{"id":126591,"date":"2023-09-23T13:00:00","date_gmt":"2023-09-23T11:00:00","guid":{"rendered":"https:\/\/pan-african-music.com\/?p=126591"},"modified":"2023-09-24T13:13:46","modified_gmt":"2023-09-24T11:13:46","slug":"pam-club-a7ba-l-jelly","status":"publish","type":"post","link":"https:\/\/pan-african-music.com\/en\/pam-club-a7ba-l-jelly\/","title":{"rendered":"PAM Club: A7ba-L-Jelly, at the heart of the Egyptian underground"},"content":{"rendered":"\n<h4 class=\"wp-block-heading\">Founder of the JellyZone movement, A7ba-L-Jelly brings us a hybrid, futuristic PAM Club, a reflection of her eponymous parties.<\/h4>\n\n\n\n<p>Coming from a jazz background, Donia Shohdy began organizing house parties in 2015, a pretext for having fun and bringing together people from all communities. Naturally, she began mixing in 2017, a debut that coincided with the creation of the JellyZone collective. While many venues in Cairo offer house and techno nights, Donia is more into bass music, reggaeton and experimental club. This video editor by trade blends the visual arts into her inclusive parties, which offer a safe and accessible space for all lovers of unconventional club music. In this &#8220;VIP downtempo mix&#8221;, Donia challenges the usual connections between genres, linking futuristic riddims, hard bass, Brazilian vibes and other alternative sounds. To find out more about the history of this movement, read the <a href=\"https:\/\/pan-african-music.com\/en\/jellyzone-egypt-experimental-party\/\" data-type=\"link\" data-id=\"https:\/\/pan-african-music.com\/en\/jellyzone-egypt-experimental-party\/\">full interview<\/a>.<\/p>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<iframe width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/1620136998&#038;color=%23ff5500&#038;auto_play=false&#038;hide_related=false&#038;show_comments=true&#038;show_user=true&#038;show_reposts=false&#038;show_teaser=true\" loading=\"lazy\"><\/iframe><div style=\"font-size: 10px; color: #cccccc;line-break: anywhere;word-break: normal;overflow: hidden;white-space: nowrap;text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif;font-weight: 100;\"><a href=\"https:\/\/soundcloud.com\/panafricanmusic\" title=\"Pan African Music\" target=\"_blank\" style=\"color: #cccccc; text-decoration: none;\" rel=\"noopener\">Pan African Music<\/a> \u00b7 <a href=\"https:\/\/soundcloud.com\/panafricanmusic\/pam-club-a7ba-l\" title=\"PAM Club : A7ba L\" target=\"_blank\" style=\"color: #cccccc; text-decoration: none;\" rel=\"noopener\">PAM Club : A7ba L<\/a><\/div>\n\n\n\n<p><strong>Tracklist <\/strong><br>Rafa Maya &#8211; Seca<br>Entranas &amp; PVSSY &#8211; Calor<br>WULFFLUW XCIV &#8211; Ur Silent<br>Canblaster &#8211; Inner Voxes (Florentino Remix)<br>Merca Bae &amp; Nick Leon &#8211; Aqua<br>Zebra Katz x Boyfriend &#8211; W8WTF (Rizzla Remix)<br>DJ Chalice &#8211; Dark Flute on Tap<br>Kamixlo &#8211; Lariat<br>Merca Bae &#8211; Xpecial<br>Flukes &#8211; Wifey Riddim<br>Rosalia &#8211; Saoko (Blood Of Aza Remix)<br>Kidda &#8211; Malli (Zgjim Remix)<br>Agustin Genoud &#8211; Perdido (Galtier Remix)<br>Cosculluela VS Bulma &#8211; Abssys<br>Vybz Kartel &#8211; Fast Live (Stereotyp version)<br>HITMAKERCHINX &#8211; Are You<br>El Waili &#8211; Manateq<br>Brandy &amp; Monica &#8211; The Boy is Mine <\/p>\n\n\n\n<p>Follow A7ba-L-Jelly on <a href=\"https:\/\/www.instagram.com\/doniashohdy\/\">Instagram<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Founder of the JellyZone movement, A7ba-L-Jelly brings us a hybrid, futuristic PAM Club, a reflection of her eponymous parties. Coming from a jazz background, Donia Shohdy began organizing house parties in 2015, a pretext for [&hellip;]<\/p>\n","protected":false},"author":34,"featured_media":126089,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[9401],"tags":[4096,24358],"location":[7958],"yst_prominent_words":[8403,10256,9174,8414,25765,8542,8402,8435,8566,9281,9466,8412],"acf":[],"_links":{"self":[{"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/posts\/126591"}],"collection":[{"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/users\/34"}],"replies":[{"embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/comments?post=126591"}],"version-history":[{"count":0,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/posts\/126591\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/media\/126089"}],"wp:attachment":[{"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/media?parent=126591"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/categories?post=126591"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/tags?post=126591"},{"taxonomy":"location","embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/location?post=126591"},{"taxonomy":"yst_prominent_words","embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/yst_prominent_words?post=126591"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}