{"id":105846,"date":"2022-04-29T17:31:45","date_gmt":"2022-04-29T15:31:45","guid":{"rendered":"https:\/\/pan-african-music.com\/?p=105846"},"modified":"2022-05-02T12:08:38","modified_gmt":"2022-05-02T10:08:38","slug":"cheb-runner-angry-immigrant","status":"publish","type":"post","link":"https:\/\/pan-african-music.com\/en\/cheb-runner-angry-immigrant\/","title":{"rendered":"Cheb Runner, angry immigrant music for a unified dancefloor"},"content":{"rendered":"\n<h4 class=\"wp-block-heading\">PAM met Cheb Runner at The Hague\u2019s 2022 Rewire festival, an artist building bridges between a musical past and electric future through the eyes of an angry immigrant bent on unifying the public through dance.<\/h4>\n\n\n\n<p class=\"has-drop-cap\">We met Reda Senhaji aka Cheb Runner in The Hague for the Rewire Festival. He was dressed in all black from his hat down to his toes. We found a quiet spot amidst the midday activity of professionals and party goers getting ready for Saturday night festivities. Before sitting down to chat, Cheb pulls out a wooden box and opens it up to reveal some black wraparound motorcycle shades that he throws on as we begin our conversation. Tonight he was on deck to put on an interactive live performance including virtual reality projections by visual artist <a href=\"https:\/\/www.instagram.com\/salim_five_and_thursday\/\" target=\"_blank\" rel=\"noreferrer noopener\">Salim Bayri<\/a> and freestyle traditional keys and pads. Cheb Runner\u2019s work sits comfortably between heritage and hereafter, combining gnawa and oriental melodies with the dark ambiance of modern club sounds. His 2020 <em>Tagnawit EP <\/em>plays on the smoother side of the spectrum while his follow-up single \u201cAir Maghrib\u201d touches closer to the techno flavor of his club sets. \u201c<em>The sound is a mix between, let\u2019s say, EDM, Gabber, and traditional music. Most of the time I take traditional rhythmics and then I put some effects on and try to color it; give another vibe to it. Another kind of, how you say, quality\u2026<\/em>\u201d Cheb explains.\u00a0<\/p>\n\n\n\n<p>\u201c<em>When I grew up in Morocco,<\/em>\u201d Cheb continues. \u201c<em>I was with friends, skateboarding, surfing and we were listening to drum and bass, psytrance, techo, hip-hop\u2026because skaters, they can switch between rock, hip hop, electronic, everything. We don&#8217;t have these borders, right?<\/em>\u201d Native to Agadir, Morocco, Cheb has little reverence for borders. In fact, the night\u2019s show was called Angry Immigrant, an homage to immigrants making the treacherous and sometimes deadly trip across the Mediterranean from North Africa. Immigrating is something Cheb has some personal experience with. &#8220;<em>This show, Angry Immigrant, comes from my experience in Belgium<\/em>&#8220;, he begins &#8220;<em>I spent 10 years there and during this period I was faced with many problems&#8230; personal ones, social issues and integration struggles, papers, you know? And once you solve those problems, then we come to the problems of community.<\/em>&#8221; Exasperated, he put his hands in the air. \u201c<em>Let\u2019s talk together. Let&#8217;s dance together. Let&#8217;s do that together,<\/em>\u201d he offers as a solution. \u201c<em>When I play DJ sets it\u2019s uniting.<\/em> <em>Dancing, dancing, dancing, dancing, and sweating and dancing, sweating. That&#8217;s it!<\/em>\u201d<\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Cheb Runner - Rahba \/ Live@Botanique\" width=\"500\" height=\"375\" data-src=\"https:\/\/www.youtube.com\/embed\/4LKuISGobRk?feature=oembed&#038;autoplay=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><figcaption>Cheb Runner &#8211; Rahba \/ Live@Botanique<\/figcaption><\/figure>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>It\u2019s a music that\u2019s easy to dance to. His show starts out with a low key-note and slips into improvisations on oriental scales. That is until he moves to the drums and bass that incorporate traditional rhythms and heavy synths. \u201c<em>I learned the Oriental scales by myself because they were already in my subconscious. I grew up with it, so when I touched it<\/em> (the keys)<em> for the first time, I knew these notes fit with each other. No academic background, it was just spontaneous,<\/em>\u201d says Cheb of his music. \u201c<em>Then there are packages of styles<\/em>,\u201d Cheb elaborates, \u201c<em>Each country has its own kind of samples that you can find just by fucking around with people that you know, or talking with them through internet, or going there to record it.\u201d <\/em>Concluding, \u201c<em>On the other hand there are my traditional instruments that I pick up from everywhere and record<\/em>.\u201d It\u2019s a devastating cacophony that creates moments of ecstatic joy and face-punching sonics. Woops and wolps were a\u2019plenty during the show full of habibi cries, tongue-wags, zaghroutas, and ululations. Cheb himself is a fist-pumping and head-bobbing with a violent musical surrender. \u201c<em>I just want to do something spontaneous,<\/em>\u201d he admits.