{"id":111350,"date":"2022-09-09T17:48:53","date_gmt":"2022-09-09T15:48:53","guid":{"rendered":"https:\/\/pan-african-music.com\/?p=111350"},"modified":"2022-09-09T18:03:14","modified_gmt":"2022-09-09T16:03:14","slug":"top-albums-09-09-22","status":"publish","type":"post","link":"https:\/\/pan-african-music.com\/en\/top-albums-09-09-22\/","title":{"rendered":"5 albums to discover this week"},"content":{"rendered":"\n
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Mr. Money With The Vibe<\/em><\/strong><\/em><\/em><\/em><\/strong><\/p>\n\n\n\n

Asake<\/strong><\/p>\n\n\n\n

Nigerian artist Asake released his debut album Mr. Money With The Vibe, <\/em>following his four-track EP Ololade <\/em>unveiled back in February. It features the remix of the single \u201cSungba\u201d (the original was included in the EP) with none other than Burna Boy<\/a>. American rapper Russ is also present on \u201cReason\u201d. This first full-length album encapsulates Asake\u2019s peculiar style which fuses together Afrobeats with amapiano. Asake\u2019s brand is also well illustrated in the album\u2019s cover showing him smiling hungrily in the mugshot of a wanted poster. This self-fulfilling prophecy expressed in the album\u2019s title will see \u201cMr. Money with the vibe\u201d continue to earn bankrolls with his contagious sound.<\/p>\n\n\n\n

Listen here<\/a>. <\/p>\n\n\n\n

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As Above, So Below<\/em><\/em><\/em><\/em><\/strong><\/p>\n\n\n\n

Sampa the Great<\/strong><\/strong><\/p>\n\n\n\n

The Zambian artist returns with a new album As Above, So Below<\/em>, her latest work designed to highlight her Zambian connection. Her recently released \u201cNever Forget\u201d, featuring Chef 187, Tio Nason and Mwanj\u00e9. Sung both in Bemba and in English the song pays homage to zamrock<\/a>, a musical fusion that emerged in Zambia during the 1970s. \u201cI thought it was fitting to pay homage to those who came before me and merge past, present and future through music and imagery; passing the baton from one generation to the next<\/em>\u201d, she said. In the album, Sampa the Great also delves into her relationship with femininity as an African woman to create an Eve persona: \u201cthe highest version of Sampa that speaks to all facets of her womanhood<\/em>\u201d.<\/p>\n\n\n\n

Listen here<\/a>. <\/p>\n\n\n\n

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Natural Brown Prom Queen<\/em><\/em><\/em><\/em><\/em><\/strong><\/p>\n\n\n\n

Sudan Archives<\/strong><\/strong><\/p>\n\n\n\n

American violinist Sudan Archives returns with her second album to further reaffirms her all-round artistic status. Going from disco infused songs like the opener \u201cHome Maker\u201d to the almost undefinable \u201cNBPQ (Topless)\u201d with its Persian vibes, to the upbeat and empowering \u201cSelfish Soul\u201d, to R&B ballads like \u201cChevyS10\u201d, to soul track like \u201cFLUE\u201d… Always with a touch of her signature violin virtuosity. Yet, not quite all over the place as her 18-track album manages to stay cohesive despite exploring a diverse range of genres. The creativity shown in the music videos is also worth mentioning with her colourful and provocative visuals. Natural Brown Prom Queen <\/em>explores themes that intertwine with Sudan Archives\u2019 experiences. It deals with race, womanhood, relationships and places, displaying both the artist’s vulnerabilities and confidence.<\/p>\n\n\n\n

Listen here<\/a>. <\/p>\n\n\n\n

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GREENZONE 108<\/em><\/em><\/em><\/em><\/em><\/em><\/strong><\/p>\n\n\n\n

Greentea Peng<\/strong><\/strong><\/p>\n\n\n\n

\u201cSuper Green\u201d  Fifth Element\u2019s character Ruby Rhud would say about Greentea Peng\u2019s latest album: <\/em>a qualifier which completely describes the vibe of GREENZONE 108<\/em>. With effortless cool, the British artist\u2019s soulful voice is sure to relax the mood. \u201cGREENZONE 108 is a free flowing, open field of expression<\/em>\u201d, Aria Wells said. \u201cA collection of works accumulated over a transitional period of my life. An elevation of sorts from <\/em>MAN MADE, in the sense that so much has changed and formed in the 2 years since that conception. GREENZONE 108 is freer, less formed and more of an open dialogue\/ space exploring all different types of topics from spirituality, and originality to mental health and politricks hence why this is a mixtape and not an album.<\/em>\u201d<\/p>\n\n\n\n

Listen here<\/a>. <\/p>\n\n\n\n

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Germander II<\/em><\/em><\/em><\/em><\/em><\/em><\/strong><\/p>\n\n\n\n

FLVME<\/strong><\/strong><\/p>\n\n\n\n

South African rapper returns with a follow-up to his 2019 EP, this time on GERMANDER II. <\/em>The album opens to soft piano melodies and emotional lyrics dealing with faith, relationships and the musical industry\u2019s ruthlessness. A sad undertone which he pursues throughout the 13 tracks. The tile refers to a delicate species of flower which resonates with FLVME\u2019s vulnerable side: \u201cI feel this best describes me, I am that flower, a seed planted, watered, left to dry up, revered in my season of blossoming and allowed to bloom, and that\u2019s what the title is for<\/em>\u201d. The album features Kewand & Mellow Don Picasso, Die Mondez, Yung Tyran (a good collaboration for the title \u201cNo Discussion\u201d), The Bug Hash, DaVionne, Stogie T, Jay Millian and Ben September. <\/p>\n\n\n\n

Listen here<\/a>. <\/p>\n","protected":false},"excerpt":{"rendered":"

Mr. Money With The Vibe Asake Nigerian artist Asake released his debut album Mr. Money With The Vibe, following his four-track EP Ololade unveiled back in February. It features the remix of the single \u201cSungba\u201d […]<\/p>\n","protected":false},"author":10,"featured_media":111394,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[3944],"tags":[20359,23842,23741,23807],"location":[],"yst_prominent_words":[8403,8414,8447,9391,8402,17259,13559,8449,8848],"acf":[],"_links":{"self":[{"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/posts\/111350"}],"collection":[{"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/comments?post=111350"}],"version-history":[{"count":0,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/posts\/111350\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/media\/111394"}],"wp:attachment":[{"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/media?parent=111350"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/categories?post=111350"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/tags?post=111350"},{"taxonomy":"location","embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/location?post=111350"},{"taxonomy":"yst_prominent_words","embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/yst_prominent_words?post=111350"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}