{"id":41097,"date":"2019-12-19T12:43:57","date_gmt":"2019-12-19T10:43:57","guid":{"rendered":"https:\/\/pan-african-music.com\/the-10-best-south-african-hip-hop-albums-of-2019\/"},"modified":"2020-09-27T11:11:21","modified_gmt":"2020-09-27T09:11:21","slug":"the-10-best-south-african-hip-hop-albums-of-2019","status":"publish","type":"post","link":"https:\/\/pan-african-music.com\/en\/the-10-best-south-african-hip-hop-albums-of-2019\/","title":{"rendered":"The 10 best South African hip hop albums of 2019"},"content":{"rendered":"<p><img decoding=\"async\" class=\"aligncenter size-full wp-image-25875 pam-featured-content\"  src=\"https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2019\/06\/Yugen-Blakrok.jpg\" alt=\"Yugen Blakrok\" width=\"1140\" height=\"855\" srcset=\"https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2019\/06\/Yugen-Blakrok.jpg 1140w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2019\/06\/Yugen-Blakrok-759x569.jpg 759w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2019\/06\/Yugen-Blakrok-1010x758.jpg 1010w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2019\/06\/Yugen-Blakrok-661x496.jpg 661w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2019\/06\/Yugen-Blakrok-465x349.jpg 465w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2019\/06\/Yugen-Blakrok-375x281.jpg 375w\" sizes=\"(min-width:1010px) 759px,100vw\" loading=\"lazy\" \/><\/p>\n<h4><span style=\"color: #7d5f97;\">A rundown of the most notable South African hip hop releases from 2019.<\/span><\/h4>\n<p><span style=\"font-weight: 400;\">South African hip hop went through a dip in 2018, creatively speaking. While there were a fair amount of releases \u2014 Nasty C&#8217;s\u00a0<\/span><i><span style=\"font-weight: 400;\">Strings and Bling<\/span><\/i><span style=\"font-weight: 400;\">, Sjava&#8217;s\u00a0<\/span><i><span style=\"font-weight: 400;\">Umqhele<\/span><\/i><span style=\"font-weight: 400;\">\u00a0\u2014 few managed to make as impactful a presence as pivotal cuts from preceding years &#8212; like that period in-between 2014 and 2017 when scene-stealing releases from K.O. (<\/span><i><span style=\"font-weight: 400;\">Skhanda Republ<span style=\"color: #333333;\">ic<\/span><\/span><\/i><span style=\"color: #333333;\"><span style=\"font-weight: 400;\">), Kwesta (<\/span><i><span style=\"font-weight: 400;\">DaKAR II<\/span><\/i><span style=\"font-weight: 400;\">), Shane Eagle (<\/span><i><span style=\"font-weight: 400;\">Yellow<\/span><\/i><span style=\"font-weight: 400;\">), Rouge (The\u00a0<\/span><i><span style=\"font-weight: 400;\">New Era Sessions<\/span><\/i><span style=\"font-weight: 400;\">) re-wrote the rule book of rap.\u00a0<\/span><\/span><\/p>\n<p><span style=\"color: #333333;\"><span style=\"font-weight: 400;\">This year opened up beautifully, the tone set by an overlooked\u00a0<\/span><a style=\"color: #333333;\" href=\"https:\/\/open.spotify.com\/album\/5tyQbVQQeCoJz0PYPFyEn0?si=ziXBJuzQQneBAzShi39qFA\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"font-weight: 400;\">year-end EP<\/span><\/a><span style=\"font-weight: 400;\">\u00a0from Shane Eagle. Yugen Blakrok\u2019s dungeon raps on\u00a0<\/span><a style=\"color: #333333;\" href=\"https:\/\/open.spotify.com\/album\/52K6dMW4Gp4NW7lHGbuHfG?si=nKF3xLmLRJWHnCQTbgVOnQ\" target=\"_blank\" rel=\"noopener noreferrer\"><i><span style=\"font-weight: 400;\">Anima Mysterium<\/span><\/i><\/a><span style=\"font-weight: 400;\">\u00a0painted a futurist landscape which Sipho the Gift&#8217;s\u00a0<\/span><a style=\"color: #333333;\" href=\"https:\/\/open.spotify.com\/album\/5YaXra06H9U5n9zRLlnU6B?si=8wgFf3JGTSGFbk9RRoQyMA\" target=\"_blank\" rel=\"noopener noreferrer\"><i><span style=\"font-weight: 400;\">iNDiGO<\/span><\/i><\/a><span style=\"font-weight: 400;\">\u00a0completed with muted tones.\u00a0<br style=\"clear: both;\" \/>\u00a0<\/span><\/span><\/p>\n<p><img decoding=\"async\" class=\"aligncenter wp-image-34444 size-full\" src=\"https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2019\/12\/bdc5b378-ecvrwr8w4aa1yxl-e1576752280441.jpg\" alt=\"\" width=\"900\" height=\"678\" srcset=\"https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2019\/12\/bdc5b378-ecvrwr8w4aa1yxl-e1576752280441.jpg 900w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2019\/12\/bdc5b378-ecvrwr8w4aa1yxl-e1576752280441-759x572.jpg 759w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2019\/12\/bdc5b378-ecvrwr8w4aa1yxl-e1576752280441-661x498.jpg 661w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2019\/12\/bdc5b378-ecvrwr8w4aa1yxl-e1576752280441-465x350.jpg 465w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2019\/12\/bdc5b378-ecvrwr8w4aa1yxl-e1576752280441-375x283.jpg 375w\" sizes=\"(min-width:1010px) 759px,100vw\" loading=\"lazy\" \/><\/p>\n<p><span