{"id":42270,"date":"2018-09-04T12:23:38","date_gmt":"2018-09-04T11:23:38","guid":{"rendered":"https:\/\/pan-african-music.com\/meet-marcelo-d2-record-digger-skater-from-rio-de-janeiro\/"},"modified":"2020-05-04T23:16:32","modified_gmt":"2020-05-04T22:16:32","slug":"meet-marcelo-d2-record-digger-skater-from-rio-de-janeiro","status":"publish","type":"post","link":"https:\/\/pan-african-music.com\/en\/meet-marcelo-d2-record-digger-skater-from-rio-de-janeiro\/","title":{"rendered":"Meet Marcelo D2, record digger &#038; skater from Rio de Janeiro"},"content":{"rendered":"<h4 class=\"pam-featured-content\" ><span class=\"pam-featured-content\"  style=\"color: #333333;\"><img decoding=\"async\" class=\"alignnone size-full wp-image-16272 pam-featured-content\"  src=\"https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2018\/09\/Marcelo-D2-Photo-by-Wilmore-Oliveira.jpg\" alt=\"\" width=\"1000\" height=\"666\" srcset=\"https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2018\/09\/Marcelo-D2-Photo-by-Wilmore-Oliveira.jpg 1000w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2018\/09\/Marcelo-D2-Photo-by-Wilmore-Oliveira-759x505.jpg 759w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2018\/09\/Marcelo-D2-Photo-by-Wilmore-Oliveira-661x440.jpg 661w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2018\/09\/Marcelo-D2-Photo-by-Wilmore-Oliveira-465x310.jpg 465w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2018\/09\/Marcelo-D2-Photo-by-Wilmore-Oliveira-375x250.jpg 375w\" sizes=\"(min-width:1010px) 759px,100vw\" loading=\"lazy\" \/><\/span><\/h4>\n<h4><span style=\"color: #27ae60;\">The pioneer of Rio de Janeiro\u2019s rap scene is now over 50 years old. Internationally-acclaimed Marcelo D2 however is still not tired of exploring Brazil\u2019s rich musical heritage. His latest album, Samba Drive, draws inspiration from the bossa-jazz trios of the 1960s.<\/span><\/h4>\n<p style=\"text-align: right;\"><span style=\"color: #333333;\"><em>Photograph \u00a9 Wilmore Oliveira<\/em><\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"color: #333333;\"><span style=\"font-weight: 400;\">Marcelo D2 [pronounced \u201cMarselo Dee-Doish\u201d], one of Brazilian rap\u2019s most famously known, is known to his family as Marcelo Maldonado Gomes Peixoto. He was born on 5 November, 1967, which was a fruitful year for Brazilian music with the flourishing of modern Brazilian Popular Music [<\/span><i><span style=\"font-weight: 400;\">\u201cMPB\u201d<\/span><\/i><span style=\"font-weight: 400;\"> for <\/span><i><span style=\"font-weight: 400;\">\u201cM\u00fasica Popular Brasileira\u201d<\/span><\/i><span style=\"font-weight: 400;\">] \u2013\u00a0Caetano Veloso, Jo\u00e3o Bosco, Chico Buarque, Gal Costa, Gilberto Gil, to name a few all fall under the MPB umbrella. \u201c1967\u201d \u00a0&#8211; a track title from D2\u2019s debut album, <\/span><i><span style=\"font-weight: 400;\">Eu Tiro \u00c9 Onda<\/span><\/i><span style=\"font-weight: 400;\">, was released in 1998 and mixed in New York and Los Angeles by Carlos Bess and M\u00e1rio Caldato Jr. <\/span><i><span style=\"font-weight: 400;\">Eu Tiro \u00c9 Onda<\/span><\/i><span style=\"font-weight: 400;\"> paved the way for his international career and a new public recognition. Twenty years on, we meet with Marcelo as he performed at New Morning, inviting the incredible Haitian saxophonist <\/span><a style=\"color: #333333;\" href=\"https:\/\/pan-african-music.com\/en\/jowee-omicil-unveils-mende-lolo-new-music-video\/\"><span style=\"font-weight: 400;\">Jowee \u201cBash\u00bb Omicil<\/span><\/a><span style=\"font-weight: 400;\">. D2\u2019s command of the English language is not entirely perfect and his larynx was evidently put to test during a recent European tour, turning his voice even huskier than usual. He chooses to treat himself with a Porto wine, a souvenir brought in Portugal whilst recently visiting for a concert. <\/span><i><span style=\"font-weight: 400;\">Sa\u00fade!<\/span><\/i><span style=\"font-weight: 400;\"> (Cheers!).