{"id":120072,"date":"2023-03-13T13:16:36","date_gmt":"2023-03-13T11:16:36","guid":{"rendered":"https:\/\/pan-african-music.com\/?p=120072"},"modified":"2023-03-14T11:38:49","modified_gmt":"2023-03-14T09:38:49","slug":"msaki-tubatsi-synthetic-hearts","status":"publish","type":"post","link":"https:\/\/pan-african-music.com\/en\/msaki-tubatsi-synthetic-hearts\/","title":{"rendered":"Msaki x Tubatsi: Synthetic Hearts, organic sound"},"content":{"rendered":"\n<p class=\"has-drop-cap\">In April 2021, Msaki, Tubatsi Mpho Moloi, and French cellist Cl\u00e9ment Petit settled for a week in Nirox, a graceful art residency center, and sculpture park located one hour away from bustling Johannesburg. As Autumn was falling on the country and days were getting shorter, the three musicians worked for one week in the cold and bright South African winter, sharing ideas of melodies, drafting lyrics, and, from time to time, having a few open-hearted conversations. The result? <em><a href=\"https:\/\/idol-io.link\/SyntheticHearts\" data-type=\"URL\" data-id=\"https:\/\/idol-io.link\/SyntheticHearts\" target=\"_blank\" rel=\"noreferrer noopener\">Synthetic Hearts<\/a><\/em>, an experimental, playful, and minimalist 9-track album released via <a href=\"https:\/\/pan-african-music.com\/en\/tag\/no-format\/\" data-type=\"URL\" data-id=\"https:\/\/pan-african-music.com\/en\/tag\/no-format\/\">No Format<\/a>. As Msaki and Tubatsi describe the project, words like \u201corganic\u201d or \u201cnatural\u201d keep coming up: it becomes clear that the songs they offer testify to the beautiful and evanescent parenthesis the three artists shared on these few peaceful days. \u201c<em>We were watching the leaves turn from green to gold to dark orange in the week that we were there,<\/em>\u201d Msaki recalls. \u201c<em>Something was happening. I think we tapped into that, what the seasons were doing, what was going on in our lives\u2026<\/em>\u201d \u201c<em>The whole composition was honest to the space and time we were in,<\/em>\u201d Tubatsi sums up.&nbsp;<\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Msaki x Tubatsi - Subaleka (official video)\" width=\"500\" height=\"281\" data-src=\"https:\/\/www.youtube.com\/embed\/iVUIxwrKkTM?feature=oembed&#038;autoplay=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>If we wanted to make it short, we could say that the nine songs of <em>Synthetic Hearts<\/em> are folk music: two voices with minimal arrangements, singing soothingly about romantic torments and love declarations on the delicate notes of a cello (<em>\u201cone of the closest string instruments to the voice!<\/em>\u201d, Msaki specifies). However, the album defies easy categorization, mixing deep songwriting with ambient and non-lyrical pieces, combining live and electronic elements, and tapping into classic folk as well as South African folklore. Through improvisation and collaboration, it is safe to say the three artists came up with a distinguishable and original music language, unheard of in the usual South African creative dynamics. A finding that owes much to the work of Cl\u00e9ment Petit, at the origin of many compositions of the album: &#8220;<em>he is an artist who, in his writing, understands jazz, folk, Afrobeat<\/em>,&#8221; explains Msaki.<em>\u00a0<\/em>\u201c<em>If you had to give it a genre and put it in a box, I would simply name it \u2018synthetic hearts\u2019,<\/em>\u201d Tubatsi smiles. \u201c<em>We were working in such a way that we didn&#8217;t know how the songs were going to come out, because neither of us had done anything similar to this. It came out organic and unique in its own way.