style=\"color: #333333;\"><span style=\"font-weight: 400;\"><br style=\"clear: both;\" \/>Further into the year, Gigi Lamayne&#8217;s back-to-the-roots burner,\u00a0<\/span><a style=\"color: #333333;\" href=\"https:\/\/open.spotify.com\/album\/1ehWCGsKdWooajkpbo5bwl?si=ByQG4IqeRc2zEJXoOmMUmw\" target=\"_blank\" rel=\"noopener noreferrer\"><i><span style=\"font-weight: 400;\">Job Woods<\/span><\/i><\/a><span style=\"font-weight: 400;\">, served to remind the streets and the mainstream who has the grip when it comes to the kasi rap game. YoungstaCPT carried an entire city on his back with his epic\u00a0<\/span><a style=\"color: #333333;\" href=\"https:\/\/open.spotify.com\/album\/7bSuHQPgcsVyhuvKFeaXJY?si=weaTtrHeTEabB1LOZjNY-Q\" target=\"_blank\" rel=\"noopener noreferrer\"><i><span style=\"font-weight: 400;\">3T<\/span><\/i><\/a><span style=\"font-weight: 400;\">\u00a0release, which earned him four nominations and two wins &#8212;\u00a0<\/span><i><span style=\"font-weight: 400;\">Album of the Year<\/span><\/i><span style=\"font-weight: 400;\">\u00a0and\u00a0<\/span><i><span style=\"font-weight: 400;\">Best Video\u00a0<\/span><\/i><span style=\"font-weight: 400;\">&#8212; at this year&#8217;s South African Hip Hop Awards.\u00a0<\/span><\/span><\/p>\n<p><span style=\"color: #333333;\"><span style=\"font-weight: 400;\">And when we all thought the onslaught was over, the rap gawds Khuli Chana and Stogie T chimed in with stellar performances on\u00a0<\/span><a style=\"color: #333333;\" href=\"https:\/\/open.spotify.com\/album\/683IDHnRewyCD3wC7cgxyH?si=JMjqVetyQZiHrapMd9uatg\" target=\"_blank\" rel=\"noopener noreferrer\"><i><span style=\"font-weight: 400;\">Planet Of The Have Nots<\/span><\/i><\/a><span style=\"font-weight: 400;\">\u00a0and\u00a0<\/span><a style=\"color: #333333;\" href=\"https:\/\/open.spotify.com\/album\/683IDHnRewyCD3wC7cgxyH?si=E8c0rFB0T2u9VuZQkXVqcg\" target=\"_blank\" rel=\"noopener noreferrer\"><i><span style=\"font-weight: 400;\">The Empire of Sheep<\/span><\/i><\/a><span style=\"font-weight: 400;\">\u00a0respectively.\u00a0<\/span><\/span><\/p>\n<p><span style=\"font-weight: 400;\">All in all, the scene is in great health.<\/span><\/p>\n<p><span style=\"color: #7d5f97;\"><strong>Listen to the<span style=\"color: #7d5f97;\">\u00a0<em>10 best South African\u00a0hip hop album of 2019<\/em> playlist on\u00a0<a style=\"color: #7d5f97;\" href=\"https:\/\/open.spotify.com\/playlist\/5M2bAxiSfCv07rGT6ML5wM?si=Gc5lnHe1RYieFKv4JJMVfw\">Spotify<\/a>\u00a0and\u00a0<a style=\"color: #7d5f97;\" href=\"https:\/\/www.deezer.com\/us\/playlist\/6985111644\" target=\"_blank\" rel=\"noopener noreferrer\">Deezer<\/a>.<\/span><\/strong><\/span><\/p>\n<p><strong><span style=\"color: #7d5f97;\">Find all our favorites from 2019 <a style=\"color: #7d5f97;\" href=\"https:\/\/pan-african-music.com\/en\/tag\/best-of-2019\/\">here<\/a>.<\/span><\/strong><\/p>\n<p><iframe src=\"https:\/\/open.spotify.com\/embed\/playlist\/5M2bAxiSfCv07rGT6ML5wM\" width=\"900\" height=\"350\" frameborder=\"0\" loading=\"lazy\"><\/iframe><\/p>\n<p><iframe src=\"https:\/\/www.deezer.com\/plugins\/player?format=classic&amp;autoplay=false&amp;playlist=true&amp;width=900&amp;height=350&amp;color=ff0000&amp;layout=dark&amp;size=medium&amp;type=playlist&amp;id=6985111644&amp;app_id=1\" width=\"900\" height=\"350\" frameborder=\"0\" scrolling=\"no\" loading=\"lazy\"><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>A rundown of the most notable South African hip hop releases from 2019. South African hip hop went through a dip in 2018, creatively speaking. While there were a fair amount of releases \u2014 Nasty [&hellip;]<\/p>\n","protected":false},"author":54,"featured_media":25875,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[9400],"tags":[5928,23468],"location":[7844],"yst_prominent_words":[],"acf":[],"_links":{"self":[{"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/posts\/41097"}],"collection":[{"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/users\/54"}],"replies":[{"embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/comments?post=41097"}],"version-history":[{"count":0,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/posts\/41097\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/media\/25875"}],"wp:attachment":[{"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/media?parent=41097"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/categories?post=41097"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/tags?post=41097"},{"taxonomy":"location","embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/location?post=41097"},{"taxonomy":"yst_prominent_words","embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/yst_prominent_words?post=41097"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}