<\/span><\/span><\/p>\n<p><iframe title=\"Marcelo D2 - Eu Tiro \u00e9 Onda\" width=\"500\" height=\"375\" data-src=\"https:\/\/www.youtube.com\/embed\/vKmD_UEOD2A?feature=oembed&#038;autoplay=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><span style=\"color: #333333;\">\u201cI\u2019ve been rapping for 24 years\u201d, he says with a weary face, re-counting the days: \u201cI\u2019ve changed since I started, but you know what? I\u2019m still always looking for the perfect beat! (1) I think the process is more important than finding the beat itself. I\u2019m endlessly searching.\u201d<br \/>\n<\/span><\/p>\n<h4><span style=\"color: #333333;\"><br \/>\n<span style=\"color: #27ae60;\"><b>From punk to rap<\/b><\/span><\/span><\/h4>\n<p><span style=\"color: #333333;\"><span style=\"font-weight: 400;\">Marcelo was born in a favela, yet never used any of the pessimistic clich\u00e9s of \u201cghetto rap\u201d: \u201cI was born in the Lapa neighborhood, which is home to a strong artistic community, and a buzzing nightlife scene. The funny thing is that when I started making music with Planet Hemp at the beginning of the \u201890s, there were no rappers in Rio. I come from Brazil\u2019s second generation of Brazilian rap, but Rio\u2019s first one. The first generation \u2013\u00a0at the end of the \u201880s\u00a0\u2013 came from S\u00e3o Paulo. O Rappa was founded in 1993 in Rio and comes from the same scene I mixed with, alongside Chico Science and Na\u00e7\u00e3o Zumbi.\u201d (3)<\/span><\/span><\/p>\n<p><span style=\"color: #333333;\"><span style=\"font-weight: 400;\">Contrary to what seems to be apparent, D2\u2019s first musical love is not rap, but hardcore punk, with its mosh pits and distorted guitar amps. Planet Hemp, his debut band, was playing a deconstructed version of rock music: \u201cI was skating at the time and listening to Dead Kennedys! The first rap group that caught my attention was Afrika Bambaataa. They literally blew my mind. It changed my life. As Rio was an extremely violent city, I had things to express about the situation in my city, about politics, about street life. I felt rap was the best vehicle to do this.\u201d Marcelo considers both sides of Rio \u2013\u00a0an ambivalent Janus he holds dearly: the violent city in \u201c<\/span><a style=\"color: #333333;\" href=\"https:\/\/www.youtube.com\/watch?v=Cz2iz6MEtLM\"><span style=\"font-weight: 400;\">Desafabo<\/span><\/a><span style=\"font-weight: 400;\">\u201d, featured on the album <\/span><i><span style=\"font-weight: 400;\">A Arte Do Barulho<\/span><\/i><span style=\"font-weight: 400;\"> (2008); and on the other hand an endearing place as described in \u201cRio Puro Suco\u201d, from the album <\/span><i><span style=\"font-weight: 400;\">Nada Me Pode Parar<\/span><\/i><span style=\"font-weight: 400;\">.<\/span><\/span><\/p>\n<h3><span style=\"color: #333333;\">\u00a0<\/span><\/h3>\n<p><iframe title=\"Marcelo D2 - A Maldi\u00e7\u00e3o do Samba (Video Clip)\" width=\"500\" height=\"281\" data-src=\"https:\/\/www.youtube.com\/embed\/oFyHTp3z2Rk?feature=oembed&#038;autoplay=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<h4><span style=\"color: #333333;\"><b><br \/>\n<span style=\"color: #27ae60;\">Searching for the lost sambas<\/span><\/b><\/span><\/h4>\n<p><span style=\"color: #333333;\"><span style=\"font-weight: 400;\">In 2003, Marcelo D2 produced <\/span><i><span style=\"font-weight: 400;\">\u00c0 Procura Da Batida Perfeita<\/span><\/i><span style=\"font-weight: 400;\">, which became a huge success in Brazil, with Marcelo changing his direction and creating samba-rap, now his signature trademark. The video for \u201cA Maldi\u00e7\u00e3o Do Samba\u201d (\u201cThe curse of samba\u201d), resembles a <\/span><i><span style=\"font-weight: 400;\">candombl\u00e9<\/span><\/i><span style=\"font-weight: 400;\"> ceremony, typical of the Afro-Brazilian religion that invokes the <\/span><i><span style=\"font-weight: 400;\">orix\u00e1s<\/span><\/i><span style=\"font-weight: 400;\"> and casts human beings into trance. The track is built around a sample of the 1973 classic Marku Ribas track, \u201cZamba Bem\u201d: \u201cWhen you start playing music, it\u2019s rather natural that you try and imitate others. But I\u2019ve always tried to do something original. I felt that samba was a good place to explore. To me, samba is a direct way of communicating with my people. It\u2019s an entwined link. And at the same time, the whole world can also acknowledge what I\u2019m doing and what influences me.