{"id":41368,"date":"2019-10-15T11:52:05","date_gmt":"2019-10-15T10:52:05","guid":{"rendered":"https:\/\/pan-african-music.com\/felas-stories-confusion-break-bone\/"},"modified":"2020-11-04T16:13:07","modified_gmt":"2020-11-04T15:13:07","slug":"felas-stories-confusion-break-bone","status":"publish","type":"post","link":"https:\/\/pan-african-music.com\/en\/felas-stories-confusion-break-bone\/","title":{"rendered":"Fela&#8217;s stories: Confusion Break Bone"},"content":{"rendered":"\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\"><p><strong>When I say confusion<br>Everything out of-ee control<br>When everything out-ee of control-ee<br>E go be say, it Pafuka-oh (Pafuka na quench)<\/strong> <\/p><\/blockquote>\n\n\n\n<p>Abidjan, 2001: I receive an unlikely offer. I\u2019m invited to stage the play Le Fou du Carrefour [\u201cthe crossroads\u2019 madman\u201d] in Lagos, Nigeria, under the title Madness Junction. This urban fable was penned by the great Ivorian playwright Hyacinthe Kakou in 1994, and depicts a frenetic African city invaded by garbage and other toxic waste originating from industrialized countries. The city\u2019s arteries are blocked. Vehicles can no longer move freely, workers can no longer get to their respective occupations&#8230; The people grumble. The cops beat them down. The economy is blocked, the country is suffocated. Everyone complains, but no one does anything.<\/p>\n\n\n\n<p>One day, one of the inhabitants feels he has had enough and starts cleaning the city. They call him \u201cthe madman\u201d. What could he do where the government has failed to improve this situation? But the man persists. And the city becomes clean again. But as a result repercussions break out: those who lived off the garbage find themselves unemployed and begin to complain. The madman must be driven out. The government grants the injunctions of the protestors. The madman is chased away and garbage accumulates again. Everyone complains&#8230; But no one does anything.<\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img decoding=\"async\" width=\"1000\" height=\"424\" src=\"https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2019\/10\/This-is-Lagos.jpg\" alt=\"\" class=\"wp-image-30932\" srcset=\"https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2019\/10\/This-is-Lagos.jpg 1000w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2019\/10\/This-is-Lagos-759x322.jpg 759w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2019\/10\/This-is-Lagos-661x280.jpg 661w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2019\/10\/This-is-Lagos-465x197.jpg 465w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2019\/10\/This-is-Lagos-375x159.jpg 375w\" sizes=\"(min-width:1010px) 759px,100vw\" loading=\"lazy\" \/><\/figure><\/div>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h5 class=\"wp-block-heading\"> This is Lagos! <\/h5>\n\n\n\n<p>To put on this play in Lagos is a real challenge for me. I am worried stiff. My level of English is as low as you can get. Cameroon is certainly bilingual but I speak English only when the Francophonie card cannot be played any longer. Fortunately, I\u2019m a bit of a \u201cPidginophone\u201d. As if that wasn&#8217;t enough, Cameroon wages in open conflict with Nigeria, the two countries fighting over the Bakassi peninsula. If I decline the proposal, they will say that I am afraid. Who has ever seen a Cameroonian confess that he\u2019s scared, huh? So I decide to take up the challenge. As you may know, in every big megacity, there is always a sign saying \u201cwelcome to\u2026\u201d this or that. But in Lagos it\u2019s simply: \u201cThis is Lagos\u201d.<\/p>\n\n\n\n<p>As a Francophone, you generally pee your pants a little in advance. All the terrible stories they told about the country invade my mind. But, hey, so far, so good. The vehicle drops me off at Ekoyi, the wealthy residential area. I still need to translate the play, because I want to perform it in English and Pidgin. In my mind, I would need a bilingual Nigerian or Cameroonian to help me with the translation. Someone also, who can bring me into the lively atmosphere of the popular neighborhoods, so I could immerse myself in the energy of Lagos-city. Ekoyi is not this kind of neighborhood, and I guess it is where young student Emmanuel Macron stayed at the time of his internship in Nigeria. Fortunately, I am told that they have found me a fearless translator. And that he\u2019s on his way&#8230;<\/p>\n\n\n\n<p>But you would have never guessed who I see getting off a rusty minibus in the parking lot of the French Alliance in Lagos? A white man! A smiling guy, dressed in a shirt, a pair of jeans and&#8230; clogs. Clogs, in Lagos! To top it off, he\u2019s Belgian! Neither an Englishman, nor a Flemish Belgian, no! A Walloon, thus a French-speaking person. But what the hell can a Walloon Belgian do in Lagos, eh? This is not Kinshasa! I cannot believe my eyes. This must be some kind of joke. Does anyone seriously think that I will put up a White man in Lagos? It does not make any sense. At best, this would be a call to murder. Here, the Whites are barricaded inside their residential neighborhoods, behind high barbed-wired walls, protected by armed guards. White ghettos. So who is this guy?