<\/em>\u201d\u00a0<\/p>\n\n\n\n<p>The album composition and recording process came at the right time in both singers\u2019 lives. Msaki, a few months prior, had just delivered <em><a rel=\"noreferrer noopener\" href=\"https:\/\/open.spotify.com\/album\/5I1PuwMzFN5Ooh8R5zUncS\" data-type=\"URL\" data-id=\"https:\/\/open.spotify.com\/album\/5I1PuwMzFN5Ooh8R5zUncS\" target=\"_blank\">Platinumb Heart<\/a><\/em>, a dense double album with a full orchestra, which had taken her years in the making and led to dozens of concerts, live streams, and interviews. \u201c<em>So many sessions, so much music, so many musicians\u2026<\/em>\u201d she sighs. \u201c<em>Man! I was like: three musicians? One instrument? One week? Perfect. And I liked the idea of doing something, leaving it behind and not overthinking it. It felt like a big exhale.<\/em>\u201d Tubatsi, in addition to his activities as lead singer for <a href=\"https:\/\/pan-african-music.com\/en\/tag\/urban-village\/\" data-type=\"URL\" data-id=\"https:\/\/pan-african-music.com\/en\/tag\/urban-village\/\">Urban Village<\/a>, \u201c<em>was going through some stuff during that time, personal stuff, emotional things. It was a tough time. During the residency, Msaki and I were having conversations about human relationships. Conversations that one can have with an uncle, a niece, a parent\u2026 Conversations between two people welcoming each other into one space and trying to find a way to move and navigate around. I think this translated into the music.<\/em>\u201d&nbsp;<\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Msaki x Tubatsi - Come In (Official video)\" width=\"500\" height=\"281\" data-src=\"https:\/\/www.youtube.com\/embed\/DGIAyuzGQ5o?feature=oembed&#038;autoplay=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Naturally, without any concrete will to do so, most songs on <em>Synthetic Hearts <\/em>ended up evoking \u201cmatters of the heart\u201d, as Tubatsi puts it. As \u201c<a href=\"https:\/\/www.youtube.com\/watch?v=WsQMVY2suK4\" data-type=\"URL\" data-id=\"https:\/\/www.youtube.com\/watch?v=WsQMVY2suK4\" target=\"_blank\" rel=\"noreferrer noopener\">Hearteries<\/a>\u201d finds the reasons for a painful rupture in one\u2019s own reflection, \u201c<a href=\"https:\/\/youtu.be\/DGIAyuzGQ5o\" data-type=\"URL\" data-id=\"https:\/\/youtu.be\/DGIAyuzGQ5o\" target=\"_blank\" rel=\"noreferrer noopener\">Come In<\/a>\u201d is a determined declaration of unshakeable love, \u201c<a href=\"https:\/\/youtu.be\/dJg0qcjM_uw\" data-type=\"URL\" data-id=\"https:\/\/youtu.be\/dJg0qcjM_uw\" target=\"_blank\" rel=\"noreferrer noopener\">Stay As You Are<\/a>\u201d delicately asks a lover to remain the same, \u201c<a href=\"https:\/\/youtu.be\/Xltyi1E0XTE\" data-type=\"URL\" data-id=\"https:\/\/youtu.be\/Xltyi1E0XTE\" target=\"_blank\" rel=\"noreferrer noopener\">Fika<\/a>\u201d calls for a loved one to arrive back home, while \u201c<a href=\"https:\/\/youtu.be\/Yx6nen08UWs\" data-type=\"URL\" data-id=\"https:\/\/youtu.be\/Yx6nen08UWs\" target=\"_blank\" rel=\"noreferrer noopener\">Madonna<\/a>\u201d sensually sings of distance and detachment. \u201c<a href=\"https:\/\/youtu.be\/ifBfeZHPSRg\" data-type=\"URL\" data-id=\"https:\/\/youtu.be\/ifBfeZHPSRg\" target=\"_blank\" rel=\"noreferrer noopener\">Khanya<\/a>\u201d, futuristic in its own way, is \u201c<em>an affectionate command to be bright, and to shine<\/em>\u201d. When I ask the two vocalists if they had any duet reference in mind while composing, unsurprisingly, both struggle to find any, as Msaki comes up with Gotye and Kimbra\u2019s \u201cSomebody that I used to know\u201d and Tubatsi reaffirms that they were trying to do \u201c<em>something that was not done before<\/em>\u201d. \u201c<em>For me, it&#8217;s interesting to see the new thing that the dynamic of two people can create,<\/em>\u201d Msaki explains. <em>\u201cWith Tubatsi, we have been in the same band scene for a couple of years now. I did a song with Urban Village for <\/em>Udondolo<em>, and we obviously noticed some sort of creative chemistry. This is when this idea came up.