\u201d<\/span><\/span><\/p>\n<p><span style=\"color: #333333;\"><span style=\"font-weight: 400;\">A truly passionate digger, D2 sampled many classic tracks written by Tom Jobim, Marku Ribas, Copa 7, Luiz Bonf\u00e1, Milton Nascimento, Ivan Lins and Raul Seixas, amongst others: \u201cIn classic rap you have the kick, the snare and the funk cymbal. I\u2019ve replaced the latter with a samba cymbal that sounds like \u201ctchica-tchica\u201d. That was the first step. When I was digging for old records, I would always listen to the b-sides \u2013\u00a0the track that nobody listens to anymore.\u201d On his journey back to the roots, Marcelo D2 shared the stage and recorded with the big names of <\/span><i><span style=\"font-weight: 400;\">carioca<\/span><\/i><span style=\"font-weight: 400;\"> [for \u201cRio de Janeiro\u201d]: jazz pianist Jo\u00e3o Donato in 2008 for a classic show on Ac\u00fastico MTV; Sergio Mendes on his 2006 album <\/span><i><span style=\"font-weight: 400;\">Timeless<\/span><\/i><span style=\"font-weight: 400;\">; and his long-time friend Seu Jorge for the duet on \u201c<\/span><a style=\"color: #333333;\" href=\"https:\/\/www.youtube.com\/watch?v=v0UHvoLy85o\"><span style=\"font-weight: 400;\">Pode Acreditar<\/span><\/a><span style=\"font-weight: 400;\">\u201d.<\/span><\/span><\/p>\n<h4><span style=\"color: #333333;\"><b><br \/>\n<span style=\"color: #27ae60;\">From the US to Africa<\/span><\/b><\/span><\/h4>\n<p><span style=\"color: #333333;\"><span style=\"font-weight: 400;\">D2 made several trips to the US where the sounds of the Native Tongue left a strong mark on him: A Tribe Called Quest, De La Soul and The Jungle Brothers. He\u2018s established strong ties with North-American artists, especially with will.i.am, who is featured on the 2003 track \u201c<\/span><a style=\"color: #333333;\" href=\"https:\/\/www.youtube.com\/watch?v=tcs8R4kAFto\"><span style=\"font-weight: 400;\">Sangue Bom<\/span><\/a><span style=\"font-weight: 400;\">\u201d: \u201cThe guy loves Brazilian music, and he took the opportunity to try work his flow with mine\u201d, explains Marcelo D2. \u201cThe first time we worked together was in Los Angeles, long before the release of <\/span><i><span style=\"font-weight: 400;\">Elephunk<\/span><\/i><span style=\"font-weight: 400;\">, the album that made his band, The Black Eyed Peas, famous. Will.i.am is a mad genius! He would joke with me and say, \u201cmy car is broken; we have to push it!\u201d. In 2013, Marcelo D2 invited another L.A.-based friend, Aloe Blacc, to sing on \u201c<\/span><a style=\"color: #333333;\" href=\"https:\/\/www.youtube.com\/watch?v=heb7vsVFexo\"><span style=\"font-weight: 400;\">Danger Zone<\/span><\/a><span style=\"font-weight: 400;\">\u201d, which featured on the album <\/span><i><span style=\"font-weight: 400;\">Nada Pode Me Parar<\/span><\/i><span style=\"font-weight: 400;\">. \u201cWhen I think of a singer, Aloe Blacc is the first name that comes to my mind. He\u2019s a great rapper, too.\u201d You can also hear Queens-based African-American rapper Joya Bravo on \u201c<\/span><a style=\"color: #333333;\" href=\"https:\/\/www.youtube.com\/watch?v=ZCnJdxPYKC4\"><span style=\"font-weight: 400;\">Feeling Good<\/span><\/a><span style=\"font-weight: 400;\">\u201d. Without a doubt, D2 is aware and in touch with the globalization of music.