{"id":40661,"date":"2020-04-23T10:00:00","date_gmt":"2020-04-23T08:00:00","guid":{"rendered":"https:\/\/pan-african-music.com\/singeli-the-future-sound-of-tanzania-in-becoming-a-source-of-national-pride-2\/"},"modified":"2022-08-02T17:13:10","modified_gmt":"2022-08-02T15:13:10","slug":"singeli-the-future-sound-of-tanzania","status":"publish","type":"post","link":"https:\/\/pan-african-music.com\/en\/singeli-the-future-sound-of-tanzania\/","title":{"rendered":"Singeli: The future sound of Tanzania is becoming a source of national pride"},"content":{"rendered":"<div>\n<div>\n<h5 class=\"pam-featured-content\"><img decoding=\"async\" class=\"aligncenter size-full wp-image-35441 pam-featured-content\" src=\"https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2020\/01\/2bdecc34-young_duda___sisso.jpg\" alt=\"\" width=\"1400\" height=\"1050\" srcset=\"https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2020\/01\/2bdecc34-young_duda___sisso.jpg 1400w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2020\/01\/2bdecc34-young_duda___sisso-759x569.jpg 759w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2020\/01\/2bdecc34-young_duda___sisso-1010x758.jpg 1010w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2020\/01\/2bdecc34-young_duda___sisso-661x496.jpg 661w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2020\/01\/2bdecc34-young_duda___sisso-465x349.jpg 465w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2020\/01\/2bdecc34-young_duda___sisso-375x281.jpg 375w\" sizes=\"(min-width:1010px) 759px,100vw\" loading=\"lazy\" \/><\/h5>\n<h5><span style=\"color: #000000;\"><b>Little was known until recently of the futuristic sound emerging from the ghettos of Dar es-Salaam, which now is exporting itself to dance floors across the globe. Ten years on from its conception, singeli has gone from being the social outcast to becoming a source of national pride. PAM catches up with some of its most talented sonic architects during the latest edition of Nyege Nyege Festival.<\/b><\/span><\/h5>\n<p><a href=\"https:\/\/pan-african-music.com\/en\/nyege-nyege-festival-paris\/\"><strong><em>PAM &amp; Le Point Fort launch Nyege Nyege Festival in Paris (July 16, 2022)<\/em><\/strong><\/a><\/p>\n<p><span style=\"color: #333333;\"><span style=\"font-weight: 400;\">A breathtaking, and provocative electronic music, singeli perfectly embodies the energy of\u00a0<\/span><a style=\"color: #333333;\" href=\"https:\/\/pan-african-music.com\/en\/tag\/nyege-nyege\/\"><span style=\"font-weight: 400;\">Nyege Nyege<\/span><\/a><\/span><span style=\"font-weight: 400;\"><span style=\"color: #333333;\">\u00a0F<\/span>estival, whose name means\u00a0<\/span><i><span style=\"font-weight: 400;\">&#8220;an irresistible desire to dance&#8221;<\/span><\/i><span style=\"font-weight: 400;\">. While its fledgling festival-goers eventually surrender to its tempo \u2013\u00a0oscillating wildly between 180 and 300 bpm\u00a0\u2013 singeli already has its own signature\u00a0<\/span><i><span style=\"font-weight: 400;\">chura dance<\/span><\/i><span style=\"font-weight: 400;\">\u00a0whose frenetic on-the-floor twerk-outs mesmerise a captivated circle that forms around it.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Since 2017, Nyege Nyege Festival has become a crucial platform for those looking to sample singeli while an increasing number of MC\u2019s and producers brave the 36-hour bus ride from Tanzania to Uganda. Once again, a huge crew makes the trip over: Sisso, Bamba Pana, Jay Mitta, Rehema Tajiri, MCzo &amp; Duke, Anti-Virus, MC Memory Card, MC Card Reader and Young Duda, whose performances all erupt into intense scenes of joy on the banks of the White Nile.\u00a0<\/span><i><span style=\"font-weight: 400;\">&#8220;The speed of the singeli creates warmth and energy that takes a hold of everyone&#8230; it&#8217;s pure magic,&#8221;<\/span><\/i><span style=\"font-weight: 400;\">\u00a0Sisso explains, shyly.