{"id":40894,"date":"2020-02-27T18:36:40","date_gmt":"2020-02-27T17:36:40","guid":{"rendered":"https:\/\/pan-african-music.com\/listen-to-an-exclusive-mix-from-rising-producer-dj-danifox\/"},"modified":"2020-05-04T22:17:33","modified_gmt":"2020-05-04T21:17:33","slug":"listen-to-an-exclusive-mix-from-rising-producer-dj-danifox","status":"publish","type":"post","link":"https:\/\/pan-african-music.com\/en\/listen-to-an-exclusive-mix-from-rising-producer-dj-danifox\/","title":{"rendered":"Listen to an exclusive mix from rising producer DJ Danifox"},"content":{"rendered":"<h4 class=\"pam-featured-content\" ><img decoding=\"async\" class=\"alignnone size-full wp-image-37557 pam-featured-content\"  src=\"https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2020\/02\/78f509d6-dj-danifox.jpg\" alt=\"\" width=\"1400\" height=\"933\" srcset=\"https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2020\/02\/78f509d6-dj-danifox.jpg 1400w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2020\/02\/78f509d6-dj-danifox-759x506.jpg 759w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2020\/02\/78f509d6-dj-danifox-1010x673.jpg 1010w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2020\/02\/78f509d6-dj-danifox-661x441.jpg 661w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2020\/02\/78f509d6-dj-danifox-465x310.jpg 465w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2020\/02\/78f509d6-dj-danifox-375x250.jpg 375w\" sizes=\"(min-width:1010px) 759px,100vw\" loading=\"lazy\" \/><\/h4>\n<h4><b>Partner in crime with the Pr\u00edncipe Discos label, the young Lisboner Danifox continues to rise with a second EP in pure batida tradition. For the occasion, he offers us an exclusive mix and tells us more about his career which hits the ground running.<\/b><\/h4>\n<p><span style=\"font-weight: 400;\">At only 19, Daniel Veiga, born to Angolan parents, is still at the early stages of his career, but his talent and potential is palpable. Thankfully DJ Danifox\u2019s passion became apparent at a young age: <\/span><i><span style=\"font-weight: 400;\">\u00ab I realized I wanted to go further with music when I stopped playing football back in 2015, <\/span><\/i><span style=\"font-weight: 400;\">the Portuguese confesses<\/span><i><span style=\"font-weight: 400;\">. Making music was something that made me feel great, would always calm me down and forget about everything. Back in 2019, I thought I could do this for a living. \u00bb<\/span><\/i><span style=\"font-weight: 400;\">\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Officially Danifox only has one short year of experience producing music, but it didn\u2019t stop him from collaborating with the likes of the Pr\u00edncipe Discos crew via his friend Deejay Ary, to other early geniuses such as Tia Maria Crew, Puto M\u00e1rcio, DJ B. Boy, DJ T\u00e9lio and DJ Lycox. Now based in Leeds, England, DJ Danifox grew up in Lisbon and naturally stepped into the effervescent local electronic music that has been growing in the ghettos for the past few years. Guided by his artistic instinct, he intends to make his own unique contribution. As such, he remembers the song &#8220;Minha Provincia&#8221; written by his uncle Rei Loy: <\/span><i><span style=\"font-weight: 400;\">\u00ab I felt very identified with the lyrics about being on your own, after just moving to the UK. It affirmed my idea of wanting to make music far away from where I was born. \u00bb<\/span><\/i><\/p>\n<p><span style=\"font-weight: 400;\">He then joined the Los Angeles-based label Point Records to tap into all of his influences through a handful of songs, whether Indian percussion on &#8220;Arabia&#8221; or Brazilian reminiscences on &#8220;Para voc\u00ea Tania&#8221;, all his sound is drowned in a techno atmosphere with forr\u00f3 and kuduro touches. As such, his new EP <em>Quem \u00e9 o palha\u00e7o<\/em> is a dancefloor killer described in his own words as a<\/span><i><span style=\"font-weight: 400;\"> \u00ab straight-up Batida with touches of Lamento which is a slower style \u00bb.