{"id":40800,"date":"2020-03-17T19:59:20","date_gmt":"2020-03-17T18:59:20","guid":{"rendered":"https:\/\/pan-african-music.com\/batida-brandishes-vaivai-a-high-flying-title-in-collaboration-with-ikonoklasta\/"},"modified":"2020-04-27T03:32:36","modified_gmt":"2020-04-27T02:32:36","slug":"batida-brandishes-vaivai-a-high-flying-title-in-collaboration-with-ikonoklasta","status":"publish","type":"post","link":"https:\/\/pan-african-music.com\/en\/batida-brandishes-vaivai-a-high-flying-title-in-collaboration-with-ikonoklasta\/","title":{"rendered":"Batida brandishes &#8216;Vaivai&#8217;, a high-flying title in collaboration with Ikonoklasta"},"content":{"rendered":"<p><iframe  class=\"pam-featured-content\" src=\"https:\/\/www.youtube.com\/embed\/E9-JjqQ75Nk\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" loading=\"lazy\"><\/iframe><\/p>\n<h4><strong>The artist from Lisbon collaborates with the Angolan Ikonoklasta and presents &#8220;Vaivai&#8221;, a\u00a0new video extract from <em>Ikoqwe<\/em> project<\/strong><\/h4>\n<p><span style=\"font-weight: 400;\">Batida, whose real name is Pedro Coquen\u00e3o, is an activist who fights for art and its values. Producer, artistic director and choreographer, he joins forces on the title &#8220;Vaivai&#8221; with the Luso-Angolan Ikonoklasta of his real name Luaty Beir\u00e3o, a musician and rapper who has been speaking out about the difficulties of the Angolan people and the corruption of their government since 1994. <\/span><\/p>\n<p><span style=\"font-weight: 400;\"><em>Ikoqwe<\/em>, from which this first track is derived, is a high-flying project in which the two artists give themselves up body and soul to defend their ideals. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">&#8220;Vaivai&#8221; is a blend of Portuguese and Angolan musical culture. With an African percussive base mixed with electro, this single is the fruit of a longstanding project. In the video, the two masked artists share a taxi and cross a desert to the frenzied rhythm of the track.<\/span><\/p>\n<p><img decoding=\"async\" class=\"alignnone size-full wp-image-38553\" src=\"https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2020\/03\/1b93d70d-batida-x-ikonoklasta.jpg\" alt=\"\" width=\"1300\" height=\"792\" srcset=\"https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2020\/03\/1b93d70d-batida-x-ikonoklasta.jpg 1300w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2020\/03\/1b93d70d-batida-x-ikonoklasta-759x462.jpg 759w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2020\/03\/1b93d70d-batida-x-ikonoklasta-1010x615.jpg 1010w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2020\/03\/1b93d70d-batida-x-ikonoklasta-661x403.jpg 661w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2020\/03\/1b93d70d-batida-x-ikonoklasta-465x283.jpg 465w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2020\/03\/1b93d70d-batida-x-ikonoklasta-375x228.jpg 375w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2020\/03\/1b93d70d-batida-x-ikonoklasta-740x452.jpg 740w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2020\/03\/1b93d70d-batida-x-ikonoklasta-555x339.jpg 555w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2020\/03\/1b93d70d-batida-x-ikonoklasta-340x208.jpg 340w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2020\/03\/1b93d70d-batida-x-ikonoklasta-190x116.jpg 190w\" sizes=\"(min-width:1010px) 759px,100vw\" loading=\"lazy\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The artist from Lisbon collaborates with the Angolan Ikonoklasta and presents &#8220;Vaivai&#8221;, a\u00a0new video extract from Ikoqwe project Batida, whose real name is Pedro Coquen\u00e3o, is an activist who fights for art and its values. [&hellip;]<\/p>\n","protected":false},"author":10,"featured_media":38553,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[3944,9408],"tags":[4096],"location":[7854,8212],"yst_prominent_words":[],"acf":[],"_links":{"self":[{"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/posts\/40800"}],"collection":[{"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/comments?post=40800"}],"version-history":[{"count":0,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/posts\/40800\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/media\/38553"}],"wp:attachment":[{"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/media?parent=40800"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/categories?post=40800"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/tags?post=40800"},{"taxonomy":"location","embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/location?post=40800"},{"taxonomy":"yst_prominent_words","embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/yst_prominent_words?post=40800"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}