{"id":25366,"date":"2019-05-23T11:40:05","date_gmt":"2019-05-23T10:40:05","guid":{"rendered":"https:\/\/pan-african-music.com\/?p=25366"},"modified":"2020-05-10T21:47:27","modified_gmt":"2020-05-10T20:47:27","slug":"tyler-the-creator-igor","status":"publish","type":"post","link":"https:\/\/pan-african-music.com\/en\/tyler-the-creator-igor\/","title":{"rendered":"Tyler, The Creator&#8217;s IGOR has the flower boy morph into a most unpredictable and refreshing artiste"},"content":{"rendered":"<p><img decoding=\"async\" class=\"alignnone size-full wp-image-25367 pam-featured-content pam-featured-content\"   src=\"https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2019\/05\/TylerTheCreator_SamRock-IGOR.jpg\" alt=\"\" width=\"1000\" height=\"667\" srcset=\"https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2019\/05\/TylerTheCreator_SamRock-IGOR.jpg 1000w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2019\/05\/TylerTheCreator_SamRock-IGOR-759x506.jpg 759w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2019\/05\/TylerTheCreator_SamRock-IGOR-661x441.jpg 661w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2019\/05\/TylerTheCreator_SamRock-IGOR-465x310.jpg 465w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2019\/05\/TylerTheCreator_SamRock-IGOR-375x250.jpg 375w\" sizes=\"(min-width:1010px) 759px,100vw\" loading=\"lazy\" \/><\/p>\n<h4><span style=\"color: #fd7065;\"><b>Tyler,\u00a0The Creator\u2019s fifth studio album is brilliantly produced and overall, expertly executed. \u00a0It is impossible to say that IGOR doesn\u2019t belong up there, with the best he\u2019s put out since his debut solo studio album <em>Bastard<\/em> in 2009.<\/b><\/span><\/h4>\n<p>Tyler,\u00a0The Creator\u2019s fifth album\u00a0<em>IGOR<\/em>\u00a0begins with a sound that\u2019s like the end of the world. It distorts thought, and have you wondering what comes next?<\/p>\n<p>If you follow the artiste on social media, (as you should) you would be privy to his \u201cwarning\u201d going into the album: \u201cDon\u2019t go into this expecting a rap album. Don\u2019t go into this expecting any album.\u201d And it is expected, of Tyler to downplay the expectations of his listeners, especially after his 2017 masterpiece \u201cFlower Boy\u201d which as many have suggested, is the most melodic of his music, the best of that version of Tyler who, contrary to what is on display in the first seconds of <em>IGOR<\/em>, is a serene creator, of serene sounds.<\/p>\n<p>\u201cIGOR\u2019S THEME\u2019 plays out like a boom bap song, but that is just the drum kicks \u2013 besides the production are soft keys, snarls, and vocals as sinister and chilling as a horrorcore classic. With the opener, Tyler basically sets a mood, somewhere in the middle between Kendrick Lamar\u2019s DAMN. And a Jon Bellion song. As an aside, the song was first teased in a 50-second snippet posted on Tyler\u2019s social media platforms on May 1, 2019, shortly after speculation arose surrounding the album after the release of a Sony Financial Report. \u201cIGOR\u2019S THEME\u201d also features uncredited guest vocals from Lil Uzi Vert and Solange.<\/p>\n<p>The next song, \u201cEARFQUAKE\u201d draws production parallel from Tyler\u2019s two previous projects \u201cFlower Boy\u201d and \u201cCherry Bomb\u201d. Tyler sings about a love interest, rendering his lines in a moody, slurry way, in perfect contrast to the beautifully organized piano chords and distracted drums. Those plays a part in \u201cI THINK\u201d, a bass-heavy rendition which forces the visual image of a group of uniformed dancers. The next track, \u201cEXACTLY WHAT YOU RUN FROM YOU END UP CHASING\u201d is a slight \u2013 there\u2019s a pitched-up voice talking about running from fears and what-not\u2026then nothing, the next song which is so perfectly titled \u201cRUNNING OUT OF TIME\u201d, an emo-inspired song with the usual Tyler distortion. So far, like every solo Tyler project, <em>IGOR<\/em> has been huge on production.\u00a0<br \/>\n<iframe src=\"https:\/\/www.youtube.com\/embed\/HmAsUQEFYGI\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" loading=\"lazy\"><\/iframe><\/p>\n<p><br style=\"clear: both;\" \/>\u201cNEW MAGIC WAND\u201d was first teased in a 47-second snippet posted on Tyler\u2019s social media platforms on May 14, 2019. The song opens with a grimy beat and features a soft synth change during the bridge \u2013 all markers of a NERD influence. \u201cA BOY IS A GUN\u201d features some of the most rapping from Tyler on the album, as he draws a parallel between a problematic relationship and owning a gun in very ingenious ways. Structured as loosely as his artistry, his soft production (which uses in a soul sample for the chorus, and glittery synths and keys littered throughout the background) allows it a gentle landing. This contrast of theme\/style of rapping versus production is again, displayed on \u201cPUPPET\u201d and \u201cGONE, GONE\/ THANK YOU\u201d.<\/p>\n<p>Perhaps the versatility of the production of <em>IGOR<\/em> is best displayed in the songs \u201cWHAT\u2019S GOOD\u201d and the closer \u201cARE WE STILL FRIENDS?