{"id":113089,"date":"2022-10-07T17:52:04","date_gmt":"2022-10-07T15:52:04","guid":{"rendered":"https:\/\/pan-african-music.com\/?p=113089"},"modified":"2022-10-07T17:52:21","modified_gmt":"2022-10-07T15:52:21","slug":"top-album-071022","status":"publish","type":"post","link":"https:\/\/pan-african-music.com\/en\/top-album-071022\/","title":{"rendered":"5 albums to discover this week"},"content":{"rendered":"\n
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The Villain I Never Was<\/em><\/strong><\/em><\/em><\/em><\/strong><\/p>\n\n\n\n

Black Sherif<\/strong> <\/p>\n\n\n\n

20-year-old Konongo rapper Black Sherif<\/a> releases a highly anticipated first album, The Villain I Never Was<\/em>. This project drops after an impressive run of hits, such as \u201cSecond Sermon\u201d and its official remix featuring Burna Boy, the heart-felt \u201cKwaku The Traveler\u201d and more recently the introspective \u201cSoja\u201d. With The Villain I Never Was <\/em>andits 14 tracks, Black Sherif delivers on every promise. He\u2019s versatile, from singing to rapping with his unique voice. He switches seamlessly from choir-drill on tracks like \u201cWasteman\u201d, to emotional reggae on \u201cDon\u2019t Forget Me\u201d, produced by London. This first project is a very personal deep dive into Black Sherif\u2019s mind, and a great demonstration of the Ghanaian act\u2019s range and potential. 
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Listen here<\/a>. <\/p>\n\n\n\n

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Capricorn Sun<\/em><\/strong><\/p>\n\n\n\n

TSHA<\/strong><\/p>\n\n\n\n

A new face of the London house scene, TSHA<\/a> has been turning big heads from Annie Mac and Bonobo to The Gorillaz breaking through with a string of singles in 2019 and 2020 like the deep house \u201cSister\u201d or the poppier \u201cOnlyL\u201d featuring NIMMO. TSHA quickly began to incorporate sounds from the African continent in her work, at first seduced by Queen B<\/a>\u2019s The Lion King: The Gift<\/em> original soundtrack, and taking a peculiar interest in Malian music. The single preceding her new album \u201cCapricorn Sun\u201d featured the songbird of Wassulu Oumou Sangar\u00e9.<\/a> This project is a cohesive collection of uptempo sounds like \u201cPower\u201d and melancholic, nostalgia-inducing songs that feel like a 2000\u2019s drama soundtrack in the best way possible.<\/p>\n\n\n\n

Listen here<\/a>. <\/p>\n\n\n\n

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In Paris<\/em><\/em><\/em><\/em><\/em><\/strong><\/p>\n\n\n\n

Star Feminine Band<\/strong><\/strong><\/p>\n\n\n\n

\u201cWe are Star Feminine Band, we are musician sisters. The music is our job. We are strong\u201d. <\/em>From the introduction of their second album In Paris<\/em>, the seven young girls of the Star Feminine Band<\/a> make sure you get it right. Urrice, Sandrine, Marguerite, Julienne, Grace, B\u00e9nie and Anne range from only 12 to 19 years old, but their music is mature and its themes even more so. Throughout the album\u2019s 10 songs, they discuss women and children\u2019s conditions in Beninese and African society at large. They sing in French, English, and the local languages of Benin, more specifically their native city Natitingou. With lyrics like those of \u201cLe mariage forc\u00e9<\/a>\u201d (\u201cForced marriage\u201d) and \u201cL\u2019excision\u201d, they confidently deliver their messages. They also excel instrumentally, jamming on the bass, guitar, drums, keyboard and more. The mix of smooth rock and traditional East-african sounds is lively and impressive.<\/p>\n\n\n\n

Listen here<\/a>. <\/p>\n\n\n\n

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Living Sky<\/em><\/em><\/em><\/em><\/em><\/em><\/strong><\/p>\n\n\n\n

Sun Ra Arkestra<\/strong><\/p>\n\n\n\n

After a more than twenty years hiatus, the Sun Ra Arkestra<\/a> marked a prolific return: Swirling<\/a><\/em>, the Outros Espa\u00e7o<\/em> project with Brazilian act Rodrigo Brand\u00e3o and a joint album with Egyptian percussionist Salah Ragab<\/a>. With this new project Living Sky<\/em>, the Arkestra pays homage to its founder Sun Ra<\/a>, as well as Pharoah Sanders<\/a>. The legendary free-jazz saxophonist who died in September. This album is led once again by Marshall Allen, 98 years old and the last founding member of the group. Allen also composed 3 of the 7 tracks. As always, the Sun Ra Arkestra offers a brilliant and spiritual free-jazz performance, recorded in the Rittenhouse Soundworks studios in Philadelphia.<\/p>\n\n\n\n

Listen here<\/a>. <\/p>\n\n\n\n

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T<\/em><\/em><\/em><\/em><\/em>extures<\/em><\/strong><\/p>\n\n\n\n

Hagan<\/strong><\/strong><\/p>\n\n\n\n

South-London DJ and producer Hagan<\/a> grew up on the voices of highlife<\/a> legends Pat Thomas <\/a>and Edo Taylor, and Ghanaian gospel resonating in church. He documented the electronic music movement on the local scene. So it only makes sense that he drew inspiration from his memories in Ghana to create the many layers of his new album Textures<\/em>. This 11-track gqom and house fuse tells many stories. Hagan told PAM<\/a> the origins of the third song \u201cRoyal Jama\u201d : \u201cif you watch the Ghanaian football team you will see that before they play they come together and they play rhythms to kind of hype themselves up. […]So I used a sample of this on that track\u201d<\/em>.<\/p>\n\n\n\n

Listen here<\/a>. <\/p>\n","protected":false},"excerpt":{"rendered":"

This week, Black Sherif’s introspective rap, melancolic house, engaged rock from Natitingou, spiritual free-jazz and sweet memories from Ghana.<\/p>\n","protected":false},"author":10,"featured_media":113083,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[3944,87],"tags":[41238,28265,4096,25767,5454,23842,6720,23741,32166,27906,29070,29069],"location":[],"yst_prominent_words":[8414,9391,8402,8435,25262,16133,16185],"acf":[],"_links":{"self":[{"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/posts\/113089"}],"collection":[{"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/comments?post=113089"}],"version-history":[{"count":0,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/posts\/113089\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/media\/113083"}],"wp:attachment":[{"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/media?parent=113089"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/categories?post=113089"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/tags?post=113089"},{"taxonomy":"location","embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/location?post=113089"},{"taxonomy":"yst_prominent_words","embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/yst_prominent_words?post=113089"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}