<\/span><\/p>\n<p><i><span style=\"font-weight: 400;\">&#8220;The singeli is a very intense body experience. Once you get the beat, you can dance for hours; it&#8217;s like a trance,&#8221;<\/span><\/i><span style=\"font-weight: 400;\">\u00a0enthuses Rehema Tajiri. Made of mutating loops infused with a punk energy that makes\u00a0<\/span><i><span style=\"font-weight: 400;\">gabber<\/span><\/i><span style=\"font-weight: 400;\">\u00a0sound like children\u2019s nursery rhymes, singeli now dominates Tanzania&#8217;s radios, dancefloors, block parties and festivals.\u00a0<\/span><i><span style=\"font-weight: 400;\">\u201cThe music is very powerful, it&#8217;s pure adrenaline. But it is also a movement that unites all Tanzanians: it is our new national emblem, a real source of pride. The whole world will soon know about it,\u201d\u00a0<\/span><\/i><span style=\"font-weight: 400;\">predicts Jay Mitta, with a gunfire-like flow.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u00a0<\/span><\/p>\n<p><iframe src=\"https:\/\/www.youtube.com\/embed\/flZRBe3p6t0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" loading=\"lazy\"><\/iframe><\/p>\n<p style=\"text-align: right;\"><em><span style=\"font-weight: 400; color: #999999;\">Bamba Pana x Makaveli \u2014Boiler Room Nyege Nyege Festival\u00a02018<\/span><\/em><\/p>\n<h6><b><br \/>\n<span style=\"color: #7d5f97;\">Selling out the stadiums<\/span><\/b><\/h6>\n<p><span style=\"font-weight: 400;\">Conceived ten years ago in Dar es-Salaam, the sprawling capital at the crossroads of Arab, Indian and African history and traditions, singeli is likewise placed at the crossroads of various cultures and generations. Like South African\u00a0<\/span><i><span style=\"font-weight: 400;\">zulu house<\/span><\/i><span style=\"font-weight: 400;\">\u00a0or Brazilian\u00a0<\/span><i><span style=\"font-weight: 400;\">baile funk<\/span><\/i><span style=\"font-weight: 400;\">, singeli was born as an electronic interpretation turned mutation \u2013\u00a0or even deconstruction \u2013 of native music, produced with inexpensive computer software. Initially, it borrowed from traditional\u00a0<\/span><i><span style=\"font-weight: 400;\">vanga<\/span><\/i><span style=\"font-weight: 400;\">\u00a0polyrhythms of the Zaramo tribe, popularized in the 1980s by\u00a0<\/span><i><span style=\"font-weight: 400;\">mchiriku<\/span><\/i><span style=\"font-weight: 400;\">: producers who reinterpreted these rhythms on Casio synths. In the early stages of the genre, singeli also copiously sampled instrumental sections of\u00a0<\/span><i><span style=\"font-weight: 400;\">taarab<\/span><\/i><span style=\"font-weight: 400;\">, however as local taarab musicians became irritated by this, they eventually turned to neighboring Congo&#8217;s soukouss, South Africa&#8217;s kwaito and Tanzania&#8217;s hip-hop. Speed up the beats, apply glitches, add super-intense rapping in Swahili and you arrive at singeli.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">In 2018, Bamba Pana released\u00a0<\/span><i><span style=\"font-weight: 400;\">Poaa<\/span><\/i><span style=\"font-weight: 400;\">\u00a0(\u201ccool\u201d) on the Ugandan label Nyege Nyege Tapes: nine solid tracks of abrasive beats at extreme tempos. Bamba Pana is undoubtedly the most extreme producer from Dar es-Salaam. But as unhinged as he may be, he doesn&#8217;t seem ready to sacrifice everything to the altar of speed. Coming from the Luguru tribe, the 30-something crushes marimba samples in &#8220;Baria&#8221;, manipulating an instrument traditionally used for the ritual ceremonies that allow the passage of girls into adulthood. A man of few words, all he told us was:\u00a0<\/span><i><span style=\"font-weight: 400;\">&#8220;This is very important to me.