{"id":41922,"date":"2019-03-08T11:40:03","date_gmt":"2019-03-08T09:40:03","guid":{"rendered":"https:\/\/pan-african-music.com\/parisian-duo-duoud-echoes-the-oud-with-electronic-sounds\/"},"modified":"2020-04-27T03:36:08","modified_gmt":"2020-04-27T02:36:08","slug":"duoud-get-sexy-get-mad","status":"publish","type":"post","link":"https:\/\/pan-african-music.com\/en\/duoud-get-sexy-get-mad\/","title":{"rendered":"Parisian duo Duoud echoes the Oud with electronic sounds"},"content":{"rendered":"<h4 class=\"pam-featured-content\" ><img decoding=\"async\" class=\"alignnone size-full wp-image-22068 pam-featured-content\"  src=\"https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2019\/03\/Duoud-Get-Sexy-Get-Mad.jpg\" alt=\"\" width=\"896\" height=\"639\" srcset=\"https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2019\/03\/Duoud-Get-Sexy-Get-Mad.jpg 896w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2019\/03\/Duoud-Get-Sexy-Get-Mad-759x541.jpg 759w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2019\/03\/Duoud-Get-Sexy-Get-Mad-661x471.jpg 661w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2019\/03\/Duoud-Get-Sexy-Get-Mad-465x332.jpg 465w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2019\/03\/Duoud-Get-Sexy-Get-Mad-375x267.jpg 375w\" sizes=\"(min-width:1010px) 759px,100vw\" loading=\"lazy\" \/><\/h4>\n<h4>Their new EP <em>Get Sexy Get Mad\u00a0<\/em>to be released on Comet Records puts the spotlight on this North African string instrument.<\/h4>\n<p>Consisting of\u00a0Mehdi Haddab and Jean-Pierre Smadja aka Smadj, the pair\u00a0built themselves a musical cycle that looks up to their North African roots while absorbing<br \/>\nand morphing contemporary music styles such as break beats, techno, jazz, grooves &amp;<br \/>\nrock guitar sounds.<\/p>\n<p>Respectfully insolent with the\u00a0Oud tradition, they alternate \u201cclassical\u201d Arab tunes and personal compositions, oscillating between the acoustic instrument&#8217;s warmth and electronic saturation.<\/p>\n<p><iframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/615061542&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"450\" frameborder=\"no\" scrolling=\"no\" loading=\"lazy\"><\/iframe><\/p>\n<p>Their Debut album \u00ab Wild Serenade \u00bb saw them\u00a0nominated for the Best Newcomer award in the BBC Music awards supported by a three years world tour. After that, life and projects teared them apart, until now.<\/p>\n<p>They are back with a four-track EP called\u00a0<em>Get Sexy Get Mad,\u00a0<\/em>in collaboration\u00a0with other producers to come along with them on this new era. The first track, &#8220;Get Sexy Get Mad&#8221;, is an instrumental track mixed by frequent collaborator David Husser along with a remix version revisited by Doctor L. The second\u00a0song,\u00a0&#8220;La Vida&#8221; is empowered by <span style=\"color: #333333;\"><a style=\"color: #333333;\" href=\"https:\/\/pan-african-music.com\/tag\/sofiane-saidi\/\">Sofiane Saidi<\/a><\/span>&#8216;s arabic vocals and produced by <span style=\"color: #333333;\"><a style=\"color: #333333;\" href=\"https:\/\/pan-african-music.com\/tag\/ammar-808\/\">Ammar 808<\/a><\/span>, and also reworked by Doctor L.<\/p>\n<h4>Read Next:\u00a0<span style=\"color: #333333;\"><a style=\"color: #333333;\" href=\"https:\/\/pan-african-music.com\/en\/sahel-sounds-chris-kirkley\/\">Sahel Sounds: adventures in the desert, beyond the exotic mirages<\/a><\/span><\/h4>\n<p><img decoding=\"async\" class=\"alignnone size-large wp-image-22069\" src=\"https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2019\/03\/Get-Sexy-Get-Mad-Duoud.jpg\" alt=\"\" width=\"679\" height=\"679\" srcset=\"https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2019\/03\/Get-Sexy-Get-Mad-Duoud.jpg 3000w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2019\/03\/Get-Sexy-Get-Mad-Duoud-759x759.jpg 759w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2019\/03\/Get-Sexy-Get-Mad-Duoud-1010x1010.jpg 1010w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2019\/03\/Get-Sexy-Get-Mad-Duoud-100x100.jpg 100w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2019\/03\/Get-Sexy-Get-Mad-Duoud-2048x2048.jpg 2048w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2019\/03\/Get-Sexy-Get-Mad-Duoud-1440x1440.jpg 1440w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2019\/03\/Get-Sexy-Get-Mad-Duoud-661x661.jpg 661w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2019\/03\/Get-Sexy-Get-Mad-Duoud-465x465.jpg 465w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2019\/03\/Get-Sexy-Get-Mad-Duoud-375x375.jpg 375w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2019\/03\/Get-Sexy-Get-Mad-Duoud-200x200.jpg 200w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2019\/03\/Get-Sexy-Get-Mad-Duoud-85x85.jpg 85w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2019\/03\/Get-Sexy-Get-Mad-Duoud-73x73.jpg 73w\" sizes=\"(min-width:1010px) 759px,100vw\" loading=\"lazy\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Their new EP Get Sexy Get Mad\u00a0to be released on Comet Records puts the spotlight on this North African string instrument. Consisting of\u00a0Mehdi Haddab and Jean-Pierre Smadja aka Smadj, the pair\u00a0built themselves a musical cycle [&hellip;]<\/p>\n","protected":false},"author":10,"featured_media":22068,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[3944],"tags":[],"location":[],"yst_prominent_words":[],"acf":[],"_links":{"self":[{"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/posts\/41922"}],"collection":[{"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/comments?post=41922"}],"version-history":[{"count":0,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/posts\/41922\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/media\/22068"}],"wp:attachment":[{"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/media?parent=41922"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/categories?post=41922"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/tags?post=41922"},{"taxonomy":"location","embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/location?post=41922"},{"taxonomy":"yst_prominent_words","embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/yst_prominent_words?post=41922"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}