<\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h5 class=\"wp-block-heading\"> Smoke it, it\u2019s Belgian dope! <\/h5>\n\n\n\n<p>Right from the beginning of our exchange, I realize how much I was wrong. Every single one of my prejudices would disappear, one after the other. I discover that this Belgian guy had lived in Nigeria for 25 years. As a European, one must be seriously crazy to do that. So when he tells me that he has worked with Fela, I am dumbfounded. He even went to jail with him. Lagos is already an overcrowded city, so can you imagine the state of the prisons? What\u2019s more, with a White guy inside? This is just too surreal. For me, there is no doubt: this Belgian is a madman.<\/p>\n\n\n\n<p>The man invites me to go for a ride in the slums of Lagos-city. I climb into the spooky minivan. And fasten your seatbelts: I am sitting in the passenger seat. My Belgian guide starts the engines and drives like crazy. The Nigerian way. I start thinking that it was not a good idea to go with him. He even zigzags, and curses the Nigerian drivers, sometimes in Yoruba, sometimes in Pidgin. I feel that all this is going to end in a bloodbath. But to my surprise, Nigerian drivers seem astonished to hear a White guy talk Pidgin without a foreign accent. They conclude that he has somehow turned into a Nigerian. This would explain why they don\u2019t react to his insults. Phew! But as we exit Ekoyi, a monstrous \u201cgo-slow\u201d swallows us. Read: one of these famous inextricable traffic jams that only happen in Lagos. This is only the first day of my journey, and here I am immersed in the nightmare that Fela sang in \u201cConfusion\u201d, in 1975.&nbsp;<\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img decoding=\"async\" width=\"600\" height=\"400\" src=\"https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2019\/10\/Lagos.jpg\" alt=\"\" class=\"wp-image-30933\" srcset=\"https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2019\/10\/Lagos.jpg 600w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2019\/10\/Lagos-465x310.jpg 465w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2019\/10\/Lagos-375x250.jpg 375w\" sizes=\"(min-width:1010px) 759px,100vw\" loading=\"lazy\" \/><\/figure><\/div>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>When one finds themselves entangled in the traffic jams of Lagos, they can only think of this song, and its sister-version he recorded fifteen years later, \u201cConfusion Break Bones\u201d \u2013 or \u201cCBB\u201d. Imagine the scenario: stiffness in a hearse that has just crashed into an artery of the crazy city, Lagos. Fela foresees the damage done: <\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\"><p> <strong>Na him be say when we say confusion e be say e pafuka<br>Na him be dat we dey tok confusion e break e bone confusion e break e bone nko, nko o nko, nko o nko,nko o nko,nko o nko, nko o nko<br>Dead body get accident yeepa<br>Confusion break bone ni yeepa<\/strong> <\/p><\/blockquote>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Fela Kuti - Confusion Break Bones (C.B.B.)\" width=\"500\" height=\"281\" data-src=\"https:\/\/www.youtube.com\/embed\/HPzvPTF_TC0?feature=oembed&#038;autoplay=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><figcaption> <em>You enable the English subtitles on the video.<\/em> <\/figcaption><\/figure>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h5 class=\"wp-block-heading\"> \u201cUnderground Spiritual Game\u201d <\/h5>\n\n\n\n<p> With these lyrics in mind, here I am, deep in what Fela called the \u201cunderground spiritual game\u201d. Read: the connection to the world of underground energies&#8230; The inalienable spirits who keep on fighting, generation after generation, against the gravediggers of Nigeria and Africa.. <\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\"><p> <strong>I sing a song some time ago<br>Dem call am \u201cConfusion\u201d<br>Den army never burn my house<br>Oil money dey flow for Lagos den<br>Laruku repeke repeke lau lau lau&#8230;.