{"id":101460,"date":"2022-03-11T10:58:16","date_gmt":"2022-03-11T09:58:16","guid":{"rendered":"https:\/\/pan-african-music.com\/doomcannon-lex-amor-times\/"},"modified":"2022-03-11T14:25:43","modified_gmt":"2022-03-11T13:25:43","slug":"doomcannon-lex-amor-times","status":"publish","type":"post","link":"https:\/\/pan-african-music.com\/en\/doomcannon-lex-amor-times\/","title":{"rendered":"DoomCannon and Lex Amor united in our &#8220;Times&#8221;"},"content":{"rendered":"\n<h4 class=\"wp-block-heading\">The two London-based artists switch between rap and free jazz on this moving track, deeply rooted in our contemporary issues.<\/h4>\n\n\n\n<p>DoomCannon is a composer, producer and multi-instrumentalist from London. When he&#8217;s not playing free jazz with bands like Project Karnak and TriForce, he works on his upcoming solo album, whose debut single \u201cAmalgamation\u201d was released in January. For &#8220;Times&#8221;, the project&#8217;s second track, he was joined by rapper <a href=\"https:\/\/pan-african-music.com\/en\/tag\/lex-amor\/\">Lex Amor<\/a>, whose poetry seeps beautifully over a piano intro: &#8220;<em>We knew how to chase the sun, run before your feet get weak, run before you lose your tongue. Know your voice before you speak, wait until the days come<\/em>.&#8221;<\/p>\n\n\n\n<p>In between Lex Amor\u2019s verses of Lex Amor, DoomCannon also uses saxophone riffs and guitar sequences to create a tension and a momentum that both carry the song&#8217;s powerful message. &#8220;<em>In creating this track, I was inspired by galvanizing songs like Kendrick Lamar&#8217;s &#8216;Mortal Man,&#8217; whose message prophesies an uprising in the community<\/em>,&#8221; he explains. &#8220;<em>It really resonated with me because it was around the same time as the Black Lives Matter protests in the midst of the 2020 pandemic<\/em>.&#8221;<\/p>\n\n\n\n<p>More political and intimate themes will be found on this upcoming project, which will be released on the prestigious English label <a href=\"https:\/\/pan-african-music.com\/en\/tag\/brownswood-recordings-en\/\">Brownswood Recordings<\/a> (<a href=\"https:\/\/pan-african-music.com\/en\/tag\/kokoroko\/\">Kokoroko<\/a>, <a href=\"https:\/\/pan-african-music.com\/en\/indaba-is-brownswood-recording\/\">Indaba Is<\/a>\u2026). The album will be a reflection on identity and belonging within the black British community, inspired by the artist\u2019s summer of 2020, &#8220;<em>consumed by global cries of alarm about racial and social injustice<\/em>.&#8221;<\/p>\n\n\n\n<p>Listen to the track in our Songs of the Week playlist on <a href=\"https:\/\/spoti.fi\/2Pz0eyg\">Spotify<\/a> and <a href=\"https:\/\/bit.ly\/30zVbUA\">Deezer<\/a>.<\/p>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Times (feat. Lex Amor)\" width=\"500\" height=\"375\" data-src=\"https:\/\/www.youtube.com\/embed\/Pp8_bzC-K90?feature=oembed&#038;autoplay=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><figcaption>Times (feat. Lex Amor)<\/figcaption><\/figure>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"1010\" height=\"1010\" src=\"https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2022\/03\/lex-amor-doomcannon-1010x1010.jpg\" alt=\"\" class=\"wp-image-101452\" srcset=\"https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2022\/03\/lex-amor-doomcannon-1010x1010.jpg 1010w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2022\/03\/lex-amor-doomcannon-759x759.jpg 759w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2022\/03\/lex-amor-doomcannon-100x100.jpg 100w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2022\/03\/lex-amor-doomcannon-2048x2048.jpg 2048w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2022\/03\/lex-amor-doomcannon-1440x1440.jpg 1440w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2022\/03\/lex-amor-doomcannon-661x661.jpg 661w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2022\/03\/lex-amor-doomcannon-465x465.jpg 465w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2022\/03\/lex-amor-doomcannon-375x375.jpg 375w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2022\/03\/lex-amor-doomcannon-200x200.jpg 200w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2022\/03\/lex-amor-doomcannon-85x85.jpg 85w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2022\/03\/lex-amor-doomcannon-73x73.jpg 73w, https:\/\/pan-african-music-production.fra1.digitaloceanspaces.com\/wp-content\/uploads\/2022\/03\/lex-amor-doomcannon.jpg 3000w\" sizes=\"(min-width:1010px) 759px,100vw\" loading=\"lazy\" \/><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>The two London-based artists switch between rap and free jazz on this moving track, deeply rooted in our contemporary issues. DoomCannon is a composer, producer and multi-instrumentalist from London. When he&#8217;s not playing free jazz [&hellip;]<\/p>\n","protected":false},"author":10,"featured_media":101454,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[3944,87],"tags":[41205,23842,24731,23741],"location":[],"yst_prominent_words":[24062,35243,9172,18859,8932,8414,9941,8447,13180,24061,16122,8402,8435,31210,8543,11481,8619,13119,10026],"acf":[],"_links":{"self":[{"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/posts\/101460"}],"collection":[{"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/comments?post=101460"}],"version-history":[{"count":0,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/posts\/101460\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/media\/101454"}],"wp:attachment":[{"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/media?parent=101460"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/categories?post=101460"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/tags?post=101460"},{"taxonomy":"location","embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/location?post=101460"},{"taxonomy":"yst_prominent_words","embeddable":true,"href":"https:\/\/pan-african-music.com\/en\/wp-json\/wp\/v2\/yst_prominent_words?post=101460"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}