&#8221;<\/span><\/i><\/p>\n<p><span style=\"font-weight: 400;\">In the past ten years, the sound has evolved and some of its producers now regularly <span style=\"color: #333333;\">enrich the music with life\u2019s everyday source materials: Jay Mitta samples a cat&#8217;s meow on &#8220;<\/span><\/span><span style=\"color: #333333;\"><a style=\"color: #333333;\" href=\"https:\/\/www.youtube.com\/watch?v=MetY8ZvDVxU&amp;feature=youtu.be\"><span style=\"font-weight: 400;\">Masera<\/span><\/a><span style=\"font-weight: 400;\">&#8220;, while Duke frantically speeds through radio samples for almost eight minutes on &#8220;<\/span><a style=\"color: #333333;\" href=\"https:\/\/www.youtube.com\/watch?v=ltgkJjmBLUE&amp;feature=youtu.be\"><span style=\"font-weight: 400;\">Naona Laaah<\/span><\/a><\/span><span style=\"font-weight: 400;\"><span style=\"color: #333333;\">&#8220;. Al<\/span>though difficult to digest at its most experimental, it still remains fascinating, and gave birth to a ton of hits such as Jay Mitta&#8217;s &#8220;Tatizo Pesa&#8221; featuring 15-year-old Dogo Mjanja and Bamba Pana&#8217;s &#8220;Lingalinga&#8221; with singeli pioneer-veteran MC Makaveli. Setting fire to dance floors\u2026 and selling out stadiums!<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u00a0<\/span><\/p>\n<p><iframe src=\"https:\/\/www.youtube.com\/embed\/mH0Xfmotbfg\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" loading=\"lazy\"><\/iframe><\/p>\n<p style=\"text-align: right;\"><span style=\"color: #999999;\"><em><span style=\"font-weight: 400;\">MCZO x Uswahili Music Flavor Show @ Mbagala en 2016<\/span><\/em><\/span><\/p>\n<h6><span style=\"color: #7d5f97;\"><b>Sisso Studio<\/b><\/span><\/h6>\n<p><span style=\"font-weight: 400;\">But before singeli brought together thousands of people in the club or anywhere in Tanzania and beyond, the genre first raged in the block parties of Manzese and Tandale, two working-class districts on the outskirts of Dar es-Salaam at the\u00a0<\/span><i><span style=\"font-weight: 400;\">kigodoros<\/span><\/i><span style=\"font-weight: 400;\">. Marathon party sessions named after the foam mattresses dancers would collapse on from exhaustion. At weddings now too, for the North Ugandan\u00a0<\/span><i><span style=\"font-weight: 400;\">acholi\u00a0<\/span><\/i><span style=\"font-weight: 400;\">people<\/span><i><span style=\"font-weight: 400;\">,\u00a0<\/span><\/i><span style=\"font-weight: 400;\">orchestras have gradually been replaced by more affordable machines, and traditional themes replaced by their electronic counterparts born from experiments with rhythm machines by the father of\u00a0<\/span><i><span style=\"font-weight: 400;\">acholitronix<\/span><\/i><span style=\"font-weight: 400;\">, Otim Alpha \u2013\u00a0also releasing on Nyege Nyege Tapes. The final decisive course in the development and democratising of the genre was the aptly named \u201cFM Radio\u201d broadcasts, a weekly three-hour program dedicated to singeli, regularly hosting freestyle sessions and competitions. By directly transmitting into the cars and homes of the Tanzanian middle class, singeli has become, in only a few years, a music as popular now as local pop genre\u00a0<\/span><i><span style=\"font-weight: 400;\">bongo flava<\/span><\/i><span style=\"font-weight: 400;\">.<\/span><span style=\"font-weight: 400;\">\u00a0<br style=\"clear: both;\" \/>\u00a0<\/span><\/p>\n<p><iframe src=\"https:\/\/www.youtube.com\/embed\/kxDDE4aFNz8\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" loading=\"lazy\"><\/iframe><\/p>\n<p style=\"text-align: right;\"><span style=\"font-weight: 400; color: #999999;\">Sisso x Rehema Tajiri \u2014 Boiler Room Nyege Nyege Festival\u00a02018<\/span><\/p>\n<p><i><span style=\"font-weight: 400;\">&#8220;I\u2019ve been a fan of singeli for a long time,&#8221;<\/span><\/i><span style=\"font-weight: 400;\">\u00a0said Rehema Tajiri, a single mother and former mainstream EDM singer turned singeli MC.