\u00a0<\/span><\/i><\/p>\n<p><span style=\"font-weight: 400;\">Remembering his club sets, we especially remember the playful groove &#8220;Na Palmeira&#8221; and the nonchalant &#8220;Esquadra FB&#8221;, on which he sings<\/span><i><span style=\"font-weight: 400;\">. \u00ab I took this EP a step further by singing on it, which gives me more melodic ideas to work, even if it is not usually associated with batida. I plan to explore more percussive elements on the next release. \u00bb<\/span><\/i><span style=\"font-weight: 400;\"> Here, Danifox offers us a fiery and spontaneous mix, and with productions like this, the future is very bright.<br \/>\n<\/span><span style=\"font-weight: 400;\"><br style=\"clear: both;\" \/><\/span><br \/>\n<iframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/767430613&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\" loading=\"lazy\"><\/iframe><br \/>\n<span style=\"font-weight: 400;\"><br style=\"clear: both;\" \/><\/span><i><span style=\"font-weight: 400;\">Quem \u00e9 o palha\u00e7o EP\u00a0<\/span><\/i><span style=\"font-weight: 400;\">\u00a0is out\u00a0<span style=\"color: #333333;\">via\u00a0<a style=\"color: #333333;\" href=\"https:\/\/pointrecords.bandcamp.com\/album\/dj-danifox-2\" target=\"_blank\" rel=\"noopener noreferrer\">Point Records<\/a>.<\/span><br \/>\n<\/span><span style=\"font-weight: 400;\"><br style=\"clear: both;\" \/><\/span><\/p>\n<p><img decoding=\"async\" class=\"alignnone size-full wp-image-37369\" src=\"https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2020\/02\/347758b9-dj-danifox-quem-e%CC%81-o-palhac%CC%A7o.jpg\" alt=\"\" width=\"1200\" height=\"1200\" srcset=\"https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2020\/02\/347758b9-dj-danifox-quem-e%CC%81-o-palhac%CC%A7o.jpg 1200w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2020\/02\/347758b9-dj-danifox-quem-e%CC%81-o-palhac%CC%A7o-759x759.jpg 759w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2020\/02\/347758b9-dj-danifox-quem-e%CC%81-o-palhac%CC%A7o-1010x1010.jpg 1010w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2020\/02\/347758b9-dj-danifox-quem-e%CC%81-o-palhac%CC%A7o-100x100.jpg 100w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2020\/02\/347758b9-dj-danifox-quem-e%CC%81-o-palhac%CC%A7o-661x661.jpg 661w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2020\/02\/347758b9-dj-danifox-quem-e%CC%81-o-palhac%CC%A7o-465x465.jpg 465w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2020\/02\/347758b9-dj-danifox-quem-e%CC%81-o-palhac%CC%A7o-375x375.jpg 375w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2020\/02\/347758b9-dj-danifox-quem-e%CC%81-o-palhac%CC%A7o-200x200.jpg 200w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2020\/02\/347758b9-dj-danifox-quem-e%CC%81-o-palhac%CC%A7o-85x85.jpg 85w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2020\/02\/347758b9-dj-danifox-quem-e%CC%81-o-palhac%CC%A7o-73x73.jpg 73w\" sizes=\"(min-width:1010px) 759px,100vw\" loading=\"lazy\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Partner in crime with the Pr\u00edncipe Discos label, the young Lisboner Danifox continues to rise with a second EP in pure batida tradition. For the occasion, he offers us an exclusive mix and tells us [&hellip;]<\/p>\n","protected":false},"author":34,"featured_media":37557,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[11036,9405,9401],"tags":[4923,4096],"location":[8212],"yst_prominent_words":[],"acf":[],"_links":{"self":[{"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/posts\/40894"}],"collection":[{"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/users\/34"}],"replies":[{"embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/comments?post=40894"}],"version-history":[{"count":0,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/posts\/40894\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/media\/37557"}],"wp:attachment":[{"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/media?parent=40894"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/categories?post=40894"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/tags?post=40894"},{"taxonomy":"location","embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/location?post=40894"},{"taxonomy":"yst_prominent_words","embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/yst_prominent_words?post=40894"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}