mathambo also considers his music as a statement to promote the richness of African culture around the world. Friday night, the two cultural architects will be busy building a dancing bridge between Africa and Europe.<\/span><\/p>\n<h6><b>Mayra Andrade (Cape Verde)<\/b><\/h6>\n<p><img decoding=\"async\" class=\"alignnone\" title=\"Mayra Andrade\" src=\"http:\/\/cosmojazzfestival.com\/data\/img\/img53c50e4421572f.jpg\" alt=\"photo Mayra Andrade\" width=\"980\" height=\"450\" loading=\"lazy\" \/><span style=\"font-weight: 400;\">Sweet and sour, the voice of Cape Verdean singer <\/span><b>Mayra Andrade<\/b><span style=\"font-weight: 400;\"> reconciles the languages of countries that bear the weight of a dark history between them: Portuguese verses, French choruses, English breaks and Cape Verdean <\/span><i><span style=\"font-weight: 400;\">crioulo<\/span><\/i><span style=\"font-weight: 400;\"> ad libs, this multilingualism shows the cosmopolitan life the artist has had so far, at only 31. Born in Cuba, she spent her childhood in Cape Verde and then traveled to Senegal, Angola, Germany, France&#8230; Her four albums give a pop twist to the traditional mornas, coladeras, batuques and funan\u00e1s of Cape Verde that <strong>Ces\u00e1ria \u00c9vora<\/strong> made popular, and she recently gave her voice to <\/span><b>Buraka Som Sistema<\/b><span style=\"font-weight: 400;\"> beatmaker <\/span><b>Branko<\/b><span style=\"font-weight: 400;\"> on &#8220;Reserva Pra Dois&#8221;.<\/span><\/p>\n<p>https:\/\/www.youtube.com\/watch?v=bVUX-EImxuk<\/p>\n<h6><b>Branko (Portugal)<\/b><\/h6>\n<p><img decoding=\"async\" class=\"alignnone\" title=\"Branko\" src=\"http:\/\/www.arruada.com\/img\/artistas\/branko-2.jpg\" alt=\"photo Branko\" width=\"920\" height=\"600\" loading=\"lazy\" \/><span style=\"font-weight: 400;\">Actuallly, Jo\u00e3o Barbosa aka <\/span><b>Branko<\/b><span style=\"font-weight: 400;\"> is also part of the <\/span><i><span style=\"font-weight: 400;\">family fest<\/span><\/i><span style=\"font-weight: 400;\"> and will celebrate <\/span><i><span style=\"font-weight: 400;\">Atlas Expanded<\/span><\/i><span style=\"font-weight: 400;\">, the remix album of his 2015 <\/span><i><span style=\"font-weight: 400;\">Atlas<\/span><\/i><span style=\"font-weight: 400;\"> release, that featured collaborations with <\/span><b>Mayra Andrade<\/b><span style=\"font-weight: 400;\">, the Afro-Nuyorican rapper <\/span><b>Princess Nokia<\/b><span style=\"font-weight: 400;\">, South African kwaito duo <\/span><b>The Ruffest<\/b><span style=\"font-weight: 400;\">\u00a0and Brazilian <\/span><b>MC Bin Laden<\/b><span style=\"font-weight: 400;\">, now revisited by the likes of Angola-born and Portugal-raised <\/span><b>Dotorado Pro<\/b><span style=\"font-weight: 400;\">. Nobody knows who Branko invited on stage, but his own beats will surely the perfect home to any of these voices from the world.<\/span><\/p>\n<h6><b>Octa Push (Portugal)<\/b><\/h6>\n<p><img decoding=\"async\" class=\"alignnone\" title=\"Octa Push\" src=\"http:\/\/www.artesonora.pt\/wp-content\/uploads\/2016\/09\/octa-push-lingua.jpg\" alt=\"photo Octa Push\" width=\"815\" height=\"500\" loading=\"lazy\" \/><\/p>\n<p><span style=\"font-weight: 400;\">Portuguese brothers Bruno and Leonardo Guichon have concocted dancefloor-killer beats under the <\/span><b>Octa Push<\/b><span style=\"font-weight: 400;\"> moniker since 2008, gradually evolving from hardcore UK garage sounds to electronica. Recently they&#8217;ve released an official remix for London-based afro supergroup <\/span><b>Afriquoi<\/b><span style=\"font-weight: 400;\">, and eventually published <\/span><i><span style=\"font-weight: 400;\">L\u00edngua<\/span><\/i><span style=\"font-weight: 