<br>My people think say Nigeria don dey<br>But me as I see am, I no say Nigeria go<br>Go down how country go<br>Dey make money make people of country no see money,<br>Laruka repete repete lau lau lau<br>I see many wrong things in Nigeria<br>Sometime ago I come sing one song<br>Laruku repete repete lau lau lau<br>When I say confusion everything out of control<\/strong> <\/p><\/blockquote>\n\n\n\n<p>Here I am, sucked in by the meanderings of Fela\u2019s world in Lagos. As if the spirit of the master was guiding my steps in a sometimes hazardous measure. Like that first night when the Belgian guy dragged me into Lagos\u2019 gloomy slums in the middle of nowhere, in the shadows of the city parallel without electricity or street lamps. In the darkness, one can barely see a shapeless mass of a building from which strange people emerge. They are girls and boys. I fear the worst. But the Belgian seems to know them. He gets out of the rusty minibus, which does not seem like a good idea, for a White man in Lagos, especially after midnight. I would even say that this is heresy for anyone with a dose of survival instinct. I do not say anything, but I have a strong suspicion that what is happening is a business deal to do with illegal substances. I had already seen that the Belgian was crazy. I realize now that he also has suicidal tendencies. They do not stop arguing. Shortly after, he comes back with the whole crew and they all rush into the minibus. Then just as he gets ready to start, a battalion of cops come down on us!<br>I cannot tell where they came from&#8230;!<\/p>\n\n\n\n<p>They are all the more irritated that a White man is involved! In this ill-famed part of Lagos where even a common Nigerian would not venture into&#8230; Especially after midnight. Because in Lagos, outside after midnight, it is only cops and thugs, and both roles are interchangeable.<\/p>\n\n\n\n<p>\u201cWhat the hell are you doing here?\u201d, yells a policeman.<\/p>\n\n\n\n<p>Then in a perfectly mastered Pidgin \u2013 which ends up discontenting the cops \u2013 the Belgian begins to wind them up. And they see him as untrustworthy as he is too Nigerian to possibly be honest. The cops start a deep body-search, including inside the underpants, on everyone, the girls and me included. \u201cHands up everyone!\u201d To me, this is crystal clear: I will spend the rest of my life in a Nigerian prison because of this damn Belgian. For sure, the cops will eventually find an illicit substance in one of the guys\u2019 pockets. In short, we are cornered.<\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Fela Kuti, C.B.B.part2\" width=\"500\" height=\"375\" data-src=\"https:\/\/www.youtube.com\/embed\/LC-OQmyJxLQ?feature=oembed&#038;autoplay=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><figcaption>Fela Kuti &#8211; C.B.B. part. 2<\/figcaption><\/figure>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p> The cops raid the whole of the rusty minibus searching every nook and cranny. They do not find anything. But I\u2019m not reassured yet. They would easily be able to slip a cannabis butt in the vehicle, just so they can racket us. Eventually, they drop the case. I do not know what the Belgian did with them. But they give us the order to leave before they change their minds. The Belgian man takes the wheel and we go back immediately. Phew! I suggest to the Belgian to forget it if he ever wants to go back to Lagos after midnight. <\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\"><p> <strong>Pafuka fit be police station (Pafuka na quench)<br>Pafuka fit be hospital (Pafuka na quench)<br>And then I say confusion na wetin-oh (Confusion na wa)<\/strong> <\/p><\/blockquote>\n\n\n\n<p> And this is how I met a friend, an incredible human being, and found an unexpected connection to the world of Fela. He will not only masterfully translate the play, but also put me in touch with the Kuti clan, and in particular with Fela\u2019s legendary cover designer: Lemi Ghariokwu, who will do me the honor of designing the poster for the play, Madness Junction.&nbsp; <\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2019\/10\/Madness-Junction.jpg\" alt=\"\" loading=\"lazy\" \/><\/figure>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h5 class=\"wp-block-heading\"> Madness junction <\/h5>\n\n\n\n<p> The next day, bumper to bumper, we are entangled in traffic jams again. We painfully reach the famous hub \u201cOjou Eelegba\u201d, Lagos-city\u2019s Gordian knot of road traffic and the metaphor for the dysfunction of the foundation of Nigeria and Africa\u2019s operational process. Everything that Fela has spent his life denouncing. <\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\"><p><strong>I sing about one street for Lagos dem call am \u201cOjou Eelegba\u201d<br>I take am compare how Nigeria be,<br>One crossroad in centre down<br>For Ojou Eelegba<br>For Ojou Eelegba<br>For Ojou Eelegba<br>For Ojou Eelegba<br>Moto dey come from east<br>Motor dey come from west<br>Motor dey come from north<\/strong><\/p><\/blockquote>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\"><p><strong>[I sing about a street in Lagos<br>They call it \u201cOjou Eelegba\u201d<br>I compare it to Nigeria<br>One crossroad in center of town<br>At Ojou Eelegba (x4)<br>Vehicles approach from east<br>Vehicles approach from west<br>Vehicles approach from north<br>Vehicles approach from south<br>And no policeman to direct the traffic<br>The result is utter confusion!