{"id":41628,"date":"2019-06-27T11:20:19","date_gmt":"2019-06-27T10:20:19","guid":{"rendered":"https:\/\/pan-african-music.com\/zack-geebah-short-lived-but-long-lasting\/"},"modified":"2020-05-10T21:36:12","modified_gmt":"2020-05-10T20:36:12","slug":"zack-geebah-short-lived-but-long-lasting","status":"publish","type":"post","link":"https:\/\/pan-african-music.com\/en\/zack-geebah-short-lived-but-long-lasting\/","title":{"rendered":"Zack &#038; Geebah, short-lived but long lasting"},"content":{"rendered":"<h4 class=\"pam-featured-content\" ><img decoding=\"async\" class=\"alignnone size-full wp-image-26807 pam-featured-content\"  src=\"https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2019\/06\/Zack-Geebah-For-The-Love-of-Money-BBE-1-1.jpg\" alt=\"\" width=\"782\" height=\"559\" srcset=\"https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2019\/06\/Zack-Geebah-For-The-Love-of-Money-BBE-1-1.jpg 782w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2019\/06\/Zack-Geebah-For-The-Love-of-Money-BBE-1-1-759x543.jpg 759w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2019\/06\/Zack-Geebah-For-The-Love-of-Money-BBE-1-1-661x473.jpg 661w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2019\/06\/Zack-Geebah-For-The-Love-of-Money-BBE-1-1-465x332.jpg 465w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2019\/06\/Zack-Geebah-For-The-Love-of-Money-BBE-1-1-375x268.jpg 375w\" sizes=\"(min-width:1010px) 759px,100vw\" loading=\"lazy\" \/><\/h4>\n<h4>As a part of their reedition series of the\u00a0Tabansi music label,\u00a0<span style=\"color: #333333;\"><a style=\"color: #333333;\" href=\"https:\/\/pan-african-music.com\/tag\/bbe-music\/\">BBE<\/a><\/span>\u00a0gives a second life to Zack &amp; Geebah&#8217;s\u00a0<em>For the Love of Money.<\/em><\/h4>\n<p>Former members of the band Liberia Dreams, Zack Roberts and Geebah Swaray decided to keep on after the band&#8217;s split. Relying on their afro-disco style, their carreer was short-lived but intense, releasing only 14 songs spread through two mini albums and a single.<\/p>\n<p>Still, the duo became one of the most important bands of Liberia, with some hits still popular to this day, such as &#8220;Sweet Liberia&#8221;. They split up in 1989 to following Zack&#8217;s will to build his own studio.<\/p>\n<p><iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2739125932\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" width=\"300\" height=\"150\" seamless=\"\" loading=\"lazy\"><a href=\"http:\/\/bbemusic.bandcamp.com\/album\/for-the-love-of-money\">For The Love of Money by Zack &amp; Geebah<\/a><\/iframe><\/p>\n<p>This reedition for <em>For the love of money <\/em>allows the album to be distributed to a much wider range than it has ever been. Featuring six tracks blending boogie, disco, West African melodies and reggae riddims, namely with the successful single &#8220;No Peace No Love&#8221;.<\/p>\n<p><em>For the Love of Money<\/em>, out on July 5th.\u00a0Pre-order it on\u00a0<span style=\"color: #333333;\"><a style=\"color: #333333;\" href=\"https:\/\/bbemusic.bandcamp.com\/album\/for-the-love-of-money\" target=\"_blank\" rel=\"noopener noreferrer\">Bandcamp<\/a><\/span>.<\/p>\n<h5>Read Next\u00a0:\u00a0<span style=\"color: #333333;\"><a style=\"color: #333333;\" href=\"https:\/\/pan-african-music.com\/en\/the-power-of-kwaito-music-in-conversation-with-sandy-b\/\">The power of kwaito music: In conversation with Sandy B<\/a><\/span><\/h5>\n","protected":false},"excerpt":{"rendered":"<p>As a part of their reedition series of the\u00a0Tabansi music label,\u00a0BBE\u00a0gives a second life to Zack &amp; Geebah&#8217;s\u00a0For the Love of Money. Former members of the band Liberia Dreams, Zack Roberts and Geebah Swaray decided [&hellip;]<\/p>\n","protected":false},"author":34,"featured_media":26807,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[3944],"tags":[4087,4095],"location":[],"yst_prominent_words":[],"acf":[],"_links":{"self":[{"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/posts\/41628"}],"collection":[{"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/users\/34"}],"replies":[{"embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/comments?post=41628"}],"version-history":[{"count":0,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/posts\/41628\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/media\/26807"}],"wp:attachment":[{"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/media?parent=41628"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/categories?post=41628"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/tags?post=41628"},{"taxonomy":"location","embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/location?post=41628"},{"taxonomy":"yst_prominent_words","embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/yst_prominent_words?post=41628"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}