{"id":112026,"date":"2022-09-20T17:20:46","date_gmt":"2022-09-20T15:20:46","guid":{"rendered":"https:\/\/pan-african-music.com\/?p=112026"},"modified":"2022-09-20T17:20:55","modified_gmt":"2022-09-20T15:20:55","slug":"wau-wau-collectif-mariage-2","status":"publish","type":"post","link":"https:\/\/pan-african-music.com\/en\/wau-wau-collectif-mariage-2\/","title":{"rendered":"Children at the center of Mariage, Wau Wau Collectif\u2019s second album"},"content":{"rendered":"\n

The unclassifiable union<\/a> between Swedish producer Karl Jonas Winqvist and musicians from the Toubab Dialaw village in Senegal returns with a second album which expands on the theme explored in their debut.<\/h4>\n\n\n\n

After a chance encounter back in 2018 with musicians, percussionists, poets and beatmakers from the small Senegalese fishing village of Toubab Dialaw, Swedish producer Karl Jonas Winqvist went back to Sweden with some recorded mementos. From that moment on, he continued to exchange sounds through WhatsApp with Arouna Kane, the Senegal-based collaborator and studio engineer with whom they had recorded back in Senegal. Thus, the Wau Wau Collectif came to be and their first album Yaral Sa Doom, <\/em>which captured their avant-garde cosmic sound<\/a>, was released.<\/p>\n\n\n\n

However, it so happened they had kept enough material to produce a second one as the Swedish producer implied during an interview<\/a> given to PAM in 2021: \u201cWe recorded so much material and me and Aruna sent overdubs, ideas and new songs to each other up till last week, so the songs on Yaral Sa Doom ended up on that album because they were ready first. But there were just as many other songs waiting and almost finished<\/em>\u201d. It was not completely out of the blue that we learned about Mariage. <\/em>It is dedicated to the late Ousmane Ba, whose flute can be heard throughout \u201cNecessaire\u201d and \u201cMariage Forc\u00e9\u201d. <\/p>\n\n\n\n

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