{"id":42265,"date":"2018-09-05T12:18:51","date_gmt":"2018-09-05T11:18:51","guid":{"rendered":"https:\/\/pan-african-music.com\/criolo-the-conscious-kid-of-sao-paulos-zona-sul\/"},"modified":"2020-05-04T23:16:15","modified_gmt":"2020-05-04T22:16:15","slug":"criolo-the-conscious-kid-of-sao-paulos-zona-sul","status":"publish","type":"post","link":"https:\/\/pan-african-music.com\/en\/criolo-the-conscious-kid-of-sao-paulos-zona-sul\/","title":{"rendered":"Criolo, the conscious kid of S\u00e3o Paulo\u2019s Zona Sul"},"content":{"rendered":"<p><img decoding=\"async\" class=\"alignnone size-full wp-image-16316 pam-featured-content\"  src=\"https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2018\/09\/criolo.jpg\" alt=\"\" width=\"1600\" height=\"850\" srcset=\"https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2018\/09\/criolo.jpg 1600w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2018\/09\/criolo-759x403.jpg 759w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2018\/09\/criolo-1010x537.jpg 1010w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2018\/09\/criolo-1440x765.jpg 1440w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2018\/09\/criolo-661x351.jpg 661w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2018\/09\/criolo-465x247.jpg 465w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2018\/09\/criolo-375x199.jpg 375w\" sizes=\"(min-width:1010px) 759px,100vw\" loading=\"lazy\" \/><\/p>\n<h4><span style=\"color: #27ae60;\"><b>At 42 years old, this child of the favelas of S\u00e3o Paulo\u2019s Zona Sul, has somehow always known how to combine music and social engagement. His most recent record, <\/b><b><i>Espiral de Ilus\u00e3o<\/i><\/b><b> (2018), makes this evident, with sharply delivered lyrics hitting hard, whether dropped on hip hop beats, or sung on samba melodies<\/b>.<\/span><\/h4>\n<p><span style=\"font-weight: 400;\">Since the early 1980s, hip hop has established itself in the sprawling city of S\u00e3o Paulo, a megalopolis with a population of 12 million. Breakdancers and rappers meet at dedicated spaces, such as S\u00e3o Bento station, Galeria do Rock on 24 de Maio street, and the Teatro Municipal. This is also where <\/span><i><span style=\"font-weight: 400;\">Pode cr\u00ea!<\/span><\/i><span style=\"font-weight: 400;\"> was founded, the first hip hop magazine in Brazil \u2013\u00a0the equivalent of <\/span><i><span style=\"font-weight: 400;\">The Source<\/span><\/i><span style=\"font-weight: 400;\"> in the US or <\/span><i><span style=\"font-weight: 400;\">Radikal<\/span><\/i><span style=\"font-weight: 400;\"> in France. Kleber Cavalcante Gomes aka Criolo was born on September, 5th, 1975. Alongside the young rapper Emicida, they are among the most worthy contemporary representatives of S\u00e3o Paulo\u2019s hip hop scene.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The artist\u2019s nickname, <\/span><i><span style=\"font-weight: 400;\">\u201cCriolo\u201d<\/span><\/i><span style=\"font-weight: 400;\">, defines him as an Afro descendant. This follows the cultural movements that developed in Brazil since the 1970-80s. Criolos family actually originates comes from the Nordeste region, 3000 km away from S\u00e3o Paulo. Since the 16th century this region was well known for the exploitation of African slaves in the sugarcane fields. The story of Criolo\u2019s own family would find itself alike to those of the novels by Bahia-born author Jorge Amado: \u201cMy family moved from the Cear\u00e1 state to settle in the suburbs of S\u00e3o Paulo, specifically in Graja\u00fa, located in a southern neighborhood called <\/span><i><span style=\"font-weight: 400;\">\u2018Zona Sul\u2019<\/span><\/i><span style=\"font-weight: 400;\">. They left this very poor region so that they could live a better life\u201d, tells Criolo, evidently a bit tired, in the Parisian caf\u00e9 we chose for the interview. Just before our encounter however, he sang the samba\u00a0\u201cL\u00e1 Vem Voc\u00ea\u201d beautifully for Radio Nova.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Without trying to be intentionally tragic, Criolo bluntly depicts the reality of Brazilian society\u2019s outcasts: \u201cI had a very hard and painful childhood, but my family had always been good with pedagogy in explaining to me the reality of the outside world. They never tried to hide what was happening on the streets.\u201d<\/span><\/p>\n<p><iframe title=\"Criolo - La Vem Voce\u00a0| Live Plus Pr\u00e8s De Toi\" width=\"500\" height=\"281\" data-src=\"https:\/\/www.youtube.com\/embed\/NBz_eh3wrSk?feature=oembed&#038;autoplay=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<h3><span style=\"color: #27ae60;\"><br \/>\nThe rapper-educator<br \/>\n<\/span><\/h3>\n<p><span style=\"font-weight: 400;\">His acute social awareness naturally brought him to explore the world of hip hop in 1987: \u201cI started rapping and two years later I performed my first show. When I first heard rap, I could easily identify with most of what was said about racism, tensions in the hood, social issues. This was my same personal experience. There were things I could feel deep inside, but didn\u2019t know how to express. That\u2019s what made me want to write and get involved in the movement. I used rap as the medium, and my first attempt at it was a mixtape released on cassette that I circulated in the neighboring hoods and schools. I even had a Myspace account in 2004! It seems so long ago now!