<\/span><\/span><\/p>\n<p><span style=\"color: #333333;\"><span style=\"font-weight: 400;\">The rapper also managed to forge links with Africa, a continent that brought a lot to samba music. In 2013 he performed in Luanda, Angola where he shot the video for \u201c<\/span><a style=\"color: #333333;\" href=\"https:\/\/www.youtube.com\/watch?v=HRGIYenhcO8\"><span style=\"font-weight: 400;\">Voc\u00ea Diz Que O Amor N\u00e3o D\u00f3i<\/span><\/a><span style=\"font-weight: 400;\">\u201d: \u201cI met with local rappers. It surprised me as there is both beauty and poverty there, as there was in Brazil 50 years ago.\u201d The following year, he did a feature with Ghanaian-New-Yorker Blitz The Ambassador on \u201cAll Around The World\u201d, excerpted from the album <\/span><i><span style=\"font-weight: 400;\">Afropolitan Dreams<\/span><\/i><span style=\"font-weight: 400;\">. \u201cI hope I can explore this path further and work with more African artists.\u201d Watch this space&#8230; <\/span><\/span><\/p>\n<p><span style=\"color: #333333;\"><span style=\"font-weight: 400;\">One of his finest tracks, \u201c<\/span><a style=\"color: #333333;\" href=\"https:\/\/www.youtube.com\/watch?v=68CU3MuY-rc\"><span style=\"font-weight: 400;\">Eu Tenho O Poder<\/span><\/a><span style=\"font-weight: 400;\">\u201d (literally, \u201cI have the power\u201d), Marcelo D2 addresses the issue of political power. The song echoes deeply of a torn apart country, especially since it\u2019s seizure of power by the strongly conservative Michel Temer in August 2016 \u2013\u00a0a process the leftist parties considered a \u201cconstitutional coup\u201d (the <\/span><i><span style=\"font-weight: 400;\">\u201cgolpe\u201d<\/span><\/i><span style=\"font-weight: 400;\">). The end of the video includes footage of an alter-globalist and anti-capitalist demonstration: \u201cI rap in the tradition of committed rappers like Chuck D and KRS One. I write about political problems because I think we have to change the situation. There\u2019s corruption all over the place and the people are suffering.\u201d<\/span><\/span><\/p>\n<p><iframe title=\"Marcelo D2 &quot;Eu Tenho o Poder&quot;\" width=\"500\" height=\"281\" data-src=\"https:\/\/www.youtube.com\/embed\/68CU3MuY-rc?feature=oembed&#038;autoplay=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<h4><span style=\"color: #27ae60;\"><b><br \/>\nTaking it back to the roots of Brazilian music<\/b><\/span><\/h4>\n<p><span style=\"color: #333333;\"><span style=\"font-weight: 400;\">As a regular collaborator with the younger generation of Brazilian rappers \u2013\u00a0such as Akira Presidente on the track \u201c<\/span><a style=\"color: #333333;\" href=\"https:\/\/www.youtube.com\/watch?v=CwsdqIpR7OM\"><span style=\"font-weight: 400;\">Faz<\/span><\/a><span style=\"font-weight: 400;\">\u201d \u2013 suggests that contemporary hip-hop is still on the right path: \u201cMaybe rap is going through its biggest phase. I\u2019m traveling the whole world, from Moscow to Luanda\u2026 and it\u2019s vivid everywhere!\u201d And next? The Rio-based rapper is preparing his 10th album, for which he invites Gilberto Gil and Marisa Monte to feature: \u201cIt has a strong visual aesthetic, this is important and special to me because it is almost like an autobiographical album. I\u2019m working hard on it!\u201d He also says that he\u2019d like to \u201cdig deeper into Brazilian music. Not only to sample records, but also to get to the root and to utilise drumming percussion\u00a0\u2013\u00a0the <\/span><i><span style=\"font-weight: 400;\">macumba<\/span><\/i><span style=\"font-weight: 400;\"> and the <\/span><i><span style=\"font-weight: 400;\">atabaque<\/span><\/i><span style=\"font-weight: 400;\"> [African instruments, the equivalent of the Yorubas\u2019 <\/span><i><span style=\"font-weight: 400;\">bat\u00e1<\/span><\/i><span style=\"font-weight: 400;\"> drum used in Brazil\u2019s Nordeste region\u2019s <\/span><i><span style=\"font-weight: 400;\">candombl\u00e9<\/span><\/i><span style=\"font-weight: 400;\"> and <\/span><i><span style=\"font-weight: 400;\">capoeira<\/span><\/i><span style=\"font-weight: 400;\"> traditions; author\u2019s note]\u00a0\u2013\u00a0plus a beat and horns.\u201d We can\u2019t wait to hear it! <\/span><i><span style=\"font-weight: 400;\">Chega<\/span><\/i><span style=\"font-weight: 400;\">, Marcelo! (\u201cCome on, Marcelo!