&nbsp;<\/p>\n\n\n\n<p>Finding method in the madness one needs to zoom-out to Cheb\u2019s work on the ground. Now, Cheb Runner, Reda Senhaji has been circulating on the art scene for over 10 years under different pseudonyms. Always recording, moving through collectives, Cheb\u2019s North Star seems to be holding together the musical past and present. He\u2019s currently doing work with the aptly named <a href=\"https:\/\/heritagestudios.world\/\" target=\"_blank\" rel=\"noreferrer noopener\">Heritage Studios<\/a>. \u201c<em>Heritage Studios is about diving into heritage and how we can preserve it in the digital age,<\/em>\u201d Cheb explains. More than just a studio, it\u2019s \u201c<em>a platform for research, music and design where WANA <\/em>(West Asian &amp; North African) <em>diaspora artists can explore their cultural heritage and its meaning in this digital world<\/em>.\u201d For Cheb, it\u2019s about, \u201c<em>how we can use that heritage to make it interesting. Not interesting, because it\u2019s already interesting. To bring it closer to people and keep it as long as possible.<\/em>\u201d&nbsp;<\/p>\n\n\n\n<p>So far, Cheb Runner has been doing his part on-stage and off. Idolizing the likes of Algerian Karim Ziad and Moroccan Mehdi Nassouli who have brought North African music to a wider audience and broader popularity by combining it with a jazz fusion. \u201c<em>This guy is fucking genius on drums<\/em>,\u201d Cheb said of Karim Ziad with deadly seriousness. And while this all remains instrumental and abstract, a work for aficionados and the obsessed, Cheb believes there is meaning in it all, even if it\u2019s not explicit. \u201c<em>We can say there is no message, but there is always a message,\u201d <\/em>Cheb says.<em> \u201cSometimes I cannot be vocal about it. I just want to create it. To make it musical.<\/em>\u201d There we can agree. Let the discs spin and the record show.<\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Listen to \u201cAir Maghrib\u201d in our afro + club playlist on <a href=\"https:\/\/open.spotify.com\/playlist\/38btMIbD4lYEsPbMrN9Bjz?si=FbbbIxauTjWsf3HwGUiFVQ\" target=\"_blank\" rel=\"noreferrer noopener\">Spotify<\/a> and <a href=\"https:\/\/www.deezer.com\/fr\/playlist\/3244743002\" target=\"_blank\" rel=\"noreferrer noopener\">Deezer<\/a>.<\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" width=\"640\" height=\"640\" src=\"https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2022\/04\/CHeb-Runner-Air-Maghrib.jpeg\" alt=\"\" class=\"wp-image-105855\" srcset=\"https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2022\/04\/CHeb-Runner-Air-Maghrib.jpeg 640w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2022\/04\/CHeb-Runner-Air-Maghrib-100x100.jpeg 100w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2022\/04\/CHeb-Runner-Air-Maghrib-465x465.jpeg 465w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2022\/04\/CHeb-Runner-Air-Maghrib-375x375.jpeg 375w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2022\/04\/CHeb-Runner-Air-Maghrib-200x200.jpeg 200w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2022\/04\/CHeb-Runner-Air-Maghrib-85x85.jpeg 85w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2022\/04\/CHeb-Runner-Air-Maghrib-73x73.jpeg 73w\" sizes=\"(min-width:1010px) 759px,100vw\" loading=\"lazy\" \/><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>PAM met Cheb Runner at The Hague\u2019s 2022 Rewire festival, an artist building bridges between a musical past and electric future through the eyes of an angry immigrant bent on unifying the public through dance.<\/p>\n","protected":false},"author":52,"featured_media":105848,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[7833,7835],"tags":[4096,35108],"location":[8136],"yst_prominent_words":[24017,31651,12234,13686,18743,8542,8394,22868,12293,14321],"acf":[],"_links":{"self":[{"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/posts\/105846"}],"collection":[{"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/users\/52"}],"replies":[{"embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/comments?post=105846"}],"version-history":[{"count":0,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/posts\/105846\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/media\/105848"}],"wp:attachment":[{"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/media?parent=105846"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/categories?post=105846"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/tags?post=105846"},{"taxonomy":"location","embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/location?post=105846"},{"taxonomy":"yst_prominent_words","embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/yst_prominent_words?post=105846"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}