\u201d Criolo says he was inspired by the North-American flow of Nas, Das Efx and Wu-Tang Clan, but also by S\u00e3o Paulo\u2019s rich hip hop scene, in particular the Racionais MC\u2019s who shared the stage with Public Enemy. Not forgetting either Thaide, a rap pioneer hailing from the Zona Sul, also active for the last 30 years. Contrary to his cultural and artistic career, Criolo also worked hard as a social worker for many years.<\/span><\/p>\n<p><iframe title=\"Tha\u00edde - Hip-Hop Puro (Video clipe oficial)\" width=\"500\" height=\"281\" data-src=\"https:\/\/www.youtube.com\/embed\/Dl-hvyEoDa0?feature=oembed&#038;autoplay=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<h3><span style=\"color: #27ae60;\"><br \/>\nCaetano Veloso\u2019s prot\u00e9g\u00e9<br \/>\n<\/span><\/h3>\n<p><span style=\"font-weight: 400;\">It\u2019s in 2011 however, with <\/span><i><span style=\"font-weight: 400;\">N\u00f3 na Orelha<\/span><\/i><span style=\"font-weight: 400;\"> that Criolo\u2019s career took off. He used his voice to sing for the first time, and this explosive cocktail of\u00a0trip-hop, afrobeat and samba\u00a0led him to win at the Brazilian Grammys where he was awarded Best Newcomer\u2019s Track prize by MTV. Caetano Veloso recognized his talent, and hailed him as one of the most important figures in contemporary Brazilian music. This would make the rapper go red with embarrassment: \u201cI feel very grateful and am deeply moved by that, because Veloso is a highly important singer to me. He\u2019s a great cultural and political leading figure in Brazil, and a good friend, too.\u201d Criolo himself is part of an extremely rich and varied scene in S\u00e3o Paulo, with alongside names such as Bixiga 70, Rael de Cima, C\u00e9u, Met\u00e1 Met\u00e1, Anelis Assump\u00e7\u00e3o, Emicida, Tulipa Ruiz, etc. \u201cI feel like a beginner next to all these exceptional artists, with their intelligent minds and strong musical statements as well as sharp social and political opinions.\u201d 2006 was also a pivotal year for Criolo: firstly because he met Marcelo Cabral and Daniel Ganjaman who, beyond his funny nickname, is also Na\u00e7\u00e3o Zumbi\u2019s producer; the pair convinced him to record his debut album, the great <\/span><i><span style=\"font-weight: 400;\">Ainda H\u00e1 Tempo<\/span><\/i><span style=\"font-weight: 400;\"> (\u201cit\u2019s still time\u201d). Secondly, because he founded Rinha dos MC\u2019s with DJ Dan Dan. The duo launched the multidisciplinary event \u201cRinha dos MC\u2019s\u201d in their own hood, that followed the hip hop tradition of: rap battles, street art, beatmakers, DJs, graffiti and photography: \u201cIt was a way for us to forge a bond between the people in the hood, and help them express their creativity\u201d, explains Criolo. \u201cSince 1999, I\u2019ve practiced photography and street art, two artistic disciplines closely tied with hip hop culture.\u201d<\/span><\/p>\n<h3><span style=\"color: #27ae60;\"><br \/>\nThe spiral of illusion<\/span><\/h3>\n<p><span style=\"font-weight: 400;\">As exhilarating as it can be, success did not displace Criolo from reality. His latest album, <\/span><i><span style=\"font-weight: 400;\">Espiral de Ilus\u00e3o<\/span><\/i><span style=\"font-weight: 400;\">, perfectly illustrates the words of poet (\u201cand diplomat\u201d) Vinicius de Moraes: \u201cTo compose a samba without sorrow is like loving a woman who is just beautiful\u201d. The title itself hints at the melancholy there is to be found beneath the joys of samba: \u201cIt\u2019s mainly a reference to my personal situation, but also to the political climate and the huge issues this country has to stand up to right now.\u201d For a long time, Criolo devoted himself to the most famous music of his country: \u201cSamba is powerful. I pay tribute to the ancestral nature of this deeply rooted music.\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Implicitly, he re-established the legacy of his family through the sound of the <\/span><i><span style=\"font-weight: 400;\">cavaquinho<\/span><\/i><span style=\"font-weight: 400;\">, a small four-stringed guitar originating from Portugal: \u201cMy grandfather worked on the docks, and my father worked in the steel mills. Singing the samba helped them escape their social environment. A music that brings people together and helps them to express themselves. In \u201cMenino Mimado\u201d (\u201cspoiled child\u201d) \u2013\u00a0one of the album\u2019s best tracks that PAM has already reviewed on here\u00a0\u2013 Criolo addresses \u201cthe corrupted political class that rules the country. They behave like spoilt children and I think such privileged people should not be running the nation. Those who have power are using it to get richer and help multinational corporations fill their pockets, where they should be using the people\u2019s money for common good.