<br>It is utter confusion.]<\/strong><\/p><\/blockquote>\n\n\n\n<p> In Lagos at the time, there was no traffic control, and no traffic lights. <\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\"><p> <strong>My problem e no small at all<br>Nothing dey for me to sing about<br>If something good dey I go sing<br>Nothing good do self to sing about<br>Nothing good do self to sing<br>All the things e dey no dey good<br>If I sing-ee say, water no dey<br>Na old old old news be dat-ee-oh<\/strong> <\/p><\/blockquote>\n\n\n\n<p> And because he sang this song: <\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\"><p> <strong>After e no tay police and army come burn my house<br>My problem e no small at all nothing dey for me to sing about<br>If something good dey i go sing nothing good sef to sing about<br>Nothing good sef to sing all the things wey dey e no dey good<br>If i sing say water no dey na old news be dat&#8230;no old news be dat<\/strong> <\/p><\/blockquote>\n\n\n\n<p> And the same goes on, Fela says, regarding lack of food, inflation, corruption, mismanagement, embezzlement&#8230; Nothing new. <\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\"><p> <strong>I say the problem still dey paparapa<br>The thing wey e dey worry me how this robbery come get big head (2x)<br>The first one na leg robbery, where man go go pick pocket, the man go start to take leg run<br>The second one na armed robbery, where man go go steal big thing he go take gun defend himself<br>The third one na head robbery, where oga pata pata go go steal he go take position steal all free, free stealing na him policy, head robbery\u2026<br>Which head we get e no dey steal, which president we get e never steal?<\/strong> <\/p><\/blockquote>\n\n\n\n<p> Together with the amazing Belgian\/Nigerian, we eventually succeed to extricate ourselves from the infernal traffic jams of Ojou Eelegba\u2019s chaotic hub. <\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\"><p><strong>Na him be say when we say confusion e be say e pafuka<br>Na him be dat we dey tok confusion<br>E break e bone confusion e break e bone nko, nko<br>Confusion break-ee bone-ee, yepa 2x<br>Confusion break bone-ee yepa 2x<br>Na double for dead body and the owner of dead bodi<br>Confusion break-ee bone-ee, yepa<br>Double wahala for dead-ee body<br>Biola oh dead-ee body<\/strong><\/p><\/blockquote>\n\n\n\n<p> The shattered Maccabee was ejected from the hearse. He lies on the roadside, but does not really \u201crest in peace\u201d. Just like Nigeria itself, which wades in confusion. Is it not from the same confusion that this accursed Boko Haram was born? All this makes me want to listen to another one of Fela\u2019s tracks, \u201c<a href=\"https:\/\/pan-african-music.com\/en\/felas-stories-coffin-for-head-of-state\/\">Coffin For The Head Of State<\/a>\u201d. <\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2019\/10\/Fela-Kuti-1-1280x720-e1604502830893.jpeg\" alt=\"\" loading=\"lazy\" \/><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>When I say confusionEverything out of-ee controlWhen everything out-ee of control-eeE go be say, it Pafuka-oh (Pafuka na quench) Abidjan, 2001: I receive an unlikely offer. I\u2019m invited to stage the play Le Fou du [&hellip;]<\/p>\n","protected":false},"author":21,"featured_media":30905,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[10913,9373,9398],"tags":[58,3960],"location":[8172],"yst_prominent_words":[27283,27280,27288,27279,25561,27289,25562,27290,27282,8414,17294,8447,27281,8402,8435,27287,27284,8543,27286,27285],"acf":[],"_links":{"self":[{"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/posts\/41368"}],"collection":[{"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/users\/21"}],"replies":[{"embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/comments?post=41368"}],"version-history":[{"count":0,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/posts\/41368\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/media\/30905"}],"wp:attachment":[{"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/media?parent=41368"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/categories?post=41368"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/tags?post=41368"},{"taxonomy":"location","embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/location?post=41368"},{"taxonomy":"yst_prominent_words","embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/yst_prominent_words?post=41368"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}