\u201d On the former which features a funky and somewhat 80s Hip Hop paced production, Tyler uses the drums-heavy production to induce shock when, before every verse, there\u2019s a beat distortion, and screeching piano keys come in. On the track, Tyler raps ninety-per cent of the time, with additional vocals from UK rapper slowthai proving credible backup for his intentionally shocking verses.<\/p>\n<p>\u201cARE WE STILL FRIENDS?\u201d starts off with the sombre pace of a depressing country song, before Tyler\u2019s voice sets in, amidst sonic embellishment for the rolling drums. When he asks \u201cAre we still friends?\u201d, there\u2019s already a mood of foreshadowing, an imminent doom which is heightened when it turns \u201cshould we be friends?\u201d And that\u2019s the end of <em>IGOR<\/em>, the one Tyler chooses for his final bow (yet) is honest Tyler, the one who, rather than intentionally deliver shocks and abrupt musical transitions, would air out his sincerest emotions over the most deserving production.<\/p>\n<p>Tyler,\u00a0The Creator\u2019s fifth studio album is brilliantly produced and overall, expertly executed. The features here don\u2019t take centre stage as they do in their individual careers; instead, they seem to sit beside the production, coming in only when it is absolutely necessary.<\/p>\n<p>As Tyler recommends, it is imperative to enter into <em>IGOR<\/em> with new ears and there\u2019s no doubt at the end, you\u2019ll be grateful for it. While the influences \u2013 NERD, Kanye West, Tyler,\u00a0The Creator \u2013 are easily placed, in the end, you come away with experience only the finest curators of music can afford you. There have been talks of <em>IGOR<\/em> being Tyler\u2019s best: while that remains to be seen with few more listens, it is impossible to say that <em>IGOR<\/em> doesn\u2019t belong up there, with the best he\u2019s put out since his debut solo studio album\u00a0<em>Bastard<\/em>\u00a0in 2009.<\/p>\n<h5><span style=\"color: #fd7065;\">Read next:\u00a0<a style=\"color: #fd7065;\" href=\"https:\/\/pan-african-music.com\/en\/chronicling-the-re-emergence-of-runtown\/\">Chronicling the re-emergence of Runtown<\/a><\/span><\/h5>\n<p><img decoding=\"async\" class=\"alignnone wp-image-25201\" src=\"https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2019\/05\/tyler-the-creator-annonce-le-nom-la-cover-et-la-date-de-sortie-de-son-prochain-album-4-1000x690.jpg\" alt=\"\" width=\"1004\" height=\"1004\" srcset=\"https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2019\/05\/tyler-the-creator-annonce-le-nom-la-cover-et-la-date-de-sortie-de-son-prochain-album-4-1000x690.jpg 654w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2019\/05\/tyler-the-creator-annonce-le-nom-la-cover-et-la-date-de-sortie-de-son-prochain-album-4-1000x690-100x100.jpg 100w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2019\/05\/tyler-the-creator-annonce-le-nom-la-cover-et-la-date-de-sortie-de-son-prochain-album-4-1000x690-465x465.jpg 465w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2019\/05\/tyler-the-creator-annonce-le-nom-la-cover-et-la-date-de-sortie-de-son-prochain-album-4-1000x690-375x375.jpg 375w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2019\/05\/tyler-the-creator-annonce-le-nom-la-cover-et-la-date-de-sortie-de-son-prochain-album-4-1000x690-200x200.jpg 200w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2019\/05\/tyler-the-creator-annonce-le-nom-la-cover-et-la-date-de-sortie-de-son-prochain-album-4-1000x690-85x85.jpg 85w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2019\/05\/tyler-the-creator-annonce-le-nom-la-cover-et-la-date-de-sortie-de-son-prochain-album-4-1000x690-73x73.jpg 73w\" sizes=\"(min-width:1010px) 759px,100vw\" loading=\"lazy\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tyler,\u00a0The Creator\u2019s fifth studio album is brilliantly produced and overall, expertly executed. \u00a0It is impossible to say that IGOR doesn\u2019t belong up there, with the best he\u2019s put out since his debut solo studio album [&hellip;]<\/p>\n","protected":false},"author":38,"featured_media":25367,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[87],"tags":[],"location":[],"yst_prominent_words":[],"acf":[],"_links":{"self":[{"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/posts\/25366"}],"collection":[{"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/users\/38"}],"replies":[{"embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/comments?post=25366"}],"version-history":[{"count":0,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/posts\/25366\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/media\/25367"}],"wp:attachment":[{"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/media?parent=25366"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/categories?post=25366"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/tags?post=25366"},{"taxonomy":"location","embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/location?post=25366"},{"taxonomy":"yst_prominent_words","embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/yst_prominent_words?post=25366"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}