\u201d<\/span><\/p>\n<p><iframe title=\"CRIOLO - Menino Mimado\" width=\"500\" height=\"281\" data-src=\"https:\/\/www.youtube.com\/embed\/f28vdAn5TBU?feature=oembed&#038;autoplay=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><span style=\"font-weight: 400;\">Last year on March 14th in Rio de Janeiro, the assassination of civil rights activist Marielle Franco left Criolo devastated: \u201cUnfortunately, this is the kind of tragic event I\u2019ve witnessed since I was a kid in my favela. Activists who fight for our rights, for our equality, for better social conditions, against racism\u2026 their lives are suppressed right before our eyes. They are true martyrs because they know they could die at any moment for the struggle. In Brazil, people who want to do good for the country are either assassinated or imprisoned.\u201d He\u2019s not at all optimistic when it comes to the future of his own country: \u201cThe mindset of corruption is like a finger on the trigger\u201d, he prophesizes. Whilst waiting on better days to come, Criolo continues to be a mouthpiece for the people without a voice on stages around the world. To this day, it is sadly clear that the rapper is still little known in France (and around the world). Music programmers, take note!<\/span><\/p>\n<p><span style=\"color: #333333;\"><span style=\"font-weight: 400;\">Follow Criolo : <\/span><a style=\"color: #333333;\" href=\"https:\/\/www.facebook.com\/criolo.oficial\"><span style=\"font-weight: 400;\">Facebook<\/span><\/a><span style=\"font-weight: 400;\"> \/ <\/span><a style=\"color: #333333;\" href=\"https:\/\/www.instagram.com\/criolomc\/\"><span style=\"font-weight: 400;\">Instagram<\/span><\/a><span style=\"font-weight: 400;\"> \/ <\/span><a style=\"color: #333333;\" href=\"https:\/\/twitter.com\/criolomc\"><span style=\"font-weight: 400;\">Twitter<\/span><\/a><span style=\"font-weight: 400;\"> \/ <\/span><a style=\"color: #333333;\" href=\"http:\/\/www.criolo.net\/\"><span style=\"font-weight: 400;\">Website<\/span><\/a><\/span><\/p>\n<h4><span style=\"color: #27ae60;\"><b>Discover more portraits of Brazilian artists: <a style=\"color: #27ae60;\" href=\"https:\/\/pan-african-music.com\/en\/meet-marcelo-d2-record-digger-skater-from-rio-de-janeiro\/\">Marcelo D2, record digger &amp; skater from Rio de Janeiro and Karol Conka, Curitiba\u2019s free spirit<\/a>.<\/b><\/span><\/h4>\n<p><img decoding=\"async\" class=\"alignnone size-full wp-image-16317\" style=\"font-family: inherit; font-style: inherit; font-weight: inherit;\" src=\"https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2018\/09\/6288698315_551e249989_b.jpg\" alt=\"\" width=\"945\" height=\"945\" srcset=\"https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2018\/09\/6288698315_551e249989_b.jpg 945w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2018\/09\/6288698315_551e249989_b-759x759.jpg 759w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2018\/09\/6288698315_551e249989_b-100x100.jpg 100w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2018\/09\/6288698315_551e249989_b-661x661.jpg 661w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2018\/09\/6288698315_551e249989_b-465x465.jpg 465w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2018\/09\/6288698315_551e249989_b-375x375.jpg 375w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2018\/09\/6288698315_551e249989_b-200x200.jpg 200w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2018\/09\/6288698315_551e249989_b-85x85.jpg 85w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2018\/09\/6288698315_551e249989_b-73x73.jpg 73w\" sizes=\"(min-width:1010px) 759px,100vw\" loading=\"lazy\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>At 42 years old, this child of the favelas of S\u00e3o Paulo\u2019s Zona Sul, has somehow always known how to combine music and social engagement. His most recent record, Espiral de Ilus\u00e3o (2018), makes this [&hellip;]<\/p>\n","protected":false},"author":25,"featured_media":16316,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[11036,9373,9398],"tags":[4537,4754],"location":[7902],"yst_prominent_words":[],"acf":[],"_links":{"self":[{"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/posts\/42265"}],"collection":[{"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/users\/25"}],"replies":[{"embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/comments?post=42265"}],"version-history":[{"count":0,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/posts\/42265\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/media\/16316"}],"wp:attachment":[{"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/media?parent=42265"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/categories?post=42265"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/tags?post=42265"},{"taxonomy":"location","embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/location?post=42265"},{"taxonomy":"yst_prominent_words","embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/yst_prominent_words?post=42265"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}