{"id":111188,"date":"2022-09-07T10:54:43","date_gmt":"2022-09-07T08:54:43","guid":{"rendered":"https:\/\/pan-african-music.com\/?p=111188"},"modified":"2022-09-07T10:58:37","modified_gmt":"2022-09-07T08:58:37","slug":"gyedublay-ambolley-hilife-jazz","status":"publish","type":"post","link":"https:\/\/pan-african-music.com\/en\/gyedublay-ambolley-hilife-jazz\/","title":{"rendered":"Highlife veteran Gyedu\u2011Blay Ambolley reinterprets classics"},"content":{"rendered":"\n<h4 class=\"wp-block-heading\">Thirty-fifth album and counting, the 75-year-old musician is about to release yet another record, <em>Hi-life Jazz,<\/em> in which he revisits works by John Coltrane, Thelonius Monk, Wayne Shorter and Miles Davis.<\/h4>\n\n\n\n<p>Born in 1947, ten years before Ghana\u2019s independence, <a href=\"https:\/\/pan-african-music.com\/en\/tag\/gyedu-blay-ambolley\/\" data-type=\"URL\" data-id=\"https:\/\/pan-african-music.com\/en\/tag\/gyedu-blay-ambolley\/\">Gyedu\u2011Blay Ambolley<\/a> has lived throughout the highlife craze. While a member of the Uhuru Dance Band, he developed his signature Simigwa-do style alongside Ebo Taylor and Sammy Larteh with whom he shared the stage. Yet, the highlife legend didn\u2019t stop there and continues to cultivate his impressive catalogue. <em>Hi-Life Jazz <\/em>will be his 35th album to date released via the German Agogo label.<\/p>\n\n\n\n<p>For this latest project, Gyedu\u2011Blay Ambolley has chosen to embrace his love of Afro-soul and admiration for well-known jazz figures. In the nine-track album, he provides both reinterpretation of old classics and brand new compositions where he blends together Afro-American jazz, soul and funk with Ghanaian highlife, enhanced by his signature Simigwa style and powered by polyrhythms.<\/p>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2406874629\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\" loading=\"lazy\"><a href=\"https:\/\/blayambolley.bandcamp.com\/album\/gyedu-blay-ambolley-and-hi-life-jazz\">Gyedu-Blay Ambolley and Hi-Life Jazz by Gyedu-Blay Ambolley<\/a><\/iframe>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>In the first three tracks, \u201cSankumagye\u201d, \u201cYekor Ye A Yeaba\u201d and \u201cEnyidado\u201d, Gyedu-Blay Ambolley showcases deep tonal and vocal interventions, mixing Afro-soul and groove: a most-fitting way to set the tone for the rest of the album. The following tracks are reinterpretations of titles by <a href=\"https:\/\/pan-african-music.com\/en\/tag\/john-coltrane\/\" data-type=\"URL\" data-id=\"https:\/\/pan-african-music.com\/en\/tag\/john-coltrane\/\">John Coltrane<\/a>, Thelonious Monk, Wayne Shorter and <a href=\"https:\/\/pan-african-music.com\/en\/tag\/miles-davis\/\" data-type=\"URL\" data-id=\"https:\/\/pan-african-music.com\/en\/tag\/miles-davis\/\">Miles Davis<\/a>, in which Gyedu-Blay Ambolley stays true to the original while adding a Ghanain touch and allowing himself to play freely with the rhythm. It\u2019s especially true in \u201cLove Is Supreme\u201d inspired by Coltrane\u2019s track of the same name, in which Ambolley adds a joyous swing which deeply changes the overall tone. A wonderful way to rediscover jazz staples.<\/p>\n\n\n\n<p><em>Hi-Life Jazz<\/em> out October 7th via <a href=\"https:\/\/blayambolley.bandcamp.com\/album\/gyedu-blay-ambolley-and-hi-life-jazz\" data-type=\"URL\" data-id=\"https:\/\/blayambolley.bandcamp.com\/album\/gyedu-blay-ambolley-and-hi-life-jazz\" target=\"_blank\" rel=\"noreferrer noopener\">Agogo<\/a>.<\/p>\n\n\n\n<p>Listen to &#8220;Round Midnite&#8221; in our <a href=\"https:\/\/idol.lnk.to\/SongsWeekPAM\" target=\"_blank\" rel=\"noreferrer noopener\">Songs of the Week<\/a> playlist.<\/p>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"1010\" height=\"1010\" src=\"https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2022\/09\/Gyedu-Blay-Ambolley-and-Hi-Life-Jazz-1010x1010.jpg\" alt=\"\" class=\"wp-image-111193\" srcset=\"https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2022\/09\/Gyedu-Blay-Ambolley-and-Hi-Life-Jazz-1010x1010.jpg 1010w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2022\/09\/Gyedu-Blay-Ambolley-and-Hi-Life-Jazz-759x759.jpg 759w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2022\/09\/Gyedu-Blay-Ambolley-and-Hi-Life-Jazz-100x100.jpg 100w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2022\/09\/Gyedu-Blay-Ambolley-and-Hi-Life-Jazz-661x661.jpg 661w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2022\/09\/Gyedu-Blay-Ambolley-and-Hi-Life-Jazz-465x465.jpg 465w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2022\/09\/Gyedu-Blay-Ambolley-and-Hi-Life-Jazz-375x375.jpg 375w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2022\/09\/Gyedu-Blay-Ambolley-and-Hi-Life-Jazz-200x200.jpg 200w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2022\/09\/Gyedu-Blay-Ambolley-and-Hi-Life-Jazz-85x85.jpg 85w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2022\/09\/Gyedu-Blay-Ambolley-and-Hi-Life-Jazz-73x73.jpg 73w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2022\/09\/Gyedu-Blay-Ambolley-and-Hi-Life-Jazz.jpg 1200w\" sizes=\"(min-width:1010px) 759px,100vw\" loading=\"lazy\" \/><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Thirty-fifth album and counting, the 75-year-old musician is about to release yet another record, Hi-life Jazz, in which he revisits works by John Coltrane, Thelonius Monk, Wayne Shorter and Miles Davis. Born in 1947, ten [&hellip;]<\/p>\n","protected":false},"author":10,"featured_media":111195,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[3944],"tags":[4117,5379,5431,23842],"location":[7994],"yst_prominent_words":[9918,14405,8435],"acf":[],"_links":{"self":[{"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/posts\/111188"}],"collection":[{"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/comments?post=111188"}],"version-history":[{"count":0,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/posts\/111188\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/media\/111195"}],"wp:attachment":[{"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/media?parent=111188"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/categories?post=111188"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/tags?post=111188"},{"taxonomy":"location","embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/location?post=111188"},{"taxonomy":"yst_prominent_words","embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/yst_prominent_words?post=111188"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}