400;\"> this year, one of the most interesting production heard in Lisbon in the last months. The singular title hides a multiplicity of languages, that all have roots in the Afro-Portuguese culture that people are surrounded with when living in Lisbon. The pair chose to make a clear statement about post-colonial Portuguese society, whose trendy musical fusion still hides racist prejudices and stigmatisation. The diversity of the guests&#8217; origins on the album is the perfect illustration of what it means to be open to cultural, ethnic and social differences: <\/span><b>Maria Jo\u00e3o<\/b><span style=\"font-weight: 400;\">, <\/span><b>C\u00e1tia S\u00e1<\/b><span style=\"font-weight: 400;\"> (ex-<\/span><b>Guta Naki<\/b><span style=\"font-weight: 400;\">), <\/span><b>AF Diaphra<\/b><span style=\"font-weight: 400;\">, <\/span><b>T\u00f3 Trips<\/b><span style=\"font-weight: 400;\"> (<\/span><b>Dead Combo<\/b><span style=\"font-weight: 400;\">), <\/span><b>Batida<\/b><span style=\"font-weight: 400;\">, <\/span><b>Cachupa Psicad\u00e9lica<\/b><span style=\"font-weight: 400;\">, <\/span><b>Ary<\/b><span style=\"font-weight: 400;\"> (<\/span><b>Blasted Mechanism<\/b><span style=\"font-weight: 400;\">) and <\/span><b>Jo\u00e3o Gomes <\/b><span style=\"font-weight: 400;\">(<\/span><b>Orelha Negra<\/b><span style=\"font-weight: 400;\">) all bring their Afro heritage to build a unique and common <\/span><i><span style=\"font-weight: 400;\">L\u00edngua<\/span><\/i><span style=\"font-weight: 400;\">, simply called music.<\/span><\/p>\n<p><iframe title=\"Octa Push - B\u00e1rbara (c\/ C\u00e1tia S\u00e1)\" width=\"500\" height=\"281\" data-src=\"https:\/\/www.youtube.com\/embed\/Jsu7Z-0KiME?feature=oembed&#038;autoplay=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<h6><b>Toty Sa&#8217;Med (Angola)<\/b><\/h6>\n<p><span style=\"font-weight: 400;\"><img decoding=\"async\" class=\"alignnone size-full\" src=\"https:\/\/farm6.staticflickr.com\/5507\/29647036463_943c0c9531_b.jpg\" alt=\"photo Toty Sa'Med\" width=\"960\" height=\"639\" loading=\"lazy\" \/>Guitarist and singer <\/span><b>Toty Sa&#8217;Med<\/b><span style=\"font-weight: 400;\"> is part of the young generation of urban Angolan artists, and on his new album <\/span><i><span style=\"font-weight: 400;\">Ingombota<\/span><\/i><span style=\"font-weight: 400;\"> chose to revisit traditional songs from his native country, bringing bossa nova, soul and jazz moods to classics like <\/span><b>Bonga<\/b><span style=\"font-weight: 400;\">&#8216;s &#8220;Mona Ki Ngi Xi\u00e7a&#8221;, <\/span><b>Rui Mingas<\/b><span style=\"font-weight: 400;\">&#8216; &#8220;Namoro&#8221; amongst others tracks produced by his fellow countryman <\/span><b>Kalaf Epalanga<\/b><span style=\"font-weight: 400;\"> from Lisbon kuduro combo <\/span><b>Buraka Som Sistema<\/b><span style=\"font-weight: 400;\">.<\/span><\/p>\n<p><iframe title=\"Mona Ki Ngi Xi\u00e7a by Toty Sa&#039;Med\" width=\"500\" height=\"400\" scrolling=\"no\" frameborder=\"no\" data-src=\"https:\/\/w.soundcloud.com\/player\/?visual=true&#038;url=https%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F282933091&#038;show_artwork=true&#038;maxheight=750&#038;maxwidth=500\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<h6><b>La Dame Blanche<\/b><\/h6>\n<div style=\"width: 2490px\" class=\"wp-caption alignnone\"><img decoding=\"async\" title=\"La Dame Blanche \u00a9 Victor Delfim\" src=\"http:\/\/www.acert.pt\/tomdefesta\/2016\/site\/assets\/files\/1644\/ladameblanche_victordelfim_presse_086.jpg\" alt=\"photo La Dame Blanche\" width=\"2480\" height=\"1655\" loading=\"lazy\" \/><p class=\"wp-caption-text\">\u00a9 Victor Delfim<\/p><\/div>\n<p><span style=\"font-weight: 400;\">Here is