\u00a0<\/span><i><span style=\"font-weight: 400;\">&#8220;Whenever I discovered a new track, it always came from Sisso Studio. I wanted to learn more and then I said to myself\u2026 why not me?&#8221;\u00a0<\/span><\/i><span style=\"font-weight: 400;\">When Rehema Tajiri finally met the owner of Sisso Studio in 2016, she had no idea that she was about to discover a legitimate community of artists \u2013\u00a0her new family\u00a0\u2013 and the epicenter of the phenomenon where people hang out as much as they create. Before he created the studio bearing his namesake and imposed singeli as his own trademark, the producer Sisso would compose music on a laptop in his bedroom \u2013\u00a0when he was not selling DVDs on the street to make a living. Today, MCs and producers come from afar to visit him at his Mburahati home or to meet Duke, also embellished in the singeli scene with his label Pajoma Records, just a kilometer away from Sisso.\u00a0<\/span><i><span style=\"font-weight: 400;\">\u201cI am very proud of the studio and the work created by the artists of the crew that promote singeli. Every single one of them is preparing a new album for 2020, a big year for singeli,\u201d<\/span><\/i><span style=\"font-weight: 400;\">\u00a0announces Sisso.<\/span><\/p>\n<h6><b><br \/>\n<span style=\"color: #7d5f97;\">The women of singeli<\/span><br \/>\n<\/b><\/h6>\n<p><span style=\"font-weight: 400;\">While pione<span style=\"color: #333333;\">ers like\u00a0<\/span><\/span><span style=\"color: #333333;\"><a style=\"color: #333333;\" href=\"https:\/\/www.youtube.com\/watch?v=Tonm1HYRxHk\"><span style=\"font-weight: 400;\">MC Makaveli<\/span><\/a><\/span><span style=\"font-weight: 400;\"><span style=\"color: #333333;\">\u00a0are still active in supporting up-and-coming producers, others have changed caree<\/span>r paths, such as Dogo Niga who became a doctor and now only performs freestyles on occasion. However, they inspired an entire generation, and opened up the scene to female talent.<\/span><span style=\"font-weight: 400;\"><br style=\"clear: both;\" \/>\u00a0<\/span><\/p>\n<p><iframe src=\"https:\/\/www.youtube.com\/embed\/h2R_ErEEUtw\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" loading=\"lazy\"><\/iframe><\/p>\n<p style=\"text-align: right;\"><span style=\"font-size: 18px;\"><em><span style=\"font-weight: 400; color: #999999;\">Kadilida\u00a0aka. MC Card Reader \u2014 sONg mZuka (prod. Jay Mita)<\/span><\/em><\/span><\/p>\n<p><i><span style=\"font-weight: 400;\">&#8220;Women \u2013\u00a0myself included\u00a0\u2013\u00a0arrived late in the singeli scene because they did not allow themselves to participate, as they thought it was not for them,&#8221;<\/span><\/i><span style=\"font-weight: 400;\">\u00a0analyzes Young Duda. Slightly boastful, she continues:\u00a0<\/span><i><span style=\"font-weight: 400;\">&#8220;I\u2019m 22 years old and I\u2019m the first female MC. I\u2019m glad I dared to do it. I opened the doors and other women are now joining!&#8221;<\/span><\/i><span style=\"font-weight: 400;\">\u00a0The newcomers who followed her path are Anti Virus, MC Memory Card \u2013\u00a0<\/span><i><span style=\"font-weight: 400;\">&#8220;the most promising singeli MCs&#8221;<\/span><\/i><span style=\"font-weight: 400;\">, according to Kampire. MC Card Reader and Rehema Tajiri who could easily be mistaken for their mothers, deploy all the more energy on stage.\u00a0<\/span><i><span style=\"font-weight: 400;\">&#8220;I hope there will be more of us. Not only do we emancipate ourselves, but above all we express ourselves&#8221;<\/span><\/i><span style=\"font-weight: 400;\">, she rejoices, adjusting her fine braids.