<\/em>\u201d&nbsp;<\/p>\n\n\n\n<p>As coherent as <em>Synthetic Hearts<\/em> ended up being as a body of work, ambivalence, and contradictions cross the different songs. Sentences like \u201c<em>I will always be closer away<\/em>\u201d (\u201cMadonna\u201d) or ambiguous commands like \u201c<em>stay as you are\u202ftill the day that you can no longer<\/em>\u201d (\u201cStay as you are\u201d) set a complex, paradoxical atmosphere to the different songs. More than feverish straightforward love tracks, the pieces of the album enquire, examine and raise more questions than answers on the heart and its reasons. Msaki admits \u201c<em>there are a lot of invitations, and there\u2019s a lot of vulnerability. It\u2019s not very clear. It feels like the beginning of the end, or the end of the beginning\u2026 which is probably reflective of where we are as well.<\/em>\u201d&nbsp;<\/p>\n\n\n\n<p>Listen to <em><a rel=\"noreferrer noopener\" href=\"https:\/\/idol-io.link\/SyntheticHearts\" data-type=\"URL\" data-id=\"https:\/\/idol-io.link\/SyntheticHearts\" target=\"_blank\">Synthetic Hearts<\/a><\/em>, available via No Format. <\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"1010\" height=\"1010\" src=\"https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2023\/03\/Msaki-x-Tubatsi-Synthetic-Hearts-1010x1010.jpeg\" alt=\"\" class=\"wp-image-120037\" srcset=\"https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2023\/03\/Msaki-x-Tubatsi-Synthetic-Hearts-1010x1010.jpeg 1010w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2023\/03\/Msaki-x-Tubatsi-Synthetic-Hearts-759x759.jpeg 759w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2023\/03\/Msaki-x-Tubatsi-Synthetic-Hearts-100x100.jpeg 100w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2023\/03\/Msaki-x-Tubatsi-Synthetic-Hearts-661x661.jpeg 661w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2023\/03\/Msaki-x-Tubatsi-Synthetic-Hearts-465x465.jpeg 465w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2023\/03\/Msaki-x-Tubatsi-Synthetic-Hearts-375x375.jpeg 375w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2023\/03\/Msaki-x-Tubatsi-Synthetic-Hearts-200x200.jpeg 200w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2023\/03\/Msaki-x-Tubatsi-Synthetic-Hearts-85x85.jpeg 85w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2023\/03\/Msaki-x-Tubatsi-Synthetic-Hearts-73x73.jpeg 73w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2023\/03\/Msaki-x-Tubatsi-Synthetic-Hearts.jpeg 1200w\" sizes=\"(min-width:1010px) 759px,100vw\" loading=\"lazy\" \/><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>The South African vocal duo, joined by cellist Cl\u00e9ment Petit, unveil an elegant and delicate collaborative album, intimately exploring the complexities of human relationships, the willingness to let go and the changing seasons.\u00a0<\/p>\n","protected":false},"author":48,"featured_media":120032,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[7833],"tags":[5223,6520],"location":[7844],"yst_prominent_words":[8414,8447,8618,8402,8435,17783,9834,9006,8508,35643,40085,8543,8438,11050],"acf":[],"_links":{"self":[{"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/posts\/120072"}],"collection":[{"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/users\/48"}],"replies":[{"embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/comments?post=120072"}],"version-history":[{"count":0,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/posts\/120072\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/media\/120032"}],"wp:attachment":[{"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/media?parent=120072"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/categories?post=120072"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/tags?post=120072"},{"taxonomy":"location","embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/location?post=120072"},{"taxonomy":"yst_prominent_words","embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/yst_prominent_words?post=120072"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}