\u201d).<\/span><\/span><\/p>\n<p><span style=\"color: #333333;\"><span style=\"font-weight: 400;\">Follow Marcelo D2 : <\/span><a style=\"color: #333333;\" href=\"http:\/\/marcelod2.com.br\/\"><span style=\"font-weight: 400;\">website<\/span><\/a><span style=\"font-weight: 400;\"> \/ <\/span><a style=\"color: #333333;\" href=\"https:\/\/www.facebook.com\/marcelodedois\/\"><span style=\"font-weight: 400;\">Facebook<\/span><\/a><span style=\"font-weight: 400;\"> \/ <\/span><a style=\"color: #333333;\" href=\"https:\/\/twitter.com\/marcelodedois\"><span style=\"font-weight: 400;\">Twitter <\/span><\/a><span style=\"font-weight: 400;\">\/ <\/span><a style=\"color: #333333;\" href=\"https:\/\/www.instagram.com\/marcelod2\"><span style=\"font-weight: 400;\">Instagram<\/span><\/a><\/span><\/p>\n<h5><span style=\"color: #333333;\"><br \/>\n<span style=\"color: #27ae60;\"><b>Discover more Brazilian artists\u2019 portraits: <\/b><a style=\"color: #27ae60;\" href=\"https:\/\/pan-african-music.com\/criolo-lenfant-conscient-de-la-zona-sul\/\"><b>Criolo, the conscious child of S\u00e3o Paulo\u2019s Zona Sul<\/b><\/a><b> and <\/b><a style=\"color: #27ae60;\" href=\"https:\/\/pan-african-music.com\/karol-conka-lelectron-libre-de-curitiba\/\"><b>Karol Conka, the free spirit of Curitiba<\/b><\/a><\/span><br \/>\n<\/span><\/h5>\n<h4><iframe src=\"https:\/\/www.youtube.com\/embed\/Cz2iz6MEtLM\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" loading=\"lazy\"><\/iframe><\/h4>\n<p><span style=\"color: #333333;\"><span style=\"font-weight: 400;\">(1) A reference to Marcelo D2\u2019s track <\/span><a style=\"color: #333333;\" href=\"https:\/\/www.youtube.com\/watch?v=wZcTVWqP9Qg\"><span style=\"font-weight: 400;\">\u00c0 Procura da Batida Perfeita<\/span><\/a><span style=\"font-weight: 400;\"> (2003) inspired by the classic US hip-hop song \u201c<\/span><a style=\"color: #333333;\" href=\"https:\/\/www.youtube.com\/watch?v=VBF3wp1oLck\"><span style=\"font-weight: 400;\">Looking For the Perfect Beat<\/span><\/a><span style=\"font-weight: 400;\">\u00bb by Afrika Bambaataa and the Soulsonic Force (1983)<\/span><\/span><\/p>\n<p><span style=\"color: #333333;\"><span style=\"font-weight: 400;\">(2) Founded in Recife, in the region of Pernambuco, the band made themselves famous in Rio de Janeiro. They mix rock and <\/span><i><span style=\"font-weight: 400;\">maracatu<\/span><\/i><span style=\"font-weight: 400;\">. Maracatu is a Brazilian ritual invented by the slaves in the Nordeste region, as a tribute to the king of Kongo.<\/span><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The pioneer of Rio de Janeiro\u2019s rap scene is now over 50 years old. Internationally-acclaimed Marcelo D2 however is still not tired of exploring Brazil\u2019s rich musical heritage. His latest album, Samba Drive, draws inspiration [&hellip;]<\/p>\n","protected":false},"author":25,"featured_media":16272,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[11036,9373,9398],"tags":[4537,6186,6187],"location":[7902],"yst_prominent_words":[],"acf":[],"_links":{"self":[{"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/posts\/42270"}],"collection":[{"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/users\/25"}],"replies":[{"embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/comments?post=42270"}],"version-history":[{"count":0,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/posts\/42270\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/media\/16272"}],"wp:attachment":[{"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/media?parent=42270"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/categories?post=42270"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/tags?post=42270"},{"taxonomy":"location","embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/location?post=42270"},{"taxonomy":"yst_prominent_words","embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/yst_prominent_words?post=42270"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}