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Naturally, every MC touches upon different themes: from heart problems to financial difficulties, trouble at school, at home or with the authorities, unemployment and dreams of glory, excessive partying&#8230; A story of Tanzanian youth, made up of social commentary and personal encounters. Young Duda on the other hand takes it further by giving singeli a didactic, bordering on moral function.\u00a0<\/span><i><span style=\"font-weight: 400;\">&#8220;In one of my lyrics, I address women and advise them not to have an abortion, because I think that life is too precious. In another text, I tell the guys to go to school, not to smoke too much weed, and take good care of their kids and parents. As I encourage good behavior, my family fully supports me,&#8221;\u00a0<\/span><\/i><span style=\"font-weight: 400;\">she explains, self-assured and proudly adorning a pair of Nikes on her feet.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u00a0<\/span><\/p>\n<div id=\"attachment_35438\" style=\"width: 1410px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" aria-describedby=\"caption-attachment-35438\" class=\"size-full wp-image-35438\" src=\"https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2020\/01\/4ecad03f-bamba_pana.jpg\" alt=\"\" width=\"1400\" height=\"1867\" srcset=\"https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2020\/01\/4ecad03f-bamba_pana.jpg 1400w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2020\/01\/4ecad03f-bamba_pana-759x1012.jpg 759w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2020\/01\/4ecad03f-bamba_pana-1010x1347.jpg 1010w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2020\/01\/4ecad03f-bamba_pana-661x881.jpg 661w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2020\/01\/4ecad03f-bamba_pana-465x620.jpg 465w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2020\/01\/4ecad03f-bamba_pana-375x500.jpg 375w\" sizes=\"(min-width:1010px) 759px,100vw\" loading=\"lazy\" \/><p id=\"caption-attachment-35438\" class=\"wp-caption-text\">Bamba Pana<\/p><\/div>\n<h6><b><br \/>\n<span style=\"color: #7d5f97;\">From the street to the state palace<\/span><\/b><\/h6>\n<p><span style=\"font-weight: 400;\">It\u2019s apparent that Singeli carries a negative stigma in Tanzania. Firstly because the genre was born on the streets of Dar es-Salaam&#8217;s most notorious neighborhoods, in the same way as hip-hop:\u00a0<\/span><i><span style=\"font-weight: 400;\">&#8220;what is poor is scary, this has always been the fate of ghetto music,&#8221;<\/span><\/i><span style=\"font-weight: 400;\">\u00a0according to Bamba Pana. Up until last spring, local police regularly interrupted block parties, cutting off the power supply and even arresting Jay Mitta during one of his shows. But Jay asks to skip the questions on this: Singeli is not protest music. So why would it bother President Magufuli\u2019s regime \u2013\u00a0nicknamed\u00a0<\/span><i><span style=\"font-weight: 400;\">&#8220;tingatinga&#8221;<\/span><\/i><span style=\"font-weight: 400;\">\u00a0(&#8220;the bulldozer&#8221; in Swahili) for its highly repressive policy against any form of opposition since being elected in 2015?<\/span><\/p>\n<p><span style=\"font-weight: 400;\">An initial lead suggests that because of its popularity amongst unemployed youths, singeli was associated with\u00a0<\/span><i><span style=\"font-weight: 400;\">uhuni<\/span><\/i><span style=\"font-weight: 400;\">, i.e. gang violence and drug trafficking. According to Rehema Tajiri, it was more of a misunderstanding with the authorities.