another female singer born in Cuba who eventually settled in Paris: <\/span><b>Yaite Ramos Rodriguez<\/b><span style=\"font-weight: 400;\"> aka <\/span><b>La Dame Blanche<\/b><span style=\"font-weight: 400;\"> (&#8220;The White Lady&#8221;) attended the best lessons a musician could ever dream of, with her father <\/span><b>Jes\u00fas &#8220;Aguaje&#8221; Ramos<\/b><span style=\"font-weight: 400;\">, the trombonist and musical director for <\/span><b>Rub\u00e9n Gonz\u00e1lez<\/b><span style=\"font-weight: 400;\"> and <\/span><b>Buena Vista Social Club<\/b><span style=\"font-weight: 400;\">. A classically trained flutist, she takes her instrument on stage and blends it with hip-hop styled chants and Afro-Cuban traditional and voodooish melodies.<\/span><\/p>\n<p><iframe title=\"La Dame Blanche - Esa Noche (Video Official)\" width=\"500\" height=\"281\" data-src=\"https:\/\/www.youtube.com\/embed\/pGw-SCb_7HY?feature=oembed&#038;autoplay=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><span style=\"font-weight: 400;\">The Lisbon-based duo of DJs <\/span><b>Celeste\/Mariposa<\/b><span style=\"font-weight: 400;\"> specialized in playing records from the PALOP countries (Portuguese-speaking African countries), the five former colonies of Portugal who gained independence in 1974 and 1975. Cape Verdean funan\u00e1 and coladera, Angolan semba and merengue, Mozambican marrabenta\u2026 their selection often comes from hard-to-find original pressing vinyls or CDs bought in Africa and aims to pay homage to the quality of these often-ignored and stigmatised musical productions, that share an irresistible groove. They also founded the C\/M Discos record label to help contemporary artists to spread their music.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Then the best illustration of panafricanism in music is\u00a0<strong>Irm\u00e3os Makossa<\/strong>, another duo of DJs living in Lisbon: fake brothers Nelson &#8211; the Angolan &#8211; and Paolo &#8211; the Italian &#8211; promote the African groove that was recorded on vinyl in\u00a0the &#8217;60s and the &#8217;70s, with a strong predilection for Fela&#8217;s and his followers&#8217; afrobeat. A groovy trip!<br \/>\n<\/span><\/p>\n<h6><strong>Vodafone Mexefest, November 25th &#038; 26th in Lisbon (Portugal)<\/strong><br \/>\n<strong>http:\/\/www.vodafonemexefest.com\/<\/strong><\/h6>\n<p style=\"text-align: center;\">\n","protected":false},"excerpt":{"rendered":"<p>Afro lineup at Lisbon Mexefest 2016 with Elza Soares, Pedro Coquen\u00e3o aka Batida, Spoek Mathambo, Toty Sa&#8217;Med, Mayra Andrade, Octa Push, La Dame Blanche, Celeste\/Mariposa&#8230;<\/p>\n","protected":false},"author":11,"featured_media":3170,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[7833,7834],"tags":[4048,4083,4499,4530,4621,5085,6240,6287,6783],"location":[8212],"yst_prominent_words":[],"acf":[],"_links":{"self":[{"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/posts\/42901"}],"collection":[{"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/comments?post=42901"}],"version-history":[{"count":0,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/posts\/42901\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/media\/3170"}],"wp:attachment":[{"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/media?parent=42901"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/categories?post=42901"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/tags?post=42901"},{"taxonomy":"location","embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/location?post=42901"},{"taxonomy":"yst_prominent_words","embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/yst_prominent_words?post=42901"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}