\u00a0<\/span><i><span style=\"font-weight: 400;\">\u201cThe shows attract a huge audience. Quite naturally, sometimes there are excesses and misbehavior. The government thought that singeli was the only reason behind this, but I don&#8217;t see anything in it that\u2019s threatening to national security\u2026&#8221;\u00a0<\/span><\/i><span style=\"font-weight: 400;\">she regales, laughing. Sisso admits he still has to scheme sometimes in order to be given permission to play in the city.\u00a0<\/span><i><span style=\"font-weight: 400;\">&#8220;But we can&#8217;t complain. Today, singeli artists are paid for composing and performing their music. Some of us even manage to live off of it.&#8221;\u00a0<\/span><\/i><span style=\"font-weight: 400;\">With the mannerisms of a rap superstar, Jay Mitta concludes in his own way:\u00a0<\/span><i><span style=\"font-weight: 400;\">&#8220;Our daily life has improved significantly since we started to play singeli. My mission? Make money, yeah.&#8221;<\/span><\/i><\/p>\n<p><span style=\"font-weight: 400;\">Perhaps due to an opportunist attempt at populism, the Tanzanian authorities today seem to have fully embraced singeli.\u00a0<\/span><i><span style=\"font-weight: 400;\">&#8220;The government has understood that we are not thugs and that we are promoting good things towards young people,&#8221;\u00a0<\/span><\/i><span style=\"font-weight: 400;\">said Rehema Tajiri. Suddenly, Abbas \u2013\u00a0manager, driver and translator\u00a0\u2013 abruptly interrupts her:\u00a0<\/span><i><span style=\"font-weight: 400;\">\u201cthe government supports singeli, they play it in political assemblies, official meetings and even at the state palace, they say. We can freely request and obtain visas to go and play abroad. It&#8217;s all that matters. Our president is good for Tanzania, he is great.&#8221;\u00a0<\/span><\/i><span style=\"font-weight: 400;\">Some awkwardness arises. Because quite evidently, everyone walks on eggshells when it comes to talking about politics. Journalists, businessmen, politicians, and even artists\u2026 since 2016 the Tanzanian Human Rights Defenders Coalition has identified 17 kidnappings \u2013\u00a0with several tragic endings. This is perhaps one of the reasons why most singeli artists seize the slightest opportunity to perform abroad.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u00a0<\/span><\/p>\n<p><iframe src=\"https:\/\/www.youtube.com\/embed\/Tonm1HYRxHk\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" loading=\"lazy\"><\/iframe><\/p>\n<p style=\"text-align: right;\"><em><span style=\"font-weight: 400; color: #999999;\">Bamba Pana &amp; Makaveli @ Barlok Brussels 2018<\/span><\/em><\/p>\n<h6><b><br \/>\n<span style=\"color: #7d5f97;\">For the\u00a0fans<\/span><\/b><span style=\"font-weight: 400; color: #7d5f97;\"><br \/>\n<\/span><\/h6>\n<p><i><span style=\"font-weight: 400;\">&#8220;When Arlen arrived at the studio in 2016, it was the first time that a white man had come to my house. I immediately felt that something was about to change,&#8221;<\/span><\/i><span style=\"font-weight: 400;\">\u00a0recalls Sisso. As for Arlen Dilsizian, ethnomusicologist and co-founder of Nyege Nyege, he was lucky enough to end up inside Abbas&#8217; taxi when he arrived in Dar es-Salaam, in search of singeli.\u00a0<\/span><i><span style=\"font-weight: 400;\">Sounds Of Sisso<\/span><\/i><span style=\"font-weight: 400;\">, the first compilation dedicated to the genre, was released on the Ugandan label the following year, creating the seal for a lasting friendship, and paving the way for Bamba Pana (<\/span><i><span style=\"font-weight: 400;\">Poaa<\/span><\/i><span style=\"font-weight: 400;\">, 2018), Jay Mitta (<\/span><i><span style=\"font-weight: 400;\">Tatizo Pesa<\/span><\/i><span style=\"font-weight: 400;\">, 2019) and the more hip-hop-oriented Duke (<\/span><i><span style=\"font-weight: 400;\">Uingizaji Hewa<\/span><\/i><span style=\"font-weight: 400;\">, 2019). Since then, it\u2019s not uncommon to find Sisso, Bamba Pana and their colleagues on the line-up for a number European festivals \u2013\u00a0Barlok Brussels in Belgium (2018), Rewire in Holland (2019) or Insomnia in Norway (2020). And although its artists may not speak English or easily obtain visas, singeli embraces the challenges. Today, everyone still dreams of becoming stars in the United States.<\/span><span style=\"font-weight: 400;\"><br style=\"clear: both;\" \/>\u00a0<\/span><\/p>\n<p><iframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3799784044\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=4028614428\/transparent=true\/\" width=\"300\" height=\"150\" seamless=\"\" loading=\"lazy\"><a href=\"http:\/\/nyegenyegetapes.bandcamp.com\/album\/jay-mita-and-sisso-meet-the-modern-institute-at-the-villa-feat-errorsmith\">Jay Mita and Sisso meet the Modern Institute at the Villa feat. Errorsmith by Errorsmith feat Jay Mita<\/a><\/iframe><\/p>\n<p><span style=\"font-weight: 400;\">\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Beginning to mutate after ten years of existence, singeli now attracts the attention of veteran international artists, fascinated by its frenetic drums. In 2018, German producer Errorsmith and Scottish experimental group The Modern Institute featured alongside Sisso and Jay Mitta on the excellent mixtape produced in only two weeks at Nyege Nyege Tapes&#8217; headquarters in Kampala, during the festival that each year equally generates its share of miraculous encounters. But the most surprising one comes when observing the genre&#8217;s impact on Tanzania, mainly on the stars of\u00a0<\/span><i><span style=\"font-weight: 400;\">bongo flava<\/span><\/i><span style=\"font-weight: 400;\">\u00a0such as Man Fongo, Sholo Mwamba and Msaga Sumu who have adopted the singeli rhythm in their most recent productions.<\/span><i><span style=\"font-weight: 400;\">\u00a0&#8220;Good for them! As far as we are concerned, we do not know any form of compromise. We will never lose the spirit and the sound,&#8221;\u00a0<\/span><\/i><span style=\"font-weight: 400;\">retorts Sisso.\u00a0<\/span><span style=\"font-weight: 400;\"><br style=\"clear: both;\" \/>\u00a0<\/span><\/p>\n<p><iframe src=\"https:\/\/www.youtube.com\/embed\/xtLIxLH6DP4\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" loading=\"lazy\"><\/iframe><\/p>\n<p style=\"text-align: right;\"><span style=\"color: #999999;\"><em><span style=\"font-weight: 400;\">TsGang \u2014\u00a0<\/span><span style=\"font-weight: 400;\">Dab Singeli (<\/span><span style=\"font-weight: 400;\">feat. Sholo Mwamba)<\/span><\/em><\/span><\/p>\n<p><iframe src=\"https:\/\/www.youtube.com\/embed\/jPpd0ntltjc\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" loading=\"lazy\"><\/iframe><\/p>\n<p style=\"text-align: right;\"><span style=\"color: #999999;\"><em><span style=\"font-weight: 400;\">Man Fongo \u2014\u00a0<\/span><span style=\"font-weight: 400;\">Lau Nafasi<\/span><\/em><\/span><\/p>\n<p><span style=\"font-weight: 400;\">Here singeli definitively proves its influential power by mutating in its turn the music it took inspiration from \u2013\u00a0the same way jazz and soul eventually ended up borrowing from the world of hip-hop after originally, abundantly sampling them.<\/span><\/p>\n<p><i><span style=\"font-weight: 400;\">&#8220;For the last two years, we had to start playing singeli rhythms for the fans, because the demand for it exploded!&#8221;<\/span><\/i><span style=\"font-weight: 400;\">\u00a0says Ali, percussionist for the Kisiwani Band. Invited for the second year in a row to perform at the Nyege Nyege Festival, the Tanzanian band has maintained the heritage of the Zaramo, Luguru and Manyema tribes since 1999. Until then the Kisiwani Band stuck exclusively to ceremonial music and royal dances in traditional outfits, but are now taking a side step towards singeli and its very suggestive\u00a0<\/span><i><span style=\"font-weight: 400;\">chura dance<\/span><\/i><span style=\"font-weight: 400;\">, because\u00a0<\/span><i><span style=\"font-weight: 400;\">&#8220;even if it takes us away from traditions, it is very good for business&#8221;<\/span><\/i><span style=\"font-weight: 400;\">. Are traditions threatened by the singeli tidal wave?\u00a0<\/span><i><span style=\"font-weight: 400;\">&#8220;Of course not!&#8221;<\/span><\/i><span style=\"font-weight: 400;\">\u00a0exclaims Ali, laughing.\u00a0<\/span><i><span style=\"font-weight: 400;\">&#8220;Whatever happens, we can always play without electronics or electricity! Our traditions still have a bright future ahead of them.\u201d<\/span><\/i><span style=\"font-weight: 400;\">\u00a0If the tradition is perpetuated by completing the circle, singeli does it well. And even faster. With a bold future ahead of itself.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u00a0<\/span><\/p>\n<div id=\"attachment_35439\" style=\"width: 1410px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" aria-describedby=\"caption-attachment-35439\" class=\"size-full wp-image-35439\" src=\"https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2020\/01\/c7264f4f-nyege_nyege_festival_lbk83.jpg\" alt=\"\" width=\"1400\" height=\"1867\" srcset=\"https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2020\/01\/c7264f4f-nyege_nyege_festival_lbk83.jpg 1400w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2020\/01\/c7264f4f-nyege_nyege_festival_lbk83-759x1012.jpg 759w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2020\/01\/c7264f4f-nyege_nyege_festival_lbk83-1010x1347.jpg 1010w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2020\/01\/c7264f4f-nyege_nyege_festival_lbk83-661x881.jpg 661w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2020\/01\/c7264f4f-nyege_nyege_festival_lbk83-465x620.jpg 465w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2020\/01\/c7264f4f-nyege_nyege_festival_lbk83-375x500.jpg 375w\" sizes=\"(min-width:1010px) 759px,100vw\" loading=\"lazy\" \/><p id=\"caption-attachment-35439\" class=\"wp-caption-text\">Nyege Nyege Festival 2019<\/p><\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Little was known until recently of the futuristic sound emerging from the ghettos of Dar es-Salaam, which now is exporting itself to dance floors across the globe. Ten years on from its conception, singeli has [&hellip;]<\/p>\n","protected":false},"author":42,"featured_media":35442,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[7833,9373],"tags":[4096,23848,23849,23850,23843,23851],"location":[8300,8184],"yst_prominent_words":[8403,8509,9377,8996,8993,8414,8447,9381,9380,9375,9374,9383,8402,9384,8435,9378,9379,9376,9385,8543],"acf":[],"_links":{"self":[{"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/posts\/40661"}],"collection":[{"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/users\/42"}],"replies":[{"embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/comments?post=40661"}],"version-history":[{"count":0,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/posts\/40661\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/media\/35442"}],"wp:attachment":[{"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/media?parent=40661"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/categories?post=40661"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/tags?post=40661"},{"taxonomy":"location","embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/location?post=40661"},{"taxonomy":"yst_prominent